| Photos (See all 59 | slideshow) | Videos (see all 14) |
| Adam Sandler | ... | Charlie Fineman | |
| Don Cheadle | ... | Alan Johnson | |
| Jada Pinkett Smith | ... | Janeane Johnson | |
| Liv Tyler | ... | Angela Oakhurst | |
| Saffron Burrows | ... | Donna Remar | |
| Donald Sutherland | ... | Judge Raines | |
| Robert Klein | ... | Jonathan Timpleman | |
| Melinda Dillon | ... | Ginger Timpleman | |
| Mike Binder | ... | Bryan Sugarman | |
| Jonathan Banks | ... | Stelter | |
| Rae Allen | ... | Adell Modell | |
| Paula Newsome | ... | Melanie | |
| John de Lancie | ... | Nigel Pennington | |
| Paul Butler | ... | George Johnson | |
| Camille LaChe Smith | ... | Cherie Johnson (as Camille LaChe-Smith) | |
| Imani Hakim | ... | Jocelyn Johnson | |
| Denise Dowse | ... | Psychiatric Hospital Therapist | |
| Anthony Chisholm | ... | William Johnson | |
| B.J. Novak | ... | Mr. Fallon | |
| Jessica Golden | ... | Night Club Comic | |
| Ted Raimi | ... | Peter Savarino | |
| Harris Peet | ... | Kemp | |
| Molly Binder | ... | Becky Fishman | |
| Tommy Nohilly | ... | Patty | |
| Robert Harvey | ... | Dental Partner | |
| Nick Taylor | ... | Taxi Driver | |
| M.D. Walton | ... | New York Police Officer #1 | |
| Chad Brigockas | ... | New York Police Officer #2 (as Chad R. Brigockas) | |
| Elizabeth Andrews | ... | Sugarman's Secretary | |
| Neal Young | ... | New Dental Patient (as Neal Robert Young) | |
| Lela Loren | ... | Dental Hygienist | |
| rest of cast listed alphabetically: | |||
| Gina Fricchione | ... | Dr. Johnson's Waiting Room Patient (uncredited) | |
| Diana Gettinger | ... | Doreen Fineman (uncredited) | |
| Karen Huie | ... | News Reporter (uncredited) | |
| Amber Ingram | ... | Jenny Fineman (uncredited) | |
| Lou Irizarry | ... | Moving Man (uncredited) | |
| Andre M. Johnson | ... | New York Police Officer (uncredited) | |
| Joey King | ... | Gina Fineman (uncredited) | |
| Lester G. Reynolds | ... | Psyche Patient (uncredited) | |
| Arick Salmea | ... | Rock Club Guy (uncredited) | |
| Nick Vlassopoulos | ... | Examining Doctor (uncredited) | |
Directed by | |||
| Mike Binder | |||
Writing credits(WGA) | ||
| Mike Binder | (written by) | |
Produced by | |||
| Jack Binder | .... | producer | |
| Jack Giarraputo | .... | executive producer | |
| Michael Rotenberg | .... | producer | |
| Lynwood Spinks | .... | executive producer | |
| Jeff G. Waxman | .... | associate producer (as Jeff Waxman) | |
| Rachel Zimmerman | .... | co-producer | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Russ T. Alsobrook | (director of photography) (as Russ Alsobrook) | ||
Film Editing by | |||
| Steve Edwards | |||
| Jeremy Roush | |||
Casting by | |||
| Sharon Bialy | |||
Production Design by | |||
| Christian Wintter | (as Pipo Wintter) | ||
Art Direction by | |||
| Greg Berry | (as Gregory A. Berry) | ||
Set Decoration by | |||
| Jon Danniells | |||
Costume Design by | |||
| Deborah Lynn Scott | (as Deborah L. Scott) | ||
Makeup Department | |||
| Rose Chatterton | .... | key hair stylist: New York | |
| Victor DeNicola | .... | key hair stylist: New York (as Victor P. DeNicola Jr.) | |
| Kathleen Freeman | .... | key makeup artist | |
| Araxi Lindsey | .... | hair stylist: Mrs. Pinkett Smith | |
| Ann Pala | .... | makeup department head (as Ann Pala Taylor) | |
| Denise Paulson | .... | makeup artist | |
| Thomas Real | .... | department head hair stylist | |
| Nancy Tong | .... | key hair stylist (as Nanxy Tong-Heater) | |
| Toy Van Lierop | .... | key makeup artist: New York (as Toy R. Van Lierop) | |
Second Unit Director or Assistant Director | |||
| Marlene Arvan | .... | first assistant director: second unit, New York | |
| Melody Beam | .... | extra second assistant director | |
| Thomas Coe | .... | second assistant director: Los Angeles (as Thomas D. Coe) | |
| Louis Guerra | .... | second assistant director (as Louis J. Guerra) | |
| Alexander James | .... | additional second assistant director: second unit | |
| Deanna Leslie | .... | second assistant director: second unit (as Deanna Leslie Kelly) | |
| Jamie Marshall | .... | first assistant director | |
| Michael T. Meador | .... | second second assistant director: New York (as Michael Meador) | |
| Shawn Pipkin | .... | second second assistant director: Los Angeles | |
| Kyle Rudolph | .... | second unit director: New York (as Kyle C. Rudolph) | |
Sound Department | |||
| David Bach | .... | supervising sound editor | |
| Thomas Causey | .... | sound mixer | |
| Carlos Delarios | .... | sound re-recording mixer (as Carlos de Larios) | |
| Brian John Gardner | .... | foley editor (as Brian J. Gardner) | |
| Marc Glassman | .... | sound effects editor | |
| Laura Graham | .... | dialogue editor | |
| Matthew P. Hanson | .... | assistant sound editor (as Matt Hanson) | |
| Pamela Kahn | .... | foley artist | |
| Richard Kite | .... | sound utility | |
| Howard London | .... | adr mixer | |
| Linda Murphy | .... | boom operator | |
| Kyle Rochlin | .... | foley mixer | |
| Cameron Steenhagen | .... | dialogue editor | |
| Clayton Weber | .... | supervising foley editor | |
| Elmo Weber | .... | sound re-recording mixer | |
| Elmo Weber | .... | supervising sound editor | |
| Gary Raymond | .... | Pro Tools music playback and recording (uncredited) | |
Special Effects by | |||
| Wilfred Caban | .... | special effects foreman: New York | |
| Jason Dodd | .... | special effects technician | |
| John C. Hartigan | .... | special effects coordinator (as John Hartigan) | |
| Steven Kirshoff | .... | special effects coordinator: New York (as Steve Kirshoff) | |
| Chris Walkowiak | .... | special effects foreman | |
Visual Effects by | |||
| Alexandre Cancado | .... | compositor: Luma Pictures | |
| Vincent Cirelli | .... | visual effects supervisor: Luma Pictures | |
| Chad Dombrova | .... | technical director: Luma Pictures | |
| H Haden Hammond | .... | compositor: Luma Pictures | |
| John R. Hazzard | .... | animator: Luma Pictures (as John Hazzard) | |
| Brent Hensarling | .... | senior systems administrator: Luma Pictures | |
| Justin Johnson | .... | compositor: Luma Pictures | |
| Ntana Key | .... | second digital colorist: EFILM | |
| Jason Locke | .... | matchmover | |
| Valy Lungoccia | .... | visual effects | |
| Glenn Morris | .... | visual effects producer | |
| Ashok Nayar | .... | visual effects coordinator: Luma Pictures | |
| Pimentel A. Raphael | .... | animator: Luma Pictures (as Raphael Pimentel) | |
| Steven J. Scott | .... | supervising digital colorist: EFilm | |
| Gabe Shedd | .... | visual effects staff | |
| Payam Shohadai | .... | visual effects supervisor: Luma Pictures | |
| Joey Sila | .... | compositor: Luma Pictures | |
| Thanapoom Siripopungul | .... | compositor: Luma Pictures | |
| Thomas Mathai | .... | data manager (uncredited) | |
Stunts | |||
| Danny Aiello III | .... | stunt coordinator | |
| Bill Anagnos | .... | stunts | |
| Chris Barnes | .... | stunts | |
| Tim Buchanan | .... | stunts | |
| Jared Burke | .... | stunt double: Adam Sandler | |
| John Cenatiempo | .... | stunt driver | |
| John Cenatiempo | .... | stunt performer | |
| George B. Colucci Jr. | .... | stunts (as George B. Colucci) | |
| Norman Douglass | .... | stunts | |
| Roy Farfel | .... | stunt driver | |
| Donald John Hewitt | .... | stunt driver | |
| Jery Hewitt | .... | stunt coordinator | |
| Kevin L. Jackson | .... | stunt double | |
| Jennifer Lamb | .... | stunts | |
| Joanne Lamstein | .... | stunts | |
| John Patrick McLaughlin | .... | stunts | |
| Mick O'Rourke | .... | stunts | |
| Janet Paparazzo | .... | stunts | |
| Michael Russo | .... | stunts | |
| Derrick Simmons | .... | stunt double: Don Cheadle | |
| Brian Smyj | .... | stunt rigger | |
| Brian Smyj | .... | stunts | |
| Erik Solky | .... | stunts | |
Casting Department | |||
| Claire Benjamin | .... | extras casting | |
| Kathy Kaplan | .... | casting assistant | |
| Jennifer Sabel | .... | extras casting associate | |
| Judith Sunga | .... | casting associate | |
| Joanna Vanadia | .... | extras casting assistant | |
| Grant Wilfley | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Leslie Brown | .... | costumer: Mr. Sandler | |
| Nancy Collini | .... | costume supervisor | |
Editorial Department | |||
| Ryan Helsley | .... | assistant digital intermediate producer | |
| Mo Henry | .... | negative cutter | |
| Michael Nouryeh | .... | first assistant editor | |
| Steven J. Scott | .... | digital film colorist | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
Music Department | |||
| Tony Blondal | .... | orchestrator | |
| Stephen Coleman | .... | music programmer | |
| Ross DeRoche | .... | music copyist | |
| George Doering | .... | musician | |
| Shawyne Fisher | .... | choir coordinator | |
| Trevor Gilchrist | .... | music programmer: score | |
| Greg Hayes | .... | score recordist | |
| Dave Jordan | .... | music supervisor | |
| Chet Leonard | .... | music playback | |
| Dan Savant | .... | music contractor | |
| Nick South | .... | music editor | |
| Greg Townley | .... | score mixer | |
Transportation Department | |||
| Chris Haynes | .... | driver | |
Thanks | |||
| Johann Benét | .... | thanks | |
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| Kings & Queen | The Best of Youth | Spider-Man 3 | The Science of Sleep | Blue Valentine |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Love hurts. That, I think, is the main message Mike Binder's newest film Reign Over Me brings across. Whether that love has caused your relationship to become stagnant, or has brought anger from the one you love cheating for years, or has broken your heart to the point of being unable to open yourself up to the world, love hurts. The great thing about this film, however, is not in its portrayal of these lost souls trying to let their past heartbreaks go, but in the eventual restart of new bonds for the future. No one in this drama is perfect; they are all at some degree trapped emotionally in relationships that they can't free themselves from alone. There is some heavy subject material here and I credit Binder for never making the story turn into a political diatribe, but instead infusing the serious moments with some real nice comedic bits allowing the tale to stay character-based and small in scale compared to the epic event that looms overhead. What could have become a trite vehicle for opinions on how 9-11 effected us all, ends up being a story about two men and a connection they share that is the only thing which can save their lives from a life of depression and regret.
This is a new career performance for Adam Sandler. I like to think that my favorite director Paul Thomas Anderson was the first to see the childish, pent-up anger in his stupid comedies as something to use dramatically. The juvenility of a character like Billy Madison allows for laughs and potty humor, but also can be used to show a repressed man, shy and shutout to the world around hima man with no confidence that needs an event of compassion to break him from his shell. Anderson let Sandler do just that in his masterpiece Punch-Drunk Love and Mike Binder has taken it one step further. Sandler plays former dentist Charlie Fineman whose wife and three kids were killed in one of the planes that took down the World Trade Center on 9-11. That one moment crushed any life that he had and as a result, he became reclusive and started to believe he couldn't remember anything that happened before that day. He really delivers a moving portrait of a man trying to keep up the charade in his head while those around him, those that love him, try and open him up to the reality of what happened and what the future holds. Always on edge and ready to snap at any moment when something is mentioned to spark the memory of his perished family, he goes through life with his iPod and headphones, shutting out everything so as not to be tempted remember.
Reign Over Me is not about Charlie Fineman though, it is about dentist and family man Alan Johnson. A man that has trapped himself into a marriage and dental practice that both have stagnated into monotony, Johnson needs as much help in his life as his old college roommate Charlie does. Played perfectly by the always brilliant Don Cheadle, Johnson has lost his backbone to try and change his life. He has no friends and when he sees Charlie, by chance, one day, his life evolves into something he hasn't felt in 15 years. He revels in the chance to go out with an old friend no matter how much he has changed from the death of his family. Cheadle's character wants to revert back to the college days of hanging out and Sandler's doesn't mind because all that was before he met his wife. The two men get what they want and allow themselves to grow close despite the years of solitude that used to rule their lives. Once they begin opening up though, it is inevitable that the subject of the tragedy will creep up and test the façade they have created for themselves.
The supporting cast does an amazing job helping keep up appearances for the two leads. Jada Pinkett Smith has never been an actress that impressed me and throughout the film played the tough as nails wife nicely, but it is her final scene on the phone with Cheadle that really showed me something different and true. Liv Tyler is a bit out of her element as a psychiatrist, but the movie calls her on this fact and makes the miscasting, perfect casting. The many small cameos are also effective, even writer/director Mike Binder's role as Sandler's old best friend and accountant, (my only gripe here is why he feels the need to put his name in the opening credits as an actor when it is everywhere, considering it is his film). Last but not least is the beautiful Saffron Burrows. She is a great actress and plays the love- crushed divorcée trying to put her life back together wonderfully. A role that seems comic relief at first, but ends up being an integral aspect for what is to come.
Binder has crafted one of the best dramatic character studies I have seen in a long time. The direction is almost flawless, (the blurring between cuts and characters in the fore/ background really annoyed me in the beginning), the acting superb, and the story true to itself, never taking the easy way out or wrapping itself up with a neatly tied bow at the conclusion. Even the music was fantastic and used to enhance, not to lead us emotionally, (why after two great uses of the titular song by The Who did Binder feel the need to use the inferior Eddie Veddar remake for the end, I don't know, but it did unfortunately stick out for me). Reign Over Me is a film about love and how although it can cause the worst pain imaginable, it can also save us from regret and allow us to once again see the world as a place of beauty and hope.