In Chicago, Neil Randall - family man and executive of an advertisement agency - has a perfect life. He expects to be promoted in his job soon, he has a beautiful and sexy wife, Abby, a lovely daughter, Sophie, and he lives in a wonderful house. When Neil's boss, Karl Granger, invites him to spend the weekend in his country cottage, Abby hires a nanny for Sophie, so Abby can spend the day with her sister, Diane. While driving Abby to meet Diane, a stranger who was hidden on the backseat appears with a gun, and informs them that he has kidnapped Sophie. He introduces himself as Ryan, and states that for twenty-four hours the couple will obey his orders, otherwise he will kill Sophie. By keeping the couple under his total control, he makes it clear that he is a calculating sociopath with nothing to lose, and the intention of destroying Neil's perfect life. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This is the second time that Pierce Brosnan and Gerard Butler have appeared in a movie together. The first was actually Tomorrow Never Dies (1997) where Butler played one of the crew on the HMS Devonshire, and Brosnan of course played James Bond. However, their characters in that film had no interaction. See more »
When Neil runs to the clock tower he's all sweaty - his shirt is all wet, then in the elevator he's neat and clean, then on the roof he's wet again. See more »
Another film you'd like to demand your time back for watching
Basically, the kind of overly simplistic, TV movie of the week story you'd expect from basic network TV or from the formula Hollywood films that also end up making little or no stop at theaters.
Besides being boring and predictable, it lacks any significant meaning. It's difficult to fill up 10 lines for IMDb describing in detail what I'd prefer to forget. The acting isn't bad, as you'd expect from the actors involved (though you'll ask yourself why they'd be involved at all with this). There are issues, like Brosnan's voice sometimes feels like a voice-over, and it's difficult to tell if he's supposed to be doing an Irish or Scottish accent. Given the way the film is largely talk driven and his talking is featured, you'd think there'd be some significance to it, but it doesn't really matter.
The single biggest problem besides the shallow, imitative, factory-made story is the lack of plot development. I suppose they thought it added suspense and mystery. It just made it seem completely unthought through.
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