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Stop-Loss (2008)

R  |   |  Drama, War  |  28 March 2008 (USA)
6.5
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Ratings: 6.5/10 from 17,043 users   Metascore: 61/100
Reviews: 99 user | 143 critic | 35 from Metacritic.com

A veteran soldier returns from his completed tour of duty in Iraq, only to find his life turned upside down when he is arbitrarily ordered to return to field duty by the Army.

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, (as Katherine Peirce)
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Title: Stop-Loss (2008)

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Director: Joseph Gordon-Levitt
Stars: Joseph Gordon-Levitt, Alexandra Nicole Hulme, Lawrie Brewster
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Cast

Cast overview, first billed only:
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Quay Terry ...
Matthew Scott Wilcox ...
Connett Brewer ...
Curtis (as Connett M. Brewer)
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Lt. Col. Boot Miller
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Shorty
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Storyline

Decorated Iraq war hero Sgt. Brandon King makes a celebrated return to his small Texas hometown following his tour of duty. He tries to resume the life he left behind. Then, against Brandon's will, the Army orders him back to duty in Iraq, which upends his world. The conflict tests everything he believes in: the bond of family, the loyalty of friendship, the limits of love and the value of honor. Written by Paramount Pictures

Plot Summary | Add Synopsis

Taglines:

The bravest place to stand is by each other's side.

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for graphic violence and pervasive language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

28 March 2008 (USA)  »

Also Known As:

Untitled Kimberly Peirce Project  »

Filming Locations:

 »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$4,555,117 (USA) (28 March 2008)

Gross:

$10,911,750 (USA) (13 June 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Joseph Gordon-Levitt dislocated his right shoulder while filming boxing with mats wrapped around his arms. The shoot stopped for two weeks during which the writers worked on the script. See more »

Goofs

While Michelle and King are on the run King gets a cut on his forehead and places butterfly strip bandages on it. The amount of blood on the bandages and the skin around them changes during a single scene several times, going from heavy to light and back again. See more »

Quotes

[from trailer]
Senator Orton Worrell: Your country needs you to go back. You know it's the right thing to do.
Brandon King: Sir, I've always done the right thing. And this is wrong.
See more »

Connections

Featured in Siskel & Ebert: Episode dated 29 March 2008 (2008) See more »

Soundtracks

Born on the Bayou
Written by John Fogerty (as John C. Fogerty)
Performed by Creedence Clearwater Revival
Courtesy of Concord Music Group, Inc.
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Frequently Asked Questions

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User Reviews

 
Wish It Could Have Been Better
8 April 2008 | by (New Orleans LA) – See all my reviews

Maybe the idea was to show the total hopelessness of the conflict--that it was not really a war but urban warfare, and that there is no way to win or to have a happy ending. But that's just an idea--it's not a movie.

I thought that the set-up was fine. But I am not sure the filmmakers knew where to go with it. Their take on the stop-loss policy is obvious, and it is a message that should be heard. But I think the film would have been more interesting if any character exhibited any real growth during the film. The vets were all depicted as basket cases--the most well-adjusted vet seemed to be the double-amputee--he told us why he would want to go back to Iraq and there was at least some productive purpose that would have been served by his return there.

Perhaps there are soldiers who don't mind being stop-lossed--who truly believe they are accomplishing something positive over there. It would have been refreshing to have a character like that--a non-basket case. It would have been good to hear arguments supporting the stop-loss program (if there are any).

The last 20-30 minutes of this film were baffling. The end of the film (not an ending, just an end) was very unsatisfying.

Ryan Philippe did a competent job, but rarely conveyed anything not apparent from the lines or situation. For example, you could see that a lot of his post-war angst was attributable to guilt. How that tied in with the ending is just a mystery to me.

I recall that a very similar military policy was explored by Joseph Heller in Catch-22. I think a comparison to that novel and film is more apt than comparing this to The Deer Hunter.

I wish this film could have been much better than it was.


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