| Emmanuelle Chriqui | ... | Emily | |
| Matt Long | ... | Dave Ford | |
| Luke Mably | ... | Brian | |
| Pell James | ... | Claudia | |
| Joe Pantoliano | ... | Anthony | |
| Jon Abrahams | ... | Roger | |
| Adrienne Barbeau | ... | Kathleen Darrow | |
| Adam J. Smith | ... | Officer Thoms (as Adam Smith) | |
| Ralph Garman | ... | Police Sargeant | |
| Meghan Markle | ... | Gwen | |
| Ryan Devlin | ... | Patron | |
| rest of cast listed alphabetically: | |||
| Timothy Bottoms | ... | Martin Ford | |
| Cynthia Caraffa | ... | Hayes | |
| Cynthia Petrello | |||
| Ashley Scott | ... | Sam Pruitt | |
| Paul Grace | ... | Uniformed Policeman (uncredited) | |
Directed by | |||
| Matthew Cole Weiss | |||
Writing credits(in alphabetical order) | ||
| Scott Malchus | ||
| Matthew Cole Weiss | ||
Produced by | |||
| Nissa Ren Cannon | .... | associate producer | |
| Jeff Carlson | .... | line producer | |
| Ross M. Dinerstein | .... | producer | |
| Michael Horn | .... | producer | |
| Matthew Lavin | .... | co-executive producer | |
| David G. Mack | .... | executive producer | |
| Damon Martin | .... | executive producer | |
| Joe Pantoliano | .... | producer | |
| Otto Michael Penzato | .... | associate producer | |
| Thomas W. Petrarca | .... | executive producer | |
| Cynthia Petrello | .... | executive producer | |
| Scott Saldana | .... | producer | |
| Bobby Schwartz | .... | producer | |
| John S. Schwartz | .... | producer | |
| Geoff Stults | .... | producer | |
Original Music by | |||
| Dan Silver | |||
Cinematography by | |||
| Ruben O'Malley | |||
Film Editing by | |||
| Grant Myers | |||
Casting by | |||
| Karen Meisels | |||
Production Design by | |||
| Marla Altschuler | |||
Set Decoration by | |||
| Matthew Trotter | |||
Costume Design by | |||
| Shawnelle Cherry | |||
Makeup Department | |||
| Leah Amorro | .... | assistant makeup artist | |
| Tanya Cookingham | .... | key makeup artist | |
| Claire Doyle | .... | assistant makeup artist | |
| Jennifer Greenberg | .... | key hair stylist | |
| Kelley Mitchell | .... | assistant hair stylist | |
| Kelley Mitchell | .... | assistant makeup artist | |
Production Management | |||
| Christian Bevington | .... | unit production manager | |
| Christopher Kulikowski | .... | post-production supervisor | |
Art Department | |||
| Christian Ackerman | .... | lead man | |
| Missy Brown | .... | assistant property master | |
| Lee Ebersole | .... | property master | |
| Blake Lee | .... | set dresser | |
| Aimee Moraca | .... | set dresser (as Aimee Wilkison) | |
| Adam C. Woods | .... | carpenter | |
| Meredith Riley Worden | .... | on-set dresser (as Meredith Riley) | |
Sound Department | |||
| Michael Brown | .... | foley supervisor | |
| Gary Coppola | .... | sound re-recording mixer | |
| Jason Fyrberg | .... | foley artist | |
| Darrell Hanzalik | .... | supervising sound editor | |
| Sean Hoagland | .... | foley artist | |
| Yagmur Kaplan | .... | sound designer | |
| Yagmur Kaplan | .... | supervising sound editor | |
| Tim D. Lloyd | .... | boom operator | |
| Zsolt Magyar | .... | sound mixer | |
| Phillip Perpich | .... | foley assistant | |
| Christopher Sheldon | .... | foley walker | |
| David Warburton | .... | first assistant sound editor | |
Stunts | |||
| Cheryl Bermeo | .... | stunt double | |
| Paul Eliopoulos | .... | stunts | |
| Ryan Happy | .... | stunts | |
| Marty Murray | .... | stunts | |
| David Paul Olsen | .... | stunts | |
| T.J. White | .... | stunt coordinator | |
Casting Department | |||
| Kristan Berona | .... | extras casting | |
Costume and Wardrobe Department | |||
| Kevin Ian Ackerman | .... | set costumer | |
| Tisha D. Nagel | .... | key costumer (as Tisha Jahnke) | |
Editorial Department | |||
| Ken Schwartz | .... | colorist: dailies | |
| Brendan Walsh | .... | associate editor | |
Music Department | |||
| Chris Cruse | .... | music supervisor | |
Transportation Department | |||
| Corey Askins | .... | transportation coordinator | |
| Eli Lozano | .... | driver | |
Other crew | |||
| Robert Funk | .... | background coordinator | |
| Sherie Giehtbrock | .... | script supervisor | |
| Jonathan 'Shaw' Grandi | .... | production assistant | |
| Joshua Jaedicke | .... | titles | |
| Jim Lindsey | .... | stand-in: Matt Long | |
| Chandler Poling | .... | production assistant | |
| Craig Simmons | .... | location manager | |
| Benji Smith | .... | production assistant | |
| Kevin Wenig | .... | production accountant | |
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| Thrill of the Kill | Eyes Wide Shut | The Crime of Father Amaro | Original Sin | No Alibi |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Matt Long has a strong attraction for his best friend's (Luke Mably) girl friend (Emmanuelle Chriqui) with whom he makes love. But she stops the relationship at a one night stand, saying that she was drunk and she's marrying Luke and he has the money to take care of her. Matt goes away to become a lawyer and finds another girl friend. Five years pass. Matt's father dies and Matt goes back home for the first time. Chriqui still has the hots for him (so it seems) and he for her.
All of this we learn in flashback for Matt is under arrest for (apparently) the murder of Chriqui. Things get a lot more complex than this because there are several other suspects and because Matt seems to attract homicides the way a magnet attracts iron.
This story kept me attentive until the end and the twists (doublecrosses and cross-plots) were plausible, given that we are dealing with some manipulative people of less than sterling moral character.
Are there some plot holes? I'd have to watch it again to be sure there are or are not. There quite probably are. Most such stories have them. After the fact, I can imagine how one apparent hole might have been worked out logically off screen, but I'm not sure my imagining or figuring is correct.
The acting sufficed. The hero at least got out of town and made good faith efforts to get the woman off his mind, but I'd have to admit that this was not easy to do when she comes on to him so strongly. Love dies hard. On the other hand, his new girl friend was a solid and attractive lass. But then he had a strong instinct to protect Chriqui from a husband who was apparently abusing her. So that his renewed fall into her arms does make sense.
Overall, it's not a bad film and not a bad film noir storywise. The directing and photography didn't add any impact or originality to it, and that explains my below average rating. Certain flashbacks were repeated, and that detracted. Matt played it a little too much with one expression and acted stunned most of the time and in a daze trying to figure out what had happened to him. The script probably let him down. It could have brought out the ironies of his situation more deeply. As in some other such stories, there seems to be altogether too much willingness of a character to spill everything to the police, with no lawyer present and with no thought of how much they are giving away if charges are brought against them. In real life, it's madness to trust police and talk to them in nearly all circumstances.