At the end of the Ice Age, The Machine came from outer space with the purpose to change men into mutants. However, a hero defeated the device and a great seal was laid over The Machine. In 2707, the depleted world is ruled by four Corporations: Mishima, Bauhaus, Capitol and Imperial that are in a constant state of war. During a battle between Capitol and Bauhaus, the great seal is broken and The Machine works again transforming soldiers and civilians into hordes of mutants. A small part of the population escapes to Mars, leaving millions of people behind. The man of faith and leader of an ancient brotherhood, Brother Samuel, is a believer in God and the Chronicles, a bible about the mutants from ancient times. With the city besieged by the mutants, he visits the Corporations' leader Constantine, asking for an aircraft and twenty men for a suicide mission to destroy The Machine, planting a bomb and a detonator following the knowledge of the Chronicles. He recruits the tough Major '... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At the end after Brother Samuel tells Mitch Hunter to jump and have faith, the camera cuts back to Brother Samuel still laying on the round key table, with his mutated right hand now showing normal, whereas it was mutated in the scenes before. See more »
Visually impressive, if derivative, futuristic thriller
It's hard not to notice the parallels between "The Mutant Chronicles" and "Aliens": a team of soldiers, plus a few outsiders with deeper knowledge of the subject, are sent on a suicide mission (not to outer space but) deep beneath the surface of the earth to destroy (not bloodthirsty alien monsters and their source but) bloodthirsty zombie mutants and their source. The film is not quite as good as "Aliens", but it's still a serviceable B-movie. Visually it succeeds in creating its own, richly detailed and impressively designed, world: that includes the mutants themselves, who have one of their arms extended to a huge claw that can cut human flesh to pieces. The action itself, however, is a bit too chaotically edited: sometimes things happen and you don't have enough time to see how they happened, or a battle takes place and you're not absolutely sure who is hitting whom. This seems to be a recent trend in action movies (the latest Bond film "Quantum Of Solace" really suffers from it), and I hope they reverse it soon. The cast is good, though the characters are definitely not as memorable as those of "Aliens". Ron Perlman's best moments come near the end, while Devon Aoki and Anna Walton are unconventionally attractive and fully combative female leads. (**1/2)
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