Indigo is a film about loneliness, redemption, and the healing powers and grace of the new generation of Indigo (psychic and gifted) children being born into the world. Although the story ... See full summary »
People have been asking questions about God since the dawn of humankind and humanity's disagreements about the nature of God have often led to ethnic and religious warfare, the suppression ... See full summary »
Adam is an unsuccessful writer living in Los Angeles, working as a film critic. He has been depressed ever since his girlfriend broke up with him a year ago, and to make matters worse, has ... See full summary »
Jay Alan Christianson,
Inspired by the idea that one of the greatest gifts one generation can give to another is the wisdom gained from experience, filmmaker and photographer Andrew Zuckerman traveled the globe ... See full summary »
On his 83rd birthday, Eddie (Voight), a war vet and a maintenance worker at the Ruby Pier amusement park, dies while trying to save a girl who is sitting under a falling ride. When he ... See full summary »
"Conversations with God" tells the true story of Neale Donald Walsch that inspired and changed the lives of millions worldwide. The journey begins after he unexpectedly breaks his neck in a car accident and loses his job. Soon after, we witness his transformation from your everyday guy to a homeless bum struggling just to stay alive. Neale's eye-opening roller coaster ride takes us through his emotional battle to get enough food, make friends and regain his life. And just when things seem to be going his way, they get worse. Feeling like a complete failure in all aspects of his life, Neale, full of anger and bitterness asks God a pile of demanding questions. Much to his disbelief, Neale received his answers! The unworldly conversations that follow end up being read by over 7 million people in 36 languages around the world and counting. Written by
Brian Chandler <firstname.lastname@example.org>
The bus used to take Neale out of the park in the movie was a decommissioned local bus purchased at auction. This specific bus was in service 1991-2 and on the same route that Neale had to travel to get to work, and was thus almost certainly one of the very buses that Neale had taken during the real events depicted in the movie. See more »
Angry Audience Member:
Sounds to me like you've written a book of lies.
If you're asking me did I make all this up... the answer is no. But, I will tell you this, I've wondered what you are wondering. Will anyone believe this? Believe me? Will they believe where it came from? I just hope that you make that decision from your own hearts, not from what you think of me personally. And please, don't disqualify or marginalize the message because... I am... such a fallible messenger.
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For the millions of readers of Neale Donald Walsch's superb trilogy, "Conversations with God" and his sequel, "Tomorrow's God," this film might have special meaning.
It chronicles in dramatic form, highlights from Author Walsch's rise from a struggling wannabe to a best-selling writer.
I've no idea how much of this is fact and how much dramatic license that Scriptor Eric DelaBarre took in fashioning his screenplay. However, I'm sure that structurally he spent too much time with Neale's rags and not enough with the transition to riches.
For over an hour our hero struggles bitterly, becoming an outcast homeless person. Then rather abruptly he's getting his writing inspiration and turning into a great success. This imbalance is probably because Eric saw the poverty part as more dramatic and emotion-driven.
Still, for those unfamiliar with Walsch and his writings, the movie may come off as not too interesting. Only when one is familiar with the writing product (for myself, the books should be included in "Great Books of the Western World" Series) that the bio takes on special meaning.
Fortunately, fine Canadian actor Henry Czerny is cast in the lead role. (Who can forget his mesmerizing performance in "Boys of St. Vincent"?) Yet, Czerny can't save the tedium of DelaBarre's script.
As for the film title, it has little to do with the book per se (how can one make a film of a book that consists entirely of dialog . . . Qs&As?).
In the end, it's appropriate that the film be judged as film and, according to that criteria, it deserves a less that satisfactory rating.
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