Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting ... See full summary »
Bryce Dallas Howard,
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
After graduating from Montclair State, New Jersey Girl Annie can't make up her mind about what to do with her life. After saving a little boy from being run over in the park, she is quickly employed as a nanny for a rich Upper East Side couple. Mr X is occupied with his business, Mrs X loves shopping, and neither really likes to spend time with their little boy Grayer. Annie quickly learns that she has more than her hands full taking care of him. Her busy schedule doesn't give her much spare time. Mrs X fired her last nanny because she was dating and that gives Annie problems when Harvard Hottie who lives in the same building asks her out on a date. Written by
The song "Chim, Chim, Cher-ee," from the movie Mary Poppins (1964), can be heard playing in the background while Annie contemplates becoming a nanny. Later, this tune becomes the ringtone for Annie's cell phone. See more »
When Annie is in the bath and Mrs. X comes in, the filmmakers have added a fart sound and bubbles - but since Annie is underwater, there would only be bubbles. See more »
Okay Mrs. X, now it's time for a few simple childcare rules.
Human Resources Director:
Oh, alright, the teddy bear has been compromised.
Slamming the door in your kid's face is *not* okay. Spending more time on a benefit for kids that you've never met than you do with your own blood is *not* okay. Going to a SPA when your son has a fever of a hundred and four and not answering emergency calls, that officially makes you an unfit mother.
This is outrageous. Stop the tape.
Human Resources Director:
Uh, no. This is clearly a disgruntled nanny. W-we ...
[...] See more »
A magical red umbrella and a reference to 'Supercallifragilisticexpialidocious!' does not characterize "The Nanny Diaries" as a "modern-day Mary Poppins." If you were to make a "modern-day Mary Poppins," at least make it a decent movie.
"The Nanny Diaries," directed by Shari Springer Berman and Robert Pulcini, was based on the novel The Nanny Diaries, written by Emma McLaughlin and Nicola Kraus. Though the directors cast of some of today's well-known stars like Scarlet Johanssen, Paul Giamatti, Laura Linley, Donna Murphy, and Chris Evans, the movie was bland and lacked a primary theme.
The movie begins with Annie Braddock (Johanssen) a college graduate who is unsure what to do with her life now. After an "unexpected" run-in with a wealthy young boy and his mother in Central Park, Annie goes to work for the Upper East Side family as their nanny. The movie was full of countless clichés: saving her future charge from being run over in the park while his mother is nowhere to be found, being forced to live in a shoe box of a room next to the washing machine, catching Mr. X cheating on his wife, and catching the eye of the rich "Harvard Hottie" who lives on the 12th floor of the apartment building. The movie was so unbelievably predictable it was funny.
The one thing the directors got right was the cast. Nicholas Reese Art plays Grayer, the spoiled, lonely, fun-deprived, adorable little boy with the biggest brown eyes you've ever seen. He is by far the best actor in the movie and the most developed character. Johanssen's performance was mediocre. Her emotions seemed forced at times, but who can blame her with the script she had to work with. Laura Linley does a decent job as bitchy self-centered Mrs. X, and Paul Giamatti does a fantastic job playing the workaholic father with maybe two lines total.
The only reason to see this movie would be to compare it to the novel, but be forewarned that it will be an outrageous disappointment. The film was a cheesy cliché that should have never made it past screening.
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