With a dead body laying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to ... See full summary »
Darren Lynn Bousman
Following Jigsaw's grisly demise, Mark Hoffman, the final apprentice to the serial killer is deigned a hero. Meanwhile, Agent Strahm continues to track Hoffman while another group of strangers are put through a series of gruesome traps.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Jeff is an anguished man, who grieves and misses his young son that was killed by a driver in a car accident. He has become obsessed for revenge against the man and reckless with his wife and daughter. When Dr. Lynn Denlon, who has troubles with her marriage, is abducted by the deranged Jigsaw's apprentice Amanda, she is brought to a gruesome warehouse to keep John Kramer alive in spite of having a terminal brain tumor. Amanda puts a necklace gadget full of explosives around Dr. Lynn's neck connected to John Kramer's life support system, and tells her that if he dies the device will explode. Meanwhile, Jeff is submitted to a sick game of forgiveness with surprising dark consequences. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Shawnee Smith mentioned in a commentary track on the Director's Cut DVD that she was certain she would receive an MTV "Best Fight" nomination for either her fight with Donnie Wahlberg or Bahar Soomekh, but neither made the nomination list. As it turned out the fight with Soomekh can only be seen in the Director's Cut. See more »
When Lynn, the Doctor, is drilling the four holes in Jigsaw's head for the operation, tape is on the drill to mark the maximum depth. The placement of the tape changes positions throughout the scene, between 1/2 inch and 1 1/2 inches. See more »
[while the Judge is screaming for his life]
Shut the fuck up...
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On par with part two, but nowhere near as good as the original
"Saw III" is a classic case of an ambitious sequel that has a few really nice ideas and some scenes that will make fans of the franchise very happy, but in the end it doesn't, it can't hold a candle to the original. It's a rule of the series by now that a "Saw" movie must include a lot of gory deaths as well as an unexpected twist at the end. While the first thing isn't so hard to come up with - and the makers definitely do a fine job thinking of the sickest, bloodiest deaths possible - it's the twist that seems more forced with each entry in the franchise. It's a disadvantage that we know for a fact a surprise is coming. What's worse is that in "Saw III" the final twist doesn't resolve a question we've been asking ourselves during the whole movie. No, it's question and answer in one and that doesn't make it particularly interesting. It's just a lot of explaining over some annoyingly edited flashbacks.
Speaking of flashbacks, there are way too many in this movie. We see things that we really never needed to see. Loose ends are tied up that aren't actually loose ends. It's like the writers read too many threads on the IMDb message boards for the previous movies and decided to spell out everything that has been ambiguous until now to put an end to all discussions once and for all. It only goes to show that those things were a lot more intriguing when they were left in the dark.
Jigsaw himself won't ever keep his mouth shut in this movie. The guy has thought of many cruel traps but his constant blabbering is his most sadistic device. He's already been overexposed in part 2, and this entry in the series continues to make that mistake. After the revelation about his identity at the end of the original, there really weren't too many mysteries surrounding him anymore, but part 3 still tries to come up with some (mainly about his relationship to his accomplice). Again, this is unnecessary and not very interesting information.
Considering how quickly the "Saw" movies have been made, it's a little miracle that they still turned out to be quite entertaining. However, one wonders if the franchise couldn't be better if a bit more time was spent on developing the sequels. The production values in particular could use some improvement. The make up looks fine, but the stage design makes both sequels look like an episode of "Star Trek".
So, yes, "Saw III" is as fast paced as its predecessors and the gruesome torture scenes don't disappoint. See it, if you're looking for mindless fun, but don't expect it to knock you off your feet the way the original did. Apparently part 4 is already in the works. Now that's just going to be a waste of time as "Saw III" already ends the series. Guess, Hollywood never learns. "Halloween" anyone?
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