A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
Set in 1960 London, where a soon to retire caretaker convinces a glass-ceiling constrained American executive to help him steal a handful of diamonds from their employer, the London Diamond Corporation.
In Chicago, Neil Randall - family man and executive of an advertisement agency - has a perfect life. He expects to be promoted in his job soon, he has a beautiful and sexy wife, Abby, a lovely daughter, Sophie, and he lives in a wonderful house. When Neil's boss, Karl Granger, invites him to spend the weekend in his country cottage, Abby hires a nanny for Sophie, so Abby can spend the day with her sister, Diane. While driving Abby to meet Diane, a stranger who was hidden on the backseat appears with a gun, and informs them that he has kidnapped Sophie. He introduces himself as Ryan, and states that for twenty-four hours the couple will obey his orders, otherwise he will kill Sophie. By keeping the couple under his total control, he makes it clear that he is a calculating sociopath with nothing to lose, and the intention of destroying Neil's perfect life. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This is the second time that Pierce Brosnan and Gerard Butler have appeared in a movie together. The first was actually Tomorrow Never Dies (1997) where Butler played one of the crew on the HMS Devonshire, and Brosnan of course played James Bond. However, their characters in that film had no interaction. See more »
When Neil runs to the clock tower he's all sweaty - his shirt is all wet, then in the elevator he's neat and clean, then on the roof he's wet again. See more »
The producers of BUTTERFLY ON A WHEEL (a/k/a SHATTERED in U.S.), didn't have enough faith in their project to seek widespread theatrical distribution of the finished film--even though it had GERARD BUTLER fresh from his box-office triumph in "300". Instead, they went a more direct route--directly to TV on TNT, which seems more like a last resort. Once again, a Gerard Butler film with limited distribution even though co-starred with PIERCE BROSNAN and MARIA BELLO.
Seeing it on TNT, it's understandable that the film had some problems in connecting with a larger audience. Brosnan's villain is below par for the actor and Butler has done better work elsewhere although he gives all his energy to the role of a distraught husband.
The plot is an elaborate cat-and-mouse game that Brosnan plays with the unlucky couple, Butler and Bello. While it does generate a certain amount of suspense, Brosnan's character remains an enigma for almost the whole story. Never once do we get a hint of why he's going to such extremes to torture the couple by demanding that they perform tasks at his bidding. A grungy looking Brosnan makes the villain a very unappetizing psychotic and we're never quite sure about Butler either, an ad agency man who gradually loses his swaggering overconfident manner.
Without giving away more of the plot (except to say that there is a mildly interesting twist toward the end followed by a double twist), the whole thing plays more like a made-for-TV movie than an actual film because none of the characters are more than one-dimensional despite the good acting. And the final scene between Butler and Bello is totally unbelievable as to motivation.
Summing up: Basically tricky and shallow at the core.
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