A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other, somewhat more respectable, members of their family plot to steal the estate from him. Murder and mayhem ensue.
A group of English gay men get together to reminisce. They are all coming from a wake for one of their circle who's died of AIDS. It's that terrifying time between the outbreak of AIDS and ... See full summary »
Only one lusted glance brings Aliya to the events throwing her into the criminal ocean. But in the wirliging of passions and turmoil when she finds herself at the verge of fatality it's ... See full summary »
Maurice Russell, once a great actor, is now living in London in the twilight of his life. Those of his generation remember him fondly, while those in the younger generations have no idea who he is. He spends most of his time hanging out with his friends Ian, also an actor, and Donald, or visiting with his wife Valerie for who he has great affection but with who he no longer lives. His acting career is virtually over, he only taking roles on the odd occasion when he needs the money. Ian has decided to invite his young great-niece Jessie from the provinces to come and stay with him, basically to act as his caregiver in case he falls ill, but also to be his companion. He envisions listening to Bach with her and her cooking him food to which he is accustomed. Jessie's stay is nothing as he envisions. She doesn't know how to cook, she drinks all his alcohol, and she has unrealistic visions of what she will accomplish in her life. Maurice, however, sees in Jessie, a person who can help him ... Written by
In the newspaper fight scene in the restaurant, the waitress is seen about a foot behind Maurice as he is initially attacked. From the opposite camera angle, the waitress alternates between being missing or about ten feet away. See more »
I will die soon, Venus. Can I touch your hand?
That's one chat-up line I haven't heard.
I'm impotent, of course.
But I can still take a theoretical interest.
Have you been thinking about me?
All the time I was in hospital.
What did you think about me?
I saw your body.
[...] See more »
I, like most people, thought twice about spending a good few hours of my life watching an old man fall in love with a teenager, but my respect for O'Toole and a free ticket voucher at the Denver Film Festival were more than enough to motivate me to see the film. Had I not gone, I would have made a serious mistake. O'Toole's performance is as good as anything he's done, and the whispers about Oscars might just have something behind them. Somehow, Roger Michell directed this film so beautifully that nothing that occurred between Maurie and Jessie seemed morally ambiguous whatsoever. Maybe it was the pairing of scenes with poppy Corinne Bailey Rae music that made it seem so natural, but I strongly suspect otherwise. O'Toole, paired with a beautiful performance by virtual unknown Jodie Whittaker, takes us into a world that disregards social boundaries and replaces them with raw human emotion and understanding. Though O'Toole's performance captivates the Oscar attention of anyone who sees the film, the supporting role played by Leslie Phillips was essential to the film's success. The relationship between Phillips and O'Toole's character had the entire theater laughing just seconds into the film. Overall, a cast of entirely endearing characters and knockout performances by O'Toole, Phillips, and Whittaker make Venus one of the best films I've seen in 2006.
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