6.5/10
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33 user 24 critic

Conversations with God (2006)

Chronicles the dramatic true journey of a struggling man turned homeless, who inadvertently becomes a spiritual messenger and bestselling author.

Director:

(as Stephen Simon)

Writers:

(as Eric Delabarre), (books)

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Cast

Cast overview, first billed only:
...
Neale Donald Walsch
...
Daisy
Frederick Charles Canada ...
Man in Audience
Bill Geislinger ...
Angry Man
Suriel Hess-Glover ...
Young Neale
Catherine Rowe ...
Neale's Mom
Sharon DelaBarre ...
Kay
Michele Blood ...
Angry Man's Wife
Greta Oglesby ...
Employment Counselor
Karen Fitzgerald ...
Doctor
...
Michael
Wrick Jones ...
Stranger at Tent
Suki ...
Spiritual Woman #1
Margot Robinson ...
Spiritual Woman #2
Jerry McGill ...
Oscar
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Storyline

"Conversations with God" tells the true story of Neale Donald Walsch that inspired and changed the lives of millions worldwide. The journey begins after he unexpectedly breaks his neck in a car accident and loses his job. Soon after, we witness his transformation from your everyday guy to a homeless bum struggling just to stay alive. Neale's eye-opening roller coaster ride takes us through his emotional battle to get enough food, make friends and regain his life. And just when things seem to be going his way, they get worse. Feeling like a complete failure in all aspects of his life, Neale, full of anger and bitterness asks God a pile of demanding questions. Much to his disbelief, Neale received his answers! The unworldly conversations that follow end up being read by over 7 million people in 36 languages around the world and counting. Written by Brian Chandler <feedback@spotlightearth.com>

Plot Summary | Add Synopsis

Taglines:

From the book that inspired millions comes a film that will change your life. See more »

Genres:

Adventure | Drama

Motion Picture Rating (MPAA)

Rated PG for thematic elements, some language and a brief accident | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

27 October 2006 (USA)  »

Also Known As:

Beszélgetések Istennel  »

Filming Locations:

 »

Box Office

Opening Weekend:

$150,355 (USA) (27 October 2006)

Gross:

$422,897 (USA) (1 December 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Did You Know?

Trivia

The sun shining through the apartment window is generated by an 18,000-watt movie light mounted on the platform of a 126-foot high Condor crane. See more »

Quotes

Kay: If God had only one message, his most important message to all of us, and you could put it into one paragraph, what would that be?
Neale: [pause] I can fit it all into five words. You've got me all wrong.
See more »

Connections

Referenced in Turbo Zombi - Tampons of the Dead (2011) See more »

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User Reviews

 
Inspiring message gets trampled over by a variety of new-age pratfalls
23 February 2007 | by (SoFla, UsA) – See all my reviews

Proving the so-called spiritual genre still has an awfully long way to go before feeling half has meaningful as underlying content would suggest, this quest for meaning and purpose remains ironically dull for it's intended purpose. Rather then adapting Neale Donald Walsch's massively successful spiritual dialogs, the film version of Conversations with God plays more like a biography, detailing the catalyst behind this reluctant author's unique journey which saw him living on the streets to becoming an international bestseller.

In a film plagued with bad choices, choosing to go the docudrama route proves one of the only wise decisions, producing a few of the Lifetime-worthy affair's only authentic and moving sequences. It is a testament to the inept direction then, when any and all emotional sincerity takes place during the initial struggling and unanimously subsides when relaying the inspirational turn of events that will fail to inspire the viewer. Proving quite contradictory indeed, the more Conversations with God presses on the book's inspirational themes of love, surrender, and other random insights, the less impact any previously watched glimmer of truth seems to reap.

There is just a massive divide between parlaying this intensely personal information in a way that does not feel trite, even laughably condescending, to all but the most ardent of sheep-fans... Meaning, until dedicated efforts into this budding genre begin translating our inner spiritual discussions more believably by refining their techniques into many more subtle shades of consciousness, they will continue to bare the new-age brunt of jokes, contradict what they so earnestly try to capture, and give moviegoers every which reason to extract spiritual qualities from other genres that unconsciously produce this sentiment so much clearer, with a lot less strain. For the few heartfelt moments that detail Walsch's struggle with homelessness, the film rises above the emotional sterile, Hallmark-prone manipulation that the majority seems to be. However, anyone who is not already begging to enjoy this movie, having been a rabid fan of the author's work, has every right to leer in cynical jest at the film's unintentionally ironic tone of detached insincerity.


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