| Photos (See all 62 | slideshow) | Videos (see all 12) |
Directed by | |||
| Michael Lehmann | |||
Writing credits(WGA) | ||
| Karen Leigh Hopkins | (written by) & | |
| Jessie Nelson | (written by) | |
Original Music by | |||
| David Kitay | |||
Cinematography by | |||
| Julio Macat | |||
Film Editing by | |||
| Paul Seydor | |||
| Troy Takaki | |||
Casting by | |||
| Eyde Belasco | |||
Production Design by | |||
| Sharon Seymour | |||
Art Direction by | |||
| Christopher Tandon | |||
Set Decoration by | |||
| Maggie Martin | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist: Ms. Keaton (as Frida Aradottir) | |
| Hayley Cecile | .... | additional makeup artist | |
| Ginger Damon | .... | assistant hair stylist | |
| Kelcey Fry | .... | makeup artist: Ms. Keaton | |
| Zoe Hay | .... | additional makeup artist | |
| Julie Hewett | .... | makeup department head | |
| Polly Lucke | .... | department head hair: additional photography (as Polly Luke) | |
| Beth Miller | .... | department head hair | |
| Barbara Olvera | .... | hair stylist: Ms. Keaton | |
| Michelle Vittone | .... | key makeup artist (as Michellee Vittone-McNeil) | |
| Marsha Shearrill | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Michael Flynn | .... | unit production manager | |
| Joanna L. Rees Jones | .... | post production executive | |
| Jeff Levine | .... | executive in charge of production: Gold Circle Films | |
| Christa Vausbinder | .... | production supervisor | |
Art Department | |||
| Claudia Bonfe | .... | set dressing buyer | |
| Tony Bridgers | .... | construction foreman | |
| Gretchen Engel | .... | art department coordinator | |
| Maureen Farley | .... | property master | |
| Jane Fitts | .... | graphic designer | |
| Joey Genitempo | .... | stand-by painter | |
| L. David Gordon | .... | drapery foreman | |
| Richard Lambert | .... | lead man | |
| Curtis Laseter | .... | construction coordinator | |
| Joe Monaco | .... | set dresser | |
| Mark Moretti | .... | storyboard artist | |
| Adam Mull | .... | art department assistant | |
| Cynthia C. Rebman | .... | on-set dresser | |
| Natalie Richards | .... | set designer | |
| John Risso | .... | paint supervisor | |
| Rodney Rosene | .... | set dresser | |
| Scott Schutzki | .... | set dresser | |
| Nathan A. Smith | .... | set decorating shopper | |
| Nathan A. Smith | .... | shopper | |
| Shanna Starzyk | .... | art department assistant | |
| Fante Zamora | .... | set dresser | |
| Doug Anderson | .... | lead plasterer (uncredited) | |
Sound Department | |||
| Douglas Axtell | .... | production sound mixer | |
| Gregg Barbanell | .... | foley artist | |
| George Berndt | .... | adr supervisor | |
| Johnna Chism | .... | assistant sound editor | |
| Ryan Ferro | .... | utility sound | |
| Alan Freedman | .... | adr mixer | |
| P.K. Hooker | .... | sound effects editor | |
| Pamela Kahn | .... | foley artist | |
| Steve LeSieur | .... | foley editor | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Jérôme Malaize | .... | sound intern | |
| James Morioka | .... | dialogue editor | |
| Chris Navarro | .... | adr mixer | |
| Rob Nokes | .... | sound effects field recordist | |
| John A. Pagano | .... | assistant sound editor | |
| Jeremy Peirson | .... | sound re-recording mixer | |
| Matthew Reale | .... | sound mixing recordist | |
| Jerry Ross | .... | supervising sound editor | |
| Lucy Sustar | .... | foley mixer | |
| Ben Wienert | .... | boom operator | |
Special Effects by | |||
| Frank Ceglia | .... | special effects coordinator | |
| Matt Kutcher | .... | special effects supervisor | |
| Laura Michl | .... | production assistant | |
| Rudy Perez | .... | special effects | |
| Jennifer M. Sheppard | .... | special effects project coordinator | |
Visual Effects by | |||
| Marc Canas | .... | scanning/recording | |
| Ozzie Carmona | .... | digital compositor | |
| Rick Cortes | .... | Inferno artist | |
| Alan De Castro | .... | digital artist | |
| David Geoghegan | .... | digital optical compositor | |
| Michael Grawert | .... | digital effects artist | |
| Cristian A. Kong | .... | digital compositor | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Rodney Montague | .... | digital intermediate producer | |
| Nichole Moraila | .... | billing coordinator | |
| Josh Mossotti | .... | visual effects | |
| Tristan Rayos | .... | digital I/O | |
| Antonio Torres | .... | digital artist: Pacific Title | |
Stunts | |||
| John Ashker | .... | stunt driver | |
| Bob Brown | .... | stunt coordinator | |
| Troy Lindsay Brown | .... | stunt performer | |
| Jennifer Caputo | .... | stunt driver | |
| Jon H. Epstein | .... | stunt coordinator | |
| Oakley Lehman | .... | stunts | |
| Ed McDermott II | .... | precision driver | |
| Marta Merrifield | .... | stunts | |
| Jimmy N. Roberts | .... | stunt performer | |
| Ray Siegle | .... | stunt driver | |
| Nicole Surels | .... | stunt double | |
Camera and Electrical Department | |||
| Steve Barnes | .... | first assistant camera: "a" camera | |
| Tom Cantrell | .... | electrician | |
| Adam Castro | .... | assistant camera | |
| Gary Dagg | .... | key grip | |
| Mitch Dubin | .... | camera operator: "b" camera | |
| Robert Gagnier | .... | first assistant camera: second unit | |
| Lonnie S. Gatlin | .... | best boy electric | |
| Johnny E. Jensen | .... | additional director of photography | |
| Frank R. Jimenez Jr. | .... | lighting technician | |
| Bob E. Krattiger | .... | gaffer | |
| Grg Magidow | .... | first assistant camera: "b" camera (as Greg Magidow) | |
| Don Muirhead | .... | camera operator: "a" camera | |
| Ryan Muirhead | .... | film loader | |
| Ray Patrick | .... | super technocrane operator | |
| Kenny Schneider | .... | electrician | |
| Ian Strang | .... | electrician | |
| Suzanne Tenner | .... | still photographer | |
| John Trunk | .... | video assist operator | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Kristan Berona | .... | extras casting | |
Costume and Wardrobe Department | |||
| Yulia Gershenzon | .... | costumer | |
| Valerie Laven-Cooper | .... | assistant costume designer | |
| Jennifer Lax | .... | key costumer | |
| Meredith J. Murray | .... | costumer | |
| Deanna M. Saul | .... | daycheck costumer | |
| Katie Saunders | .... | costume supervisor | |
| Jennifer Day Young | .... | costumer: Ms. Keaton | |
Editorial Department | |||
| Corinne Bogdanowicz | .... | digital intermediate colorist | |
| Alanna De Carlo | .... | post-production assistant | |
| Adam DesCombes | .... | post-production assistant | |
| Patrick Flannery | .... | additional editor | |
| Michael Grawert | .... | assistant colorist | |
| Kate Kroll | .... | post-production coordinator | |
| Bryan Lamoureux | .... | first assistant editor | |
| Shoshanah Tanzer | .... | post-production assistant | |
| Amy Tompkins | .... | digital intermediate editor | |
| Aisla Webster | .... | post-production coordinator | |
| Kay Sievert | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Michael Aarvold | .... | music scoring mixer | |
| Jane Ashworth | .... | assistant music clearances: S.L. Feldman & Associates | |
| Gary Barlough | .... | score mixer | |
| Todd Bozung | .... | music editor | |
| Artie Butler | .... | musician: piano accompanist, Ms. Keaton | |
| Joel Derouin | .... | musician: violin solos | |
| Grant Geissman | .... | musician: guitar soloist | |
| Scott Hosfeld | .... | musician | |
| William Levine | .... | orchestrator | |
| Sue Medley | .... | guitar class coordinator | |
| Ralph Sall | .... | soundtrack album producer | |
| Dana Sano | .... | music supervisor | |
| Dan Wallin | .... | music scoring mixer | |
| Sarah Webster | .... | music clearances: S.L. Feldman & Associates | |
| Jonathan Levi Shanes | .... | music preparation (uncredited) | |
Transportation Department | |||
| Oliver Eisenger | .... | transportation captain | |
| Steve Luce | .... | driver | |
| Jimmy Ray Pickens | .... | driver | |
| Dennis M. Steere | .... | driver | |
| James Waitkus | .... | driver | |
Other crew | |||
| Michael Alexander | .... | animal trainer | |
| Lesa Andelson | .... | production counsel | |
| Alex Apple | .... | key assistant location manager | |
| Carrie Arnold | .... | assistant production coordinator | |
| Aynsley Baldwin | .... | stock footage coordinator | |
| Cassandra Barbour | .... | rights and clearances | |
| Matthew Benson | .... | production coordinator: Gold Circle Films | |
| John Bocchicchio | .... | set medic | |
| Charles Canzoneri | .... | cast assistant: Ms. Moore (as Chuck Canzaneri) | |
| Chris Doss | .... | executive in charge of finance | |
| Joshua M. Dragotta | .... | assistant location manager | |
| Mikey Eberle | .... | production assistant | |
| Chloe Finch | .... | production assistant | |
| Manu Gargi | .... | assistant production coordinator | |
| Suraj Gohill | .... | consultant: financing | |
| David Goodin | .... | accounting clerk | |
| Casey Green | .... | video/computer playback operator | |
| Jason Hariton | .... | studio stage manager: re-shoots | |
| Aaron Jennings Hartnell | .... | stand-in | |
| Eric A. Haynes | .... | assistant production office coordinator | |
| Stephanie Heaton | .... | assistant: Ms. Keaton | |
| Alison Hoberman | .... | craft service | |
| Jean Hodges | .... | food stylist | |
| Jennifer Hoffman | .... | assistant: Mr. Brooks | |
| Cory Johnson | .... | production assistant | |
| Heather Joyce | .... | marketing executive | |
| Kate Kroll | .... | stock footage coordinator | |
| Robert Lamkin | .... | caterer | |
| Julien Lemaitre | .... | production coordinator | |
| Jill S. Litwin | .... | set production assistant | |
| Matt Loatman | .... | cast assistant: Ms. Keaton | |
| Max Macat | .... | intern loader | |
| Emily Maisano | .... | assistant: Ms. Nelson | |
| Kathy McCurdy | .... | key assistant location manager | |
| Juan Melendez | .... | production coordinator: titles | |
| Ralph B. Meyer | .... | key location manager | |
| Shaun O'Banion | .... | cast assistant: Ms. Moore | |
| Kimi Porter | .... | production assistant (as Kimi A.E. Porter) | |
| Rebecca Robertson | .... | script supervisor | |
| Ryan Robertson | .... | main title producer | |
| David Schuety | .... | production assistant | |
| Wonder Fortune Serra | .... | assistant: Mr. Lehmann & Ms. Nelson | |
| Laura Sevier | .... | rights and clearances | |
| Kim Siedentopf | .... | production assistant | |
| Luke Slendebroek | .... | film technician | |
| Mary Sunshine | .... | key production accountant | |
| Jim Swidarski | .... | payroll accountant | |
| Dylan Tarason | .... | production executive | |
| Scott L. Treger | .... | utility stand-in | |
| Garson Yu | .... | title designer | |
| Marc C. Geschwind | .... | extras coordinator (uncredited) | |
Thanks | |||
| Lori Johnson | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
To each his own, I always say, but my own = this movie was dreadful. Now I have nothing against "chick flicks" and I have nothing against formulaic films, of which this was both, because there's a place for everything & a way to be creative within the genre. I say "very little good" because I can find good things to say: Diane Keaton and Mandy Moore, and heck, everyone else in the cast, are stunning to look at. The architecture, furniture and food of the houses you'll see are GORGEOUS. Beyond that? Oh my God, where to start?
The writing was awful; I get the feeling it could've been better if it hadn't been chop-edited to death. The "look what a wacky family we are!" forced hilarity was paaaiiinful to watch. PAINFUL. OVER AND OVER AGAIN. OH MY GOD. Diane Keaton's character was far too over the top (and contrary to what people have said, no, she does not remind me of my mother or any mother I know. Plus, her costume designer ought to be, ahem, washed up & hung out to dry. Put DOWN those belts and walk away slowly.) There were a couple of scenes that busted out with surprising dialogue or revelations--a couple. The rest of it was just ... let's put it this way, I haven't written a review on IMDb for years, and I felt compelled to do so now.
I'm just glad I didn't pay for the movie, but I apologized to my friend, who had treated me, for wasting her money.
The only other redemptive thing about this movie is that by watching it, I now feel more confident than ever that *I* can get something made in Hollywood.