It's 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly's face is bruised and starting to swell. Duncan Allen lies in ... See full summary »
When two brothers organize the robbery of their parents' jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.
Philip Seymour Hoffman,
It's 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly's face is bruised and starting to swell. Duncan Allen lies in his bathroom bleeding to death. Duncan's son, Stuart, has found his father and wants answers. Derek, Kelly's pimp, needs to find Kelly or it will be him who pays. Kelly and Joanne need to get through the next 24 hours alive... Written by
There are two shots of train journeys taken by Kelly and Joanne. One is in an Electrostar class train and the other in a "Networker" Class 365. In both cases the internal shots are of the much older (Class 421?) diesel/slam-door trains. See more »
This film really took me by surprise. What I was expecting was some amateurish first film effort which I hoped would have enough good ideas to make it worth a full viewing; what I got instead was a minor masterpiece of cinema. I cannot remember the last time I saw a British film with such story-telling verve. It's amazing to think that this is a first feature from writer\director Paul Andrew Williams, made on a nothing budget. I can't wait to see what he produces in the years to come.
The unfolding of the story is masterfully done. The small details of character interaction are incredibly well observed. This is the future of British cinema, not endless rehashes of Jane Austen and insipid rom coms.
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