A man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover from his grief.
When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
Alan Johnson has everything he needs to get through life: a good job, a beautiful and loving wife, and their wonderful children. Yet he feels isolated because he finds having a hard-working job and managing a family too much to handle and has no one to talk to about it. Charlie Fineman, on the other hand, doesn't have a job or a family. He used to have both until a terrible loss, and the grief caused him to quit his job and isolate himself from everyone around him. As it turns out, Alan and Charlie were roommates in college, and a chance encounter one night rekindles the friendship they shared. But when Charlie's problems become too much to deal with, Alan is determined to help Charlie come out of his emotional abyss. Written by
In the left bottom corner of the receptionist's desk is a glimpse of a postcard size sticker that has the numbers 01.20.09 which is President George W. Bush's last day in office. See more »
In the scene where Dr. Johnson first meets Charlie on the street, the cars behind Charlie vary from shot to shot. In some there is a big white truck to the left and a car with flashing lights on the left. In other shots, there are only a couple of dark cars parked there See more »
I just got back from a screening a couple of hours ago, and I was very happy with the movie when I left it. It's very intense, and the closest I've come to crying in a movie in quite some time. That is a credit to Adam Sandler, who delivers a magnificent performance on many levels, and who probably deserves an Oscar nom for it, were it not coming out so early in the year. Don Cheadle gives his usual superb performance playing the straight man to Adam's disturbed.
There is some humor, but most of it is really only funny in comparison to the tearjerking moments, as Adam deals with his loss and Don struggles to help him. Adam plays two levels very well... when he is mentally stable he is funny and likable, but when he is, well, less stable he's powerful and dark.
I recommend it for anyone who likes intense mental dramas about difficult friendship and loss.
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