A veteran soldier returns from his completed tour of duty in Iraq, only to find his life turned upside down when he is arbitrarily ordered to return to field duty by the Army.
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About young British journalist, George Hogg, who with the assistance of a courageous Australian nurse, saves a group of orphaned children during the Japanese occupation of China in 1937.
Director:
Roger Spottiswoode
Stars:
Jonathan Rhys Meyers,
Radha Mitchell,
Yun-Fat Chow
A group of recruits go through Advanced Infantry Training at Fort Polk, Louisiana's infamous Tigerland, last stop before Vietnam for tens of thousands of young men in 1971.
Director:
Joel Schumacher
Stars:
Colin Farrell,
Matthew Davis,
Clifton Collins Jr.
A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow Marine recruits from their brutal boot camp training to the bloody street fighting set in 1968 in Hue, Vietnam.
Director:
Stanley Kubrick
Stars:
Matthew Modine,
Adam Baldwin,
Vincent D'Onofrio
Injuries sustained by two Army ranger behind enemy lines in Afghanistan set off a sequence of events involving a congressman, a journalist and a professor.
During the U.S.-Viet Nam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade colonel who has set himself up as a god among a local tribe.
Based on former Marine Anthony Swofford's best-selling 2003 book about his pre-Desert Storm experiences in Saudi Arabia and about his experiences fighting in Kuwait.
Director:
Sam Mendes
Stars:
Jake Gyllenhaal,
Scott MacDonald,
Jamie Foxx
Forced to play a dangerous game of cat-and-mouse in the chaos of war, an elite Army bomb squad unit must come together in a city where everyone is a potential enemy and every object could be a deadly bomb.
Director:
Kathryn Bigelow
Stars:
Jeremy Renner,
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Decorated Iraq war hero Sgt. Brandon King makes a celebrated return to his small Texas hometown following his tour of duty. He tries to resume the life he left behind. Then, against Brandon's will, the Army orders him back to duty in Iraq, which upends his world. The conflict tests everything he believes in: the bond of family, the loyalty of friendship, the limits of love and the value of honor. Written by
Paramount Pictures
A scene was filmed with Maggie Siff as an assistant to Senator Orton Worrell meeting Brandon in the senator's office. The scene was deleted from the final film. See more »
Goofs
In the opening scene during the chase Tommy is on top the Humvee but after they chase the attackers into the ally and Brandon tells Frank and Randy to cover them. You never see Tommy come down from the top of the Humvee. See more »
What is bravery? Is it trying to do the right thing while facing death in the process? What is patriotism? Is it selflessly giving to your country your services and possibly your life to protect and idea? What is honor? Is it following through on your responsibilities to others who depend on you? In today's United States Army, these questions aren't merely hypothetical, but the basis of character. Kimberly Pierce understood this when she made her sophomore film Stop-Loss, which is extremely likely to be my favorite film of 2008.
Stop-Loss tells the story of a group of soldiers from Texas who are coming home from Iraq. Just before they see stateside, they encounter an ambush that kills three of their respected brothers. The squad leader Brandon King (Ryan Phillippe) feels responsible for the deaths. He intends to leave the service for good when he gets back along with his best friend (Channing Tatum). This is good news to Brandon's family; his father (the great Cirian Hinds) was a vet from Vietnam. This is also good news for his friend's fiancé (Abbie Cornish), whose love only shadows her loneliness.
But when Brandon turns in his gear and paperwork, he is told that he's to ship back out to Iraq on a stop-loss, which he instantly contests with his superior (Timothy Olyphant). The result has Brandon on the run as he goes AWOL to find a way out of going. He is aided by his friend's fiancé; he decides his best chance is to convince a local senator in Washington to help him. Along the way, he gets a tour of conscience. He meets the family of one of his dead men, whose brother knows about people who could get soldiers through to Canada. He also goes to see another of his comrades (Victor Russak), who was severely wounded in the conflict. And at the end, Brandon must make one of the hardest decisions that anyone will ever have to face.
Love it or hate it, this film has be one of the most unusual films dealing with war. It neither sides for the conflict in Iraq or against it, finding the argument to be beside the point. No doubt that Brandon does say something unflattering about his Commander-in-Chief in one scene, but the film makes it's bravest decision in being pro-soldier from beginning to end. We like these guys, we honor their dedication to our country and we only want them to find happiness and safety back home. But we can tell nearly from the start that coming home isn't going to be easy when tensions flare up in unpredictable ways. One of the men (played flawlessly by Joseph Gordon-Levitt) seems to need violence in order to feel normal. The film doesn't hate him for it, nor do we since we know that, in the words of another great movie, he had "a bad war".
There is something to be said about the decisions made in this film. In lesser movies, Brandon's decision would be more clear-cut depending on the filmmaker's political views. There would be some who call Brandon's plight cowardice and the film addresses this by allowing Brandon to have more than a couple of emotions. He's not afraid to fight or to die, but has a more interesting reason to resist. And the film doesn't see any easy answer in the options left to him. We see the life of another AWOL soldier up-close. There's nothing pretty about that.
A lot of the success of the film has to go to the amazing casting of the film. I have never been much of a fan for Ryan Phillippe), but he might have just converted me. This is an amazing performance of such complexity and earnestness that I was left truly amazed. Joseph Gordon-Levitt has been a rising independent superstar, completely washing away his child actor days in films that are challenging, playing parts that require his brand of smooth ferocity. This character is important even though he does little for the plot by being a tragic figure. I believe he might see his first nomination for this role. But my favorite performance may also be the most worthy of the Oscar this year: Abbie Cornish. Cornish isn't just throwing diamonds as a young woman in love with an impossible man.
Stop-Loss might just be the best military film since Platoon that deals with soldiers as individuals and not part of a strategy board. Kimberly Pierce, whose first and only other film was Boys Don't Cry, sees soldiers in a way that other filmmakers haven't (and those filmmakers are almost exclusively male, a few veterans themselves). She declares that she had documented hundreds of interviews with soldiers. This is one of the extremely rare cases that fiction proves to be the better format over documentary. In making this a fictional tale, she can tell a broader story and accompany the emotional journey of all her characters. She did this with her first film, which told the sad story of Brandon Teena. I didn't think that she could have made a better film than that. She has proved that she could and has.
All in all, I love this film and cannot recommend this to enough people. It's going to be attacked unfairly by the pro-war crowd who either feel that the film encourages wrong behaviors or weakening morale. In fact, I think that the film shows the real indomitable spirit of the fighting men with honor. But I also find that those who attack movies like these usually think that the best way to support the troops is to keep them in harms way. Stop-Loss isn't a cry to "cut and run". It's a testament that soldiers will remain honorable no matter how they come home. Something that John McCain might keep in mind
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What is bravery? Is it trying to do the right thing while facing death in the process? What is patriotism? Is it selflessly giving to your country your services and possibly your life to protect and idea? What is honor? Is it following through on your responsibilities to others who depend on you? In today's United States Army, these questions aren't merely hypothetical, but the basis of character. Kimberly Pierce understood this when she made her sophomore film Stop-Loss, which is extremely likely to be my favorite film of 2008.
Stop-Loss tells the story of a group of soldiers from Texas who are coming home from Iraq. Just before they see stateside, they encounter an ambush that kills three of their respected brothers. The squad leader Brandon King (Ryan Phillippe) feels responsible for the deaths. He intends to leave the service for good when he gets back along with his best friend (Channing Tatum). This is good news to Brandon's family; his father (the great Cirian Hinds) was a vet from Vietnam. This is also good news for his friend's fiancé (Abbie Cornish), whose love only shadows her loneliness.
But when Brandon turns in his gear and paperwork, he is told that he's to ship back out to Iraq on a stop-loss, which he instantly contests with his superior (Timothy Olyphant). The result has Brandon on the run as he goes AWOL to find a way out of going. He is aided by his friend's fiancé; he decides his best chance is to convince a local senator in Washington to help him. Along the way, he gets a tour of conscience. He meets the family of one of his dead men, whose brother knows about people who could get soldiers through to Canada. He also goes to see another of his comrades (Victor Russak), who was severely wounded in the conflict. And at the end, Brandon must make one of the hardest decisions that anyone will ever have to face.
Love it or hate it, this film has be one of the most unusual films dealing with war. It neither sides for the conflict in Iraq or against it, finding the argument to be beside the point. No doubt that Brandon does say something unflattering about his Commander-in-Chief in one scene, but the film makes it's bravest decision in being pro-soldier from beginning to end. We like these guys, we honor their dedication to our country and we only want them to find happiness and safety back home. But we can tell nearly from the start that coming home isn't going to be easy when tensions flare up in unpredictable ways. One of the men (played flawlessly by Joseph Gordon-Levitt) seems to need violence in order to feel normal. The film doesn't hate him for it, nor do we since we know that, in the words of another great movie, he had "a bad war".
There is something to be said about the decisions made in this film. In lesser movies, Brandon's decision would be more clear-cut depending on the filmmaker's political views. There would be some who call Brandon's plight cowardice and the film addresses this by allowing Brandon to have more than a couple of emotions. He's not afraid to fight or to die, but has a more interesting reason to resist. And the film doesn't see any easy answer in the options left to him. We see the life of another AWOL soldier up-close. There's nothing pretty about that.
A lot of the success of the film has to go to the amazing casting of the film. I have never been much of a fan for Ryan Phillippe), but he might have just converted me. This is an amazing performance of such complexity and earnestness that I was left truly amazed. Joseph Gordon-Levitt has been a rising independent superstar, completely washing away his child actor days in films that are challenging, playing parts that require his brand of smooth ferocity. This character is important even though he does little for the plot by being a tragic figure. I believe he might see his first nomination for this role. But my favorite performance may also be the most worthy of the Oscar this year: Abbie Cornish. Cornish isn't just throwing diamonds as a young woman in love with an impossible man.
Stop-Loss might just be the best military film since Platoon that deals with soldiers as individuals and not part of a strategy board. Kimberly Pierce, whose first and only other film was Boys Don't Cry, sees soldiers in a way that other filmmakers haven't (and those filmmakers are almost exclusively male, a few veterans themselves). She declares that she had documented hundreds of interviews with soldiers. This is one of the extremely rare cases that fiction proves to be the better format over documentary. In making this a fictional tale, she can tell a broader story and accompany the emotional journey of all her characters. She did this with her first film, which told the sad story of Brandon Teena. I didn't think that she could have made a better film than that. She has proved that she could and has.
All in all, I love this film and cannot recommend this to enough people. It's going to be attacked unfairly by the pro-war crowd who either feel that the film encourages wrong behaviors or weakening morale. In fact, I think that the film shows the real indomitable spirit of the fighting men with honor. But I also find that those who attack movies like these usually think that the best way to support the troops is to keep them in harms way. Stop-Loss isn't a cry to "cut and run". It's a testament that soldiers will remain honorable no matter how they come home. Something that John McCain might keep in mind