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IMDb > "Kant aan m'n broek!" (1978)

"Kant aan m'n broek!" (1978) More at IMDbPro »TV series


Overview

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Seasons:
1 full episode list
Release Date:
24 November 1978 (Netherlands) more
Genre:
Comedy
Plot:
Dr. Lucien Petypon wakes up after a wild night on the town and finds a young dancing girl called 'Garnaaltje' in his bed... more
User Comments:
Enough with the intro and the outro more

Cast

 (Series Cast Summary - 9 of 23)
Josine van Dalsum ... Garnaaltje (6 episodes, 1978)
Eric Schneider ... Petypon (6 episodes, 1978)
Tonny Eyk ... Dirigent (6 episodes, 1978)
Adèle Bloemendaal ... Gabriëlle (5 episodes, 1978)
Coen Flink ... Generaal Baron Petypon du Grêlé (5 episodes, 1978)
Pieter Lutz ... Mongicourt (5 episodes, 1978)
Albert Mol ... Etienne (4 episodes, 1978)
Derek de Lint ... Lt. Chamiroux / ... (4 episodes, 1978)
Jules Royaards ... Jean-Pierre (4 episodes, 1978)
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Additional Details

Runtime:
40 min (6 episodes)
Country:
Netherlands
Language:
Dutch
Color:
Color
Sound Mix:
Mono

Fun Stuff

Movie Connections:
Version of Räkan från Maxim (1980) (TV) more
Soundtrack:
Kant aan m'n broek! more

FAQ

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Enough with the intro and the outro, 3 February 2009
7/10
Author: Chip_douglas from Rijswijk (ZH), The Netherlands

*** This comment may contain spoilers ***

When Dr. Lucien Petypon (Eric Schneider) wakes up after a night of boozing to find dancing girl 'Garnaaltje' (Josine van Dalsum) in his bed it is only the beginning of his troubles. Hiding her from his wife Gabriëlle (Adele Bleomendaal) is just about manageable, but when his uncle the General (Coen Flinck) arrives to invite the Petypons to his niece's wedding, the General is immediately enchanted by Garnaaltje, whom he assumes to be Mme. Petypon. During the party at the château, Garnaaltje is an unexpected hit with the men as well as the ladies, who mistake her uneducated behavior for the latest Paris fashion. Unfortunately Gabrielle has got wind of her invitation after all, and the impending bridegroom, Lt. Corignon (Jules Hamel) turns out to be a former lover of Garnaaltje. Even after returning home to Paris, the charade isn't over for Petypon, and a new invention to immobilize patients in a dentist chair keeps being used to get people out of sticky situations instead.

John van de Rest directed and adapted this Dutch version of Georges Feydeau's "La Dame de Chez Maxim's". Broadcast in 6 installments of varying lengths, this would probably have been better off being presented as one two hour farce. As it stands now, The middle two episodes, set at the party in a château and featuring more than a dozen different characters, are the highlights. The preceding and concluding two (four and all) set in the Petypon household are less satisfying. The most tiresome part of each episode however, is a five minute introduction supposedly set at Le Maxim which I will attempt to describe in the next paragraph. This little seen mini-series was broadcast in January of 2009 without any fanfare as part of a month long celebration of the work of Adele Bloemendaal (who doesn't even appear in all six episodes) on digital channel Hilversumbest. While I applaud the fact that they screened each episode completely uncut, I can't help but think that were "Kant Aan m'n Broek!" ever to be released on DVD, it will most likely be edited down somewhat for today's audiences. Most especially the endless opening sequence...

Before we settle down into the actual story, we open on composer Tonny Eyk, almost unrecognizable with slicked back olive oil hair, conducting an unidentified orchestra playing the entr' acte. Some can can girls enter the stage to do their wild dance and are soon joined by some male dancers posing as waiters. After this, Josine van Dalsum enters the stage as Garnaaltje (Crevette in French). She leads the audience in a singalong version of the title number "Kant aan m'n broek", which also serves as her leitmotif and catchphrase during the entire series. She belts out the number with great gusto but, like the character she is playing, her performance won't be to everyone taste. Finally as the audience gives her an ovation of applause, she beckons them to quit down, tells us the number of the episode (1 to 6) and opens the curtains to reveal the first scene projected on a blue screen. On a side note, 5 of the 6 episode all start with a close up of a statue, reminding me of that episode of the Monkees in which the four of them accused director James Frawley of always beginning with a close up of their stuffed monkey. Now this whole charade would a fine introduction to the first episode, but surely to feature the exact same footage six times in a row is too much.

The main part of " Kant Aan m'n Broek!", the farce itself, is filmed without the benefit of a live studio audience (or even a laugh track) but at the end of each installment the curtain closes and Tonny Eyk's orchestra plays up again as the audience at 'Maxim's' get up and leave during the end credits. The performances range from hyper (Adele Bloemendaal as Gabriëlle) to the subdued (Pieter Lutz as Mongicourt) with Eric Schneider displaying a flair for comedy as Petypon and Josine van Dalsum occupying center stage as Garnaaltje. She would play a similar part in a rather more dramatic production also directed by John v.d. Rest in 1981: "Mata Hari". Let's hope that one'll show up on Hilversum best sometime soon as well.

7 out of 10

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