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Directed by | |||
| Darren Lynn Bousman | |||
Writing credits | ||
| Leigh Whannell | (story) and | |
| James Wan | (story) | |
| Leigh Whannell | (screenplay) | |
Produced by | |||
| Troy Begnaud | .... | associate producer | |
| Peter Block | .... | executive producer | |
| Mark Burg | .... | producer | |
| Jason Constantine | .... | executive producer | |
| Greg Copeland | .... | co-producer | |
| Daniel J. Heffner | .... | executive producer (as Daniel Jason Heffner) | |
| Gregg Hoffman | .... | producer | |
| Oren Koules | .... | producer | |
| Stacey Testro | .... | executive producer | |
| James Wan | .... | executive producer | |
| Leigh Whannell | .... | executive producer | |
Original Music by | |||
| Charlie Clouser | |||
Cinematography by | |||
| David A. Armstrong | (director of photography) | ||
Film Editing by | |||
| Kevin Greutert | |||
Casting by | |||
| Stephanie Gorin | |||
Production Design by | |||
| David Hackl | |||
Art Direction by | |||
| Anthony A. Ianni | |||
Set Decoration by | |||
| Liesl Deslauriers | |||
Costume Design by | |||
| Alex Kavanagh | |||
Makeup Department | |||
| Rachel Affolter | .... | assistant makeup artist | |
| Damon Bishop | .... | prosthetics assistant | |
| Chris Bridges | .... | prosthetics assistant | |
| François Dagenais | .... | prosthetics makeup (as Francois Dagenais) | |
| Sarah Fairbairn | .... | key makeup artist | |
| Kyle Glencross | .... | prosthetics assistant | |
| Stephanie Ingram | .... | key hair stylist | |
| Pamela Mills | .... | assistant hair stylist | |
| Neil Morrill | .... | prosthetics assistant (as Neil Morril) | |
Production Management | |||
| W. Michael Beard | .... | post-production supervisor | |
| Greg Copeland | .... | production manager | |
Art Department | |||
| Paul Accadia | .... | carpenter | |
| Sam Agro | .... | storyboard artist | |
| Jeff Burden | .... | carpenter | |
| Carlo Cesta | .... | painter | |
| Steven Ciancamerla | .... | set dresser | |
| Frank Croft | .... | painter | |
| Jeff Flint | .... | carpenter (as Geoff Flint) | |
| Dwight Hendrickson | .... | set designer | |
| Grant Kilroy | .... | carpenter | |
| Takashi Komai | .... | carpenter | |
| Sylvia Lange | .... | painter | |
| Ron Lightfoot | .... | construction coordinator | |
| Jason Lunn | .... | set dresser | |
| Mario Moreira | .... | assistant property master | |
| James R. Murray | .... | property master | |
| Monique Roy | .... | set buyer | |
| Sean Scoffield | .... | graphic designer | |
| Adam Smith | .... | specialty prop fabricator | |
| Cherie Spencer | .... | set dresser | |
| Ercidio Tamayo | .... | painter | |
| Richelle Wilks | .... | art department trainee | |
| Michael Zaharuk | .... | painter | |
| John Galbraith | .... | key scenic artist (uncredited) | |
| Anthony Pearce | .... | conceptual illustrator (uncredited) | |
Sound Department | |||
| Steve Baine | .... | foley artist | |
| Jeremy Balko | .... | adr mixer | |
| Tom Bjelic | .... | sound effects editor | |
| Keith Elliott | .... | sound re-recording mixer | |
| Mark Gingras | .... | sound designer | |
| Jamie Gould | .... | sound re-recording assistant | |
| Gina Gyles | .... | foley assistant | |
| Jamie Lucas | .... | re-recording assistant | |
| Matthew McKenzie | .... | adr recordist | |
| Colin McLellan | .... | adr recordist | |
| Rick Penn | .... | sound mixer | |
| Jason Perreira | .... | sound re-recording assistant | |
| Peter Persaud | .... | foley recordist | |
| John Douglas Smith | .... | supervising sound editor | |
| Andrew Tay | .... | sound re-recording mixer | |
| Marilee Yorston | .... | foley assistant | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Special Effects by | |||
| Damon Bishop | .... | special effects crew | |
| Derek Bujalski | .... | special effects technician | |
| Tim Good | .... | special effects coordinator | |
| A. Scott Hamilton | .... | pigs | |
| Maya Kulenovic | .... | pigs | |
Visual Effects by | |||
| David Alexander | .... | senior CGI artist: Switch VFX | |
| Don Asido | .... | data manager: Switch VFX | |
| Jon Campfens | .... | visual effects supervisor | |
| Bernadette Couture | .... | dustbuster | |
| Peter Denomme | .... | visual effects producer: Switch VFX | |
| Amir Eftekhari | .... | digital compositor: Switch VFX | |
| Amir Eftekhari | .... | matte painter: Switch VFX | |
| Genevieve Forte | .... | digital artist | |
| Gudrun Heinze | .... | senior digital artist: Switch VFX | |
| Dan Kelly | .... | creative director | |
| Louis Kim | .... | digital compositor: Switch VFX | |
| Yoga Kurniawan | .... | playback animator | |
| Jef Lonn | .... | digital compositor: Switch VFX | |
| Mag Sarnowska | .... | dustbuster | |
| Antonio Torres | .... | digital artist: Pacific Title | |
| Geoff Wigmore | .... | digital compositor: Switch VFX | |
Stunts | |||
| C.J. Fidler | .... | stunt double: Lynn (as C.J. Lusby) | |
| Cotton Mather | .... | stunt double: Jeff | |
| Alison Reid | .... | stunt coordinator | |
| Alison Reid | .... | stunt double: Amanda | |
| Bryan Renfro | .... | stunt double: Judge Halden | |
Camera and Electrical Department | |||
| Eric Beaulieu | .... | second assistant camera | |
| Ira Cohen | .... | gaffer | |
| Stephen Crone | .... | video assist | |
| Dennis Daigle | .... | lighting technician | |
| Robert Dias | .... | electrician | |
| Jim Docouto | .... | electrician | |
| Brian Gedge | .... | camera operator | |
| Kevin Michael LeBlanc | .... | first assistant camera | |
| Robin Lopes | .... | grip | |
| Paolo Perin | .... | best boy grip | |
| David Perkins | .... | camera operator: "b" camera | |
| Ronald Schlueter | .... | playback operator | |
| Jeremy Settles | .... | camera operator: segments | |
| Darren Spriet | .... | second assistant camera: "b" camera | |
| Christopher J. Toudy | .... | key grip | |
| Steve Wilkie | .... | still photographer | |
| Jordan Willoughby | .... | camera trainee | |
| Ramesh Yogendran | .... | electrician | |
Casting Department | |||
| Kathleen Howell | .... | casting associate | |
| Misha Rasaiah | .... | casting assistant | |
| Jane Rogers | .... | extras casting | |
| Karen Williams | .... | casting associate | |
Costume and Wardrobe Department | |||
| Karen Eppstadt | .... | key costume breakdown artist | |
| Les Handrahan | .... | costumer | |
| Leslie Kavanagh | .... | wardrobe set supervisor | |
| Stephanie Lees | .... | assistant costume designer | |
Editorial Department | |||
| Diane Brunjes Robb | .... | first assistant editor (as Diane Brunjes) | |
| Nick Iannelli | .... | digital intermediate producer | |
| Tom Mayclim | .... | negative cutter | |
| Arthur Montreuil | .... | color timer | |
| Dave Muscat | .... | assistant digital intermediate editor | |
| Chris Wallace | .... | digital intermediate colorist | |
| James Yazbeck | .... | telecine suite operator | |
| Motassem Younes | .... | digital intermediate editor | |
Music Department | |||
| Leo Busuttil | .... | musician | |
| Peter Freeman | .... | music designer | |
| Paul Intson | .... | music editor | |
| Jim Kaufman | .... | soundtrack music | |
| Yvonne McDonald | .... | music clearances | |
| Jonathan Scott Miller | .... | music supervisor: soundtrack producer | |
| Jonathan Platt | .... | music supervisor | |
Other crew | |||
| Adam Bialow | .... | business affairs | |
| Lisa Burling | .... | script supervisor | |
| Chad Cole | .... | assistant: Mark Burg & Oren Koules | |
| Cristin L. Cornett | .... | production coordinator | |
| Kym Crepin | .... | production accountant | |
| Ryan Eldridge | .... | production assistant | |
| Yon Elvira | .... | supervisor of assets and unit publicity: Lionsgate | |
| Lisa Gyorfi | .... | assistant production coordinator | |
| Kaleigh Kavanagh | .... | assistant to executive producer | |
| Jane Kim | .... | assistant: Darren Bousman | |
| Steven Lewis | .... | production attorney | |
| Dahla MacKenna | .... | educational supervisor | |
| Ashleigh Millar | .... | craft service | |
| Tracy Mulholland | .... | acquisition | |
| Pete Nilson | .... | caterer | |
| Sat Sidhu | .... | on-set tutor | |
| Carla Spizziri | .... | first assistant accountant | |
| Bob Tarantino | .... | production legal | |
| Al Vrkljan | .... | armorer | |
| Kris Wood | .... | playback coordinator | |
| Kris Wood | .... | playback supervisor | |
Thanks | |||
| Laura Bousman | .... | special thanks | |
| Gregg Hoffman | .... | dedicatee | |
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| Saw IV | Machete | The Professional: Golgo 13 | Saw II | Saw V |
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| Full cast and crew | Company credits | External reviews |
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Well, after watching Saw 1 i was really looking forward to Saw 2, which as far as i am concerned wasn't as good as Saw 1 and my hopes for Saw 3 went down, but last night i got a free pass from my friend for an advance private screening of Saw 3.
I can promise you one thing this movie is just like Saw 1 and has everything and loads more of gore than Saw 1 & 2.
The acting particularly is good, but its the story and the plot that is extremely well written and of course the Twists again like the first 2 are huge and much much much much more enthralling and shocking! This movie is a reminder of Saw 1 and really sets the tone for more Saw movies to come i would be heartbroken if this Saw series ends here because its getting interesting with each part.
Thumbs up to Saw 3, a must see, go and watch it and experience the shocks! 8/10