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Storyline
Daphne Wilder is a mother whose love knows no bounds or boundaries. She is the proud mom of three daughters: stable psychologist Maggie, sexy and irreverent Mae and insecure, adorable Milly - who, when it comes to men, is like psychotic flypaper. In order to prevent her youngest from making the same mistakes she did, Daphne decides to set Milly up with the perfect man. Little does Milly know, however, that her mom placed an ad in the on-line personals to find him. Comic mayhem unfolds as Daphne continues to do the wrong thing for the right reasons...all in the name of love. In a battle of strong wills, the mother-daughter dynamic is tested in all its fierce, wacky complexity. The girls help Daphne finally discover the truths and impossibilities of motherly love, all while trying to answer the questions: where does it begin and where should it end? Written by
anonymous
Plot Summary
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Plot Synopsis
Taglines:
She's just your normal, overprotective, overbearing, over-the-top mother.
Motion Picture Rating
(MPAA)
Rated PG-13 for sexual content including dialogue, some mature thematic material and partial nudity
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Details
Release Date:
2 February 2007 (USA)
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Also Known As:
Von Frau zu Frau
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Box Office
Opening Weekend:
$13,122,865
(USA)
(2 February 2007)
Gross:
$42,640,890
(USA)
(30 March 2007)
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Company Credits
Technical Specs
Aspect Ratio:
1.85 : 1
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Did You Know?
Trivia
The names of the daughters, Maggie (
Lauren Graham), Milly (
Mandy Moore), and Mae (
Piper Perabo), come from an e.e. cummings poem that starts "Maggie and Milly and Molly and May went to the beach to play one day." A student in Johnny's guitar class is named Molly.
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Goofs
When Daphne and Joe are watching the old movie classic a scene is playing and the character says "I should have married him" just before Joe kisses Daphne. After they kiss and we see a shot of them from behind the same scene of the movie is playing again.
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Quotes
Daphne Wilder:
Well, who would you choose for my daughter?
Johnny:
Me.
Daphne Wilder:
What? No way!
Johnny:
Why not?
Daphne Wilder:
Oh, please. I am not setting my daughter up with an attractive, charming musician who will just break her heart.
Johnny:
Wow. I love being reduced to a cultural cliche.
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Connections
References
The Dating Game (1965)
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Soundtracks
Say What
Written by James Hill and
Les Brown
Courtesy of Associated Production Music LLC
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Greetings again from the darkness. It is now official. Diane Keaton has reached the parody of herself stage. She has become a caricature of her character. The loopy, over-the-top 60 yr old female who screams stereotype with each line. It was evident in "Something's Gotta Give" that she had made the turn, but "Because I Said So" time warps her into the level of folly ... similar to Leslie Nielsen (of "Naked Gun" fame) who once was also a respected actor. The difference being, Nielsen is at least funny, Keaton is purely grating and obnoxious. And enough with the turtle necks and ridiculous wardrobe. No one dresses like that ... especially in L.A.
Of course, there is more to this movie than Diane Keaton ... wait, no there really isn't. The only semblance of a bright spot is the glimpse of potential flashed by Mandy Moore. She really has screen charisma and no longer just looks like a big kid. She has 3 films over the next 18 months, so we will see just how she is progressing. Other than that, all we get is "Gilmore Girls" Lauren Graham as the wisest of Keaton's three daughters and Piper Perabo as one of the most nondescript characters of all time. I guess she was cast because she looked decent in underwear for the massage scene.
As for the poor guys in this one ... no not us schmucks who actually paid to watch, I am talking about the actors. Tom Everett Scott is totally miscast as a workaholic architect. Gabriel Macht ("A Love Song for Bobby Long") has little to do but flash his smile and twinkle his eyes. And Stephen Collins is evidently the new Tom Skerritt. You know, the cute older guy in all the chick flicks??? The director of this horrid mess is Michael Lehmann, who in the past has delivered such gems as "Hudson Hawk", "Airheads" and the torturous "40 Days and 40 Nights". When will Hollywood stop giving this guy money to make this worthless fluff? I am sure this weak, no-content film will make money ... simply because real life mothers and daughters will think they should go see it and laugh that someone's relationship is worse than theirs. I say, SAVE YOUR MONEY and rent "Terms of Endearment", which may be the best movie ever about a mother and daughter's struggles to show their love for each other. Just stay away from this one!