A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
Maurice Russell, once a great actor, is now living in London in the twilight of his life. Those of his generation remember him fondly, while those in the younger generations have no idea who he is. He spends most of his time hanging out with his friends Ian, also an actor, and Donald, or visiting with his wife Valerie for who he has great affection but with who he no longer lives. His acting career is virtually over, he only taking roles on the odd occasion when he needs the money. Ian has decided to invite his young great-niece Jessie from the provinces to come and stay with him, basically to act as his caregiver in case he falls ill, but also to be his companion. He envisions listening to Bach with her and her cooking him food to which he is accustomed. Jessie's stay is nothing as he envisions. She doesn't know how to cook, she drinks all his alcohol, and she has unrealistic visions of what she will accomplish in her life. Maurice, however, sees in Jessie, a person who can help him ... Written by
Unsynchronised, bad edit at roughly 51 minutes, 10 seconds. The voice of Jessie can be heard saying "No Maurice I'm not going out" but her lips aren't moving, in fact she's just started to sip from her glass. See more »
I haven't got anything to wear.
I can't think of anything more enraging, my dear.
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More Mother than Notting Hill. Peter O'Toole is brilliant -- creepy, lovable, objectionable and yet so vulnerable as the aging, forgotten actor in this "kind of makes you squirm in your seat" love/obsession story. I viewed it at the closing night of the Chicago International Film Festival. The tone and feel of the film places you squarely in Maurice's (O'Toole) gloomy, last chapter of life journey as well as Jesse's (Jodie Whittiker) bratty, just getting her own life started journey. Outstanding cinematography, score and music. Wonderfully haunting! V. Redgrave is terrific and beautiful. Oscar's all around for this funny, sometimes creepy, real look at two people finding each other at the most unexpected time in their lives.
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