A group of high-schoolers invite Mandy Lane, a good girl who became quite hot over the summer, to a weekend party on a secluded ranch. While the festivities rage on, the number of revelers begins to drop quite mysteriously.
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A young married couple becomes stranded at an isolated motel and finds hidden video cameras in their room. They realize that unless they escape, they'll be the next victims of a snuff film
Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
In this third installment of the Final Destination series, a student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself which seeks out those who escaped their fate.
Director:
James Wong
Stars:
Mary Elizabeth Winstead,
Ryan Merriman,
Kris Lemche
Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
A group of young backpackers' vacation turns sour when a bus accident leaves them marooned in a remote Brazilian rural area that holds an ominous secret.
The orphan Mandy Lane is a beautiful, virgin and pure teenager raised by her aunt, desired by her schoolmates and a close friend of the outcast Emmet. After the death of their high school mate in a pool party, Mandy befriends Chloe, Marlin, Red, Bird and Jake. Red invites the group for a weekend party in the isolated ranch of his family, with all the boys disputing who would succeed in having sex with Mandy Lane. They meet the henchman Garth that takes care of the ranch and he asks the group to go easy on the drugs and booze. In the middle of the night, a stranger wearing a hood attacks Marlin in the barn; when Jake seeks her out, he faces the killer, beginning a night of bloodshed and terror. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The main ranch house in the film used to belong to Hilary Duff's family. See more »
Goofs
The back of Mandy Lanes legs were covered in mud when she first gets up after falling in the mud pit. In the next scene her legs are clean. See more »
Quotes
Marlin:
[looking at map of USA with Xs]
What's with all the Xs.
Red:
Jake's hooked up with a girl from each of those states.
Marlin:
Yeah right. There are like 40 states accounted for here.
Jake:
42
Red:
And the fuckers parents are taking him to Alaska in August.
See more »
I approached seeing "All The Boys Love Mandy Lane" with caution. I had heard a rumour that the Protection Of Punters From Horror Movie Cliché's fast response squad (a subdivision of the Committee For Protection Against All Hollywood Movie Clichés) were sweeping UK cinemas and arresting anybody caught watching bad movies about good looking teens being slaughtered by evil forces unknown in remote and eerie locations. The punishment, I heard, was 30 years hard labour watching Martin Lawrence comedies.
I was OK. The squad didn't catch me. Anyway, despite being based on well worn movie clichés, "All The Boys Love Mandy Lane" was really rather good, not a bad movie at all, so the squad would have been forced to let me go.
My interest in a film like this lives and dies on outside of what is going regarding the horror content. Horror is boring in and of itself. Luckily there is plenty of other stuff going on in "All The Boys Love Mandy Lane".
"All The Boys Love Mandy Lane" boasts really great, stunning cinematography. Just beautiful work, dreamy and atmospheric, utilising all sorts of time lapse effects and film stock. I think the work is as as good as anything you might see in a serious art house film. "All The Boys Love Mandy Lane" also has a really good soundtrack of melancholy pop music, culminating in a song that everybody knows: One of the creepiest pop songs of all time. (You will know what it is. It is in the trailer.) There are good performances and an inventive script, touching on interesting issues such as sexual attraction, jealousy, the school hierarchy, peer pressure and rivalry and the problems of the modern body image.
Hey! Don't worry! The filmmakers do not forget that "All The Boys Love Mandy Lane" is supposed to be a horror movie. Add to all of the above some particularly bloody, hands-over-your-eyes, murders.
The eventual identity of the killer was no surprise to me, but that is just the way it goes. I have seen a lot of movies. Suffice to say that "All The Boys Love Mandy Lane" is a superior horror film. One of the best I have seen in years.
43 of 74 people found this review helpful.
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I approached seeing "All The Boys Love Mandy Lane" with caution. I had heard a rumour that the Protection Of Punters From Horror Movie Cliché's fast response squad (a subdivision of the Committee For Protection Against All Hollywood Movie Clichés) were sweeping UK cinemas and arresting anybody caught watching bad movies about good looking teens being slaughtered by evil forces unknown in remote and eerie locations. The punishment, I heard, was 30 years hard labour watching Martin Lawrence comedies.
I was OK. The squad didn't catch me. Anyway, despite being based on well worn movie clichés, "All The Boys Love Mandy Lane" was really rather good, not a bad movie at all, so the squad would have been forced to let me go.
My interest in a film like this lives and dies on outside of what is going regarding the horror content. Horror is boring in and of itself. Luckily there is plenty of other stuff going on in "All The Boys Love Mandy Lane".
"All The Boys Love Mandy Lane" boasts really great, stunning cinematography. Just beautiful work, dreamy and atmospheric, utilising all sorts of time lapse effects and film stock. I think the work is as as good as anything you might see in a serious art house film. "All The Boys Love Mandy Lane" also has a really good soundtrack of melancholy pop music, culminating in a song that everybody knows: One of the creepiest pop songs of all time. (You will know what it is. It is in the trailer.) There are good performances and an inventive script, touching on interesting issues such as sexual attraction, jealousy, the school hierarchy, peer pressure and rivalry and the problems of the modern body image.
Hey! Don't worry! The filmmakers do not forget that "All The Boys Love Mandy Lane" is supposed to be a horror movie. Add to all of the above some particularly bloody, hands-over-your-eyes, murders.
The eventual identity of the killer was no surprise to me, but that is just the way it goes. I have seen a lot of movies. Suffice to say that "All The Boys Love Mandy Lane" is a superior horror film. One of the best I have seen in years.