Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an "incident". Thinking they are at last safe, they are targeted by an experienced hit man and a psychopathic young upstart killer. The ensuing struggle will test Carmen to the limit.
Chris is a once promising high school athlete whose life is turned upside down following a tragic accident. As he tries to maintain a normal life, he takes a job as a janitor at a bank, where he ultimately finds himself caught up in a planned heist.
As Morgan and Destiny visit the Zeppelin Zoo for their eleventeenth date, they run into Lionel, Destiny's former boyfriend and a charming ladies' man. When Destiny's pet goes missing, ... See full summary »
Decorated Iraq war hero Sgt. Brandon King makes a celebrated return to his small Texas hometown following his tour of duty. He tries to resume the life he left behind. Then, against Brandon's will, the Army orders him back to duty in Iraq, which upends his world. The conflict tests everything he believes in: the bond of family, the loyalty of friendship, the limits of love and the value of honor. Written by
Kathryn Tait, who played one of the Biker Chicks, almost wasn't going to be a biker chick. When Bam Rubenstein showed up, Kathryn and Bam talked for a while and decided that Kathryn would ride on Bam's motorcycle. Because of that both Bam and Kathryn were shot mounting, riding, dismounting, entering a bar and playing pool. See more »
The barkeeper puts down four tequila shot glasses in front of Michelle - however, she and King drink a total of eight shots before they order more. See more »
Can't You See
Written by Toy Caldwell Jr. (as Toy Caldwell)
Performed by The Marshall Tucker Band (as Marshall Tucker Band)
Courtesy of Marshall Tucker Entertainment d/b/a Ramblin Records
Under exclusive license to Shout Factory, LLC
By Arrangement with Natural Energy Lab See more »
Another Forgettable Entry in the Iraq War Movie Mill
Kimberly Peirce becomes one of the latest directors to try and only marginally succeed in making a compelling film about the Iraq conflict.
Peirce takes on as her subject the military's stop-loss clause, essentially a back door draft by which the military can use fine print in recruits' contracts to prevent them from getting out once their time is up. Peirce obviously feels strongly about the policy, but what should be a hard-hitting drama feels instead like a rather preachy after-school special. She coaxes a nice performance out of Ryan Phillipe, as the soldier who goes AWOL when his stop-loss clause is activated, but she doesn't fare as well with the rest of the cast. The film suffers from confusing editing, that doesn't always make it clear where characters are or how events are related to one another, and the writing at times is weak as well, with character motivations not coming across as clearly as they should.
I don't know what it is about the Iraq conflict that makes it so hard for filmmakers to make good movies about it. Maybe it will have to be over for a while before anyone can begin to approach it with any success.
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