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Greetings again from the darkness. It is now official. Diane Keaton has
reached the parody of herself stage. She has become a caricature of her
character. The loopy, over-the-top 60 yr old female who screams
stereotype with each line. It was evident in "Something's Gotta Give"
that she had made the turn, but "Because I Said So" time warps her into
the level of folly ... similar to Leslie Nielsen (of "Naked Gun" fame)
who once was also a respected actor. The difference being, Nielsen is
at least funny, Keaton is purely grating and obnoxious. And enough with
the turtle necks and ridiculous wardrobe. No one dresses like that ...
especially in L.A.
Of course, there is more to this movie than Diane Keaton ... wait, no there really isn't. The only semblance of a bright spot is the glimpse of potential flashed by Mandy Moore. She really has screen charisma and no longer just looks like a big kid. She has 3 films over the next 18 months, so we will see just how she is progressing. Other than that, all we get is "Gilmore Girls" Lauren Graham as the wisest of Keaton's three daughters and Piper Perabo as one of the most nondescript characters of all time. I guess she was cast because she looked decent in underwear for the massage scene.
As for the poor guys in this one ... no not us schmucks who actually paid to watch, I am talking about the actors. Tom Everett Scott is totally miscast as a workaholic architect. Gabriel Macht ("A Love Song for Bobby Long") has little to do but flash his smile and twinkle his eyes. And Stephen Collins is evidently the new Tom Skerritt. You know, the cute older guy in all the chick flicks??? The director of this horrid mess is Michael Lehmann, who in the past has delivered such gems as "Hudson Hawk", "Airheads" and the torturous "40 Days and 40 Nights". When will Hollywood stop giving this guy money to make this worthless fluff? I am sure this weak, no-content film will make money ... simply because real life mothers and daughters will think they should go see it and laugh that someone's relationship is worse than theirs. I say, SAVE YOUR MONEY and rent "Terms of Endearment", which may be the best movie ever about a mother and daughter's struggles to show their love for each other. Just stay away from this one!
Oh, my God, I swear I nearly killed myself while my friend and I were
watching this movie. I'm not a chick flick girl and this movie is the
reason why. Now I actually do love a few chick flicks that are fun,
clever, and just harmless. This movie is extremely harmful to anyone
who watches it, after watching this movie I felt like shoe shopping,
listening to Sarah McLaughlin, bonding with my mother, moving my
furniture, talking about boys, and baking cookies. This is the ultimate
stereotype for women and makes us just look oh so bad. But it looked
cute from the cover and I like Diane Keaton and Mandy Moore, so I
wanted to give this movie a chance, but instead it just wasted my time
and made me throw up a little in my mouth. I know that sounds bad since
I'm a girl, but how in the heck was I supposed to like these
characters? They were awful.
Daphne is a protective, manipulative, and pesky little mother who just loves her daughters more than most mothers should. She's especially obsessed with her baby daughter, Milly, who is having a hard time in the love department. Daphne takes out an ad on the internet as a mom looking for her daughter's life partner. She meets Jason, a promising guy who is stable, and a guy, Johnny, a musician with a psychotic son that she's convinced is a heart breaker. Milly meets them both looking "like chance" and she has to decide between stable, rich Jason or sensitive, loving Johnny. You can figure it out from here.
Seriously, these characters were horrible, just first off Daphne just comes off as a possessive and psychotic mom who needs a life so badly, because she's living it through her daughter's. Then Milly, she's dating and sleeping with these two guys at once and then when she gets busted, she's crying and we're supposed to feel bad for her? Why wasn't she just honest with the guys in the first place? The ending was horribly cliché'd as a chick flick film and was incredibly disturbing in some moments. This is an awful movie, I wouldn't recommend it unless you are the ultimate chick flick fan.
I don't want to lie to you, I'm not a Diane Keaton fan, nor am I a
Mandy Moore fan. Besides asking yourself why I even saw this movie, you
should wonder how it managed to get a 9 from me despite my tastes.
Well, I went because my friends wanted to see it. And I gave it a 9 because I thought it was surprisingly good. It's not intense, it's not fast-paced, it's not a mind-bender. It's just a fun thing to watch. Diane Keaton is energetic and so much fun - and I promise you that by the end of the movie, she'll have (in some way or another) reminded you of your own mother. And Mandy Moore is very good as the quirky daughter who is, in reality, very much like her mother. It's just a sweet tale - most likely for women only - that reminds girls and their mothers that they're not alone in the battles. (Though viewers be warned - there's a little sexual content. And a little more conversation about sexual content...)
There's nothing terribly unique about it, but the writing is good and the plot is entertaining. There aren't going to be any surprises, it's just entertaining, lively, and very sweet.
*** This review may contain spoilers ***
I got dragged in seeing this movie and knew it was going to be bad, but
no where did I expect it to be THIS bad. You have the typical,
over-dramatic and over-bearing mother, who's part might have been
semi-humorous if it wasn't overdone. Anyway, there was a huge monologue
where the mother was just ranting about how hard it is being a single
mother, blah blah blah, with 3 kids...and I guess it was supposed to be
a serious scene for the movie, but I literally started laughing
hysterically with tears in my eyes. It was just sooo tacky and corny
that this movie is hard to take seriously at all. And Mandy Moore, she
gets these two guys attracted to her for God knows what reason...She's
a one-dimensional character with no depth to her personality and it
really makes you wonder why these guys have a thing for her. Anyway,
she gets caught seeing both of them...expected cliché...she chooses the
struggling musician over the successful architect...blah blah. Same ol'
same ol'. Definitely an original storyline there.
Also, if they could have had one more scene with them trying to find the cell phone in her crowded purse or in the oven, or wherever...it might have been funny! K...maybe not.
Anyhow, I'd give this a 0 if it was an option.
*** This review may contain spoilers ***
I LOVE Diane Keaton - Baby Boom is one of my favorite movies of all
time. Something's Gotta Give is so great, I've seen it twice. That's
what I thought I was plunking down my $10.50 for when I went to see
this horror of a film.
I don't know who to blame more, the writers (Karen Leigh Hopkins & Jessie Nelson) or the director, Michael Lehmann. The actors are pretty blameless here in that they have proved themselves in other films and are basically following the vision of the director and saying the words of the writers. The script is repetitious and all over the place. Mom says the same thing over and over again in many scenes, as do the daughters.
I only laughed twice in the entire film. Which is crazy considering that I am usually a hyena at these movies. One laugh was at ONE of her physical comedy moves (which I usually love) and I can't even remember where the other laugh came from.
First of all, it is filled with illogic. People do and say things that make no sense. There is even a scene in which Mandy pushes Diane Keaton out her back door, which just happens to be wide open. Who leaves a back door WIDE OPEN? I can understand unlocked if you are in a ridiculously safe neighborhood - but, huh??? She takes so long to answer the door any self-respecting guy (or girl) would have gone home, cooked dinner for himself and eaten it during that time span.
I LOVE sex talk, I write about sex talk, my films are sexy, but what the hell was the deal with these women just bursting out in "orgasm chat" any old time? And with your damn mother? I don't think so. Even if she was hip. Which Diane Keaton was not supposed to be in this film.
And speaking of sex ... that's the kind of sex you see on AdultFriendFinders? People making out, professionally lit & shot?
Um, the dresses? Didn't they have a costume designer? We all know D has her own campy style, but someone should have stopped her. Those dresses just look plain bad on her. She's a great looking woman with a slim, fashion-friendly body and yet, she looked like a fool in those crinoline-crazed shirtwaists that spun out so wide she looked like a whirling dervish. She would have been better off in a tux.
And then she forces that ugly polka dot dress on her daughter. And, it turns out, the guy LOVES polka dots. What kinda guy loves polka dots? Is it a fetish or something?
The hyperactive kid is obnoxious as hell and there's the one scene where he tells the stupid bus driver joke to Diane, who listens very carefully and plays along as he tells the same joke over and over. Then, moments later, when the daughter arrives he yells out something like, "I like her. She's the only one who listens to my jokes!"
Oh, and the tasteless scene with the senior citizens in front of whom the musician boyfriend chooses to spout the obligatory "you complete me" speech. In the middle of it, one senior lady says "Can you hurry up, I have to go to the bathroom." Um, why doesn't she just go to the bathroom?
And the two senior ladies playing tonsil hockey was unfortunate and out of place. The gag comes out of left field and makes that whole thing seem totally gross, which is a disservice to all the older lesbian couples in the world. The audience just groaned. Not something you hope to hear in the middle of a love scene.
And this was really weird, at some point she picks up a photo of herself holding her daughter as a baby. That's the SAME PHOTO used so importantly in The Family Stone (another Keaton film that's REALLY good). What's up with that? Are they that cheap?
But the worse crime of all is the director Lehmann's handling of Keaton's performance. She is a wonderful dramatic and comedic actress, but this was like putting her into overdrive. It was like somebody doing an overdone impression of Diane Keaton in a satirical comedy sketch. It's a damn shame to take an actor's natural comedic talents and force her to imitate herself.
I felt similarly of Meg Ryan (who was amazing in Jane Campion's "In the Cut") in her last couple of films with Nora Ephron. These directors fall in love with these actor's eccentricities (as we all do) and instead of letting them just happen, which makes it so charming, they direct the actors into doing these charming things, bigger and bigger, more and more until they lose their charm completely.
Diane, please go back to Nancy Meyers who wrote and directed Baby Boom & Something's Gotta Give. She's got your number and the comedic chops to pull it all off.
Do yourself a favor, don't go see this movie. Why? Because I said so.
*** This review may contain spoilers ***
I can't write a spoiler because there is nothing to spoil. I would rather sit through teen slasher movies, the acting and dialog would be more interesting. Diane Keaton used to be a very good actress, but I guess she was just trying to get her bills paid. This was a total waste of someones money and time to produce. Twenty minutes into this awful, boring, and predictable movie and I was ready to get up and leave. I have been to bad movies, but this was about as bad as it gets. I am supposed to be writing 10 lines of text but there is not much more that I can say to warn you not to spend your hard earned money on such drivel.
At a pre-screening and Q&A with Director Michael Lehmann and writer Karen Leigh Hopkins hosted by critic Leonard Maltin, the soon to be released film opened with mixed reactions before the 365 member audience of USC film students. The narrative gets off to a slow start with on opening sequence that fails to arouse much interest or laughter. Only until a joke is shared between Millie (Moore) and her mother (Keaton) about a man's uncircumcised entity does the audience begin laughing. This is fairly representative of the movie's humor. It is consistently funny, but only through cheap and superficial jokes and scenarios. At times it even verges on slapstick. However, credit must be given to both Moore and Keaton who put out stellar performances. Moore proves her ability to be an actress following initial debut in Saved and will hopefully be able to move past her image as teenie-bopper musician. Keaton convincingly portrays an over the top single mother who cannot keep her nose out of her daughters' business. The film will have wide appeal for female audiences as it is about the mother-daughter relationship. But men will also find humor throughout and should not be discouraged to accompany their wives and girlfriends. (Note: Guys, this is a good chance to compromise on seeing a romantic comedy that will not bore or disgust.) The film sticks to genre conventions but the comedy aspect of the film veers from typical. The set design and editing are both noteworthy. The film will provide a fun evening for couples, old and young, at the theater and home.
If you can swallow the beautiful and sexy Mandy Moore as an
uncoordinated doofus with low self-esteem who can't find a decent guy
to go out with her, then you may be able to get into the spirit of
"Because I said So." However, you'll also have to put up with Diane
Keaton in a truly grating performance as a neurotic control freak of a
mother who spends most of her time obsessing over the romantic travails
of her youngest daughter, going so far as to post an ad on an internet
dating site seeking out prospective husbands for the unsuspecting girl.
The actions of this modern-day Yenta the Matchmaker set into motion a whole host of sitcom-level complications and romantic comedy hijinks that are somehow supposed to be funny but wind up being merely irritating. The screenplay by Karen Leigh Hopkins and Jessie Nelson comes replete with a bevy of mother/daughter relationship clichés, with some really lame slapstick routines - Keaton getting stuck on an internet porn site, Keaton getting run over by a skater in a park, Keaton getting a cake in her face etc. - thrown in for bad measure.
Beyond Keaton and Moore, Gabriel Macht, Tom Everett Scott and Lauren Graham are just some of the other unfortunate actors trapped inside this "chick flick" fiasco.
*** This review may contain spoilers ***
I went to this movie thinking "Hey, what the heck, Diane Keaton and a
couple hotties, plus my girlfriend wanted to see a romantic comedy"
Well I'll tell you, it was a comedy, but for the wrong reasons. But,
not even the biggest bleeding heart drama-head case would be able to
scrape the tiniest ounce of romance out of this movie.
The premise of the movie is really promising; seriously I could see an actual good romantic comedy made about an overbearing mother who can't let go of her children...nothing wrong with that. Well there is something wrong with this movie and its definitely the poor acting performances and an even worse script.
Diane Keaton gives one of her weakest performances to date. Mandy Moore is cute yet vapid. Lauren Graham is...well like she was just going through the rhythms but not trying to much; I don't watch Gilmour Girls so maybe she's always like that? Piper Perabo...maybe she was good, but her character was little more than an afterthought and has maybe 5 lines the entire movie. Surprisingly there are some decent performances, yet they come from the secondary and tertiary male characters; with Gabriel Macht delivering the strongest one.
This movie is complete cheese, only see it if its free or you hate yourself.
I love Diane Keaton, but this was mostly painful. I can only point a finger at the writing because as predictable as this movie is, there are some absolute gems of BRILLIANT acting from both Keaton and Moore. I'm not sure why anyone is in this movie other than Mandy Moore and Diane Keaton because no use is made of them. I sat for the first half hour wondering what any of these actors saw in the script, but I will admit to laughing out loud several times at the painful "family" moments I think people will recognize from their own lives. Diane Keaton deserves a better script for her talents. And when TV actors are trying to transition to film, they should raise the level of their work.
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