A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
Only one lusted glance brings Aliya to the events throwing her into the criminal ocean. But in the wirliging of passions and turmoil when she finds herself at the verge of fatality it's ... See full summary »
Maurice Russell, once a great actor, is now living in London in the twilight of his life. Those of his generation remember him fondly, while those in the younger generations have no idea who he is. He spends most of his time hanging out with his friends Ian, also an actor, and Donald, or visiting with his wife Valerie for who he has great affection but with who he no longer lives. His acting career is virtually over, he only taking roles on the odd occasion when he needs the money. Ian has decided to invite his young great-niece Jessie from the provinces to come and stay with him, basically to act as his caregiver in case he falls ill, but also to be his companion. He envisions listening to Bach with her and her cooking him food to which he is accustomed. Jessie's stay is nothing as he envisions. She doesn't know how to cook, she drinks all his alcohol, and she has unrealistic visions of what she will accomplish in her life. Maurice, however, sees in Jessie, a person who can help him ... Written by
Maurice needs glasses to read, so it's assumed that his sight is poor. It's impossible for him to see that Jessie's new boyfriend has the same tattoo she's having done, being him across the street from the tattoo parlor. See more »
You were a good mother. I rather left you holding the baby, didn't I?
You did do that. Three children under six, to be exact.
I can see it must have been inconvenient.
That you put your own pleasure first?
I did love you. For a time. And for the rest of the time, I was fond of you.
Please, no. No, don't
More than fond of you.
You don't have to. I don't want it.
It's my goodbye to you.
Why, where are you going?
[...] See more »
Slavonic Dances Op. 72, No. 2 in E minor: Dumka (Allegretto grazioso)
Composed by Antonín Dvorák (as Antonin Dvorák)
Performed by Berliner Philharmoniker / Lorin Maazel
Licensed courtesy of EMI Records Ltd.
Lines quoted from the song "I Should Be So Lucky"
Written by Mike Stock (as Stock) / Matt Aitken (as Aitken) / Pete Waterman (as Waterman)
Published by Mike Stock Publishing Ltd. / Sony/ATV Music Publishing Ltd. / Universal Music Publishing Ltd. / All Boys Music Ltd. / BMG Music Publishing Ltd. See more »
This is one of those movies that grows on you once the credits are done. Quickly paced, sharply written and deftly acted, Venus is a movie that unfolds so quickly that one is immersed in the action from the very start.
The background is actors living off small pensions and acting jobs in working class London. The cinematography catches the dullness of the surroundings and one is easily transported into this world of sameness, peppered by occasional wonderful lapses back into the magic of acting and well written lines. Their world, and also the girl's world is turned upside down by meeting one another.
O'Toole is wonderful as Maurice, the ex-raconteur who proves that love, lust, flirtation and marvel are attributes that never go away with age. It's a delight to see these feelings rekindled in the old man, and O'Toole is the master of bringing zest and poignancy to the screen. Just going to see him quote Shakespeare is worth it alone. The setting in which he does it is unexpected and moving.
Jodie Whitaker is indeed a fresh new face. Without airs, this actress expertly matches wits with O'Toole. She conveys the right amount of grittiness, insecurity and bravado as a teenage girl thrust into the big city without a concrete plan would. The growth in her character takes place when an event that she has caused takes place, and she must either own up to what she has done, or forever be stuck in the life as a yob's girlfriend.
Vanessa Redgrave and all the others round out an honest cast that isn't afraid to let "Hollywood" see their age. This is acting "sans botox," and what a delight it is to see. This is smart writing, good thinking, and gutsy in a day when actors are expected to look a certain way even in old age. It's a delight, and trounces all stereotypes about aging.
There are lines here which are utterly breathtaking in their insight and playfulness. The writer is to be applauded for not falling back on the "senior citizen" stereotype. O'Toole's character swoons, he drinks in the quixotic experience of remembering the beauty of a naked body, of kissing a woman's neck, of the entire and total experience of falling in love, of pleasure, and of jealousy and of heartbreak as well. Young screenwriters should take note: write against type and delve into the real human experience, the one that everyone else tries to conveniently box away.
Why an 8, and not a 10? There were some choppy bits of editing. I would have liked to see even more growth and recognition in Maurice. Just a bit more from the writers would've brought it all the way home with the same aplomb given by O'Toole. But overall, a movie worth seeing, a performance worth rewarding. Bravo! Well done. Applause for Mr. O'Toole.
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