It's 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly's face is bruised and starting to swell. Duncan Allen lies in ...
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It's 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly's face is bruised and starting to swell. Duncan Allen lies in his bathroom bleeding to death. Duncan's son, Stuart, has found his father and wants answers. Derek, Kelly's pimp, needs to find Kelly or it will be him who pays. Kelly and Joanne need to get through the next 24 hours alive... Written by
There are two shots of train journeys taken by Kelly and Joanne. One is in an Electrostar class train and the other in a "Networker" Class 365. In both cases the internal shots are of the much older (Class 421?) diesel/slam-door trains. See more »
The fact that the Edinburgh International Film Festival bestowed their New Director award on Paul Andrew Williams is a solid enough indicator of the strengths and unique qualities of London TO BRIGHTON. Admittedly made on a shoe-string budget, and cast with relative unknowns, the film never once looks cheap or out of its depth. I was amazed when I saw it at Edinburgh by just how tough and unflinching a portrayal of the criminal underworld it is. The leads put in tremendous performances that will surprise many, and William's writing is exceptional. The film really zips along through its 90min length, and pulls the viewer in to a lock-tight embrace. In my opinion this film is one of the highlights of the year so far and a real find for the British film industry. For a first-time director working on a tiny budget, getting five star reviews in the Guarduan and Scotsman, and great praise from the Times is a hell of an achievement. I hope other people who love British cinema see it when it is theatrically released.
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