The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
David Rice is a high school student in Ann Arbor, abandoned by his mother at five, living with his callous, alcoholic father, enamored with Millie, a fellow student, and picked on by at least one classmate. On a winter's day, while about to drown, he discovers he can transport himself instantaneously to anyplace on earth. He runs away from home, goes to New York City, robs a bank vault, and comes to the attention of a shadowy group of government hunters. Eight years later, the hunters, led by the murderous Roland, get a fix on David. He heads home, searches out Millie, invites her to travel with him, and only later realizes that Roland and his crew are seriously deadly. Is everyone close to David in danger? Written by
In the original novel, Roland Cox's first name was Brian. It was most likely changed to avoid confusion with actor Brian Cox. The character's name was changed from Brian to Roland to reflect the stories of ancient France. The paladins, led by Roland, served Charlemagne similar to the stories of England's Arthur and the knights of the round table. Since the paladins were not in the novel on which the movie was based, and were added to the screenplay, the name Roland is more appropriate. See more »
When David goes surfing, he picks out a gray surfboard with blue edges. When he jumps to Fiji, the board is yellow. When he has lunch on top of the Sphinx in Egypt, the surfboard is gray and blue. See more »
Let me tell you about my day so far. Coffee in Paris, surfed the Maldives, took a little nap on Kilimanjaro. Oh, yeah, I got digits from this Polish chick in Rio. And then I jumped back for the final quarter of the N.B.A. finals - courtside of course. And all that was before lunch. I could go on, but all I'm saying is, I'm standing on top of the world.
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A tightly made film that could have been so much better.
Stunning effects, swooping camera angles, and an interesting concept more than make up for the film's defects - namely Hayden Christensen - reprising the gloomy, wounded, misunderstood, petulant anti-hero role he played so ineffectively in the Star Wars prequels.
The other performances were sound (Samuel L Jackson's hair included) with Jamie Bell particularly outstanding as the nervy Griffin. His performance adds to the frantic energy of the film and every scene without him is the poorer for it.
While the pacing and energy of the film keeps you glued to your seat, it is only on reflection that I realised how unsatisfying the story ultimately was - leaving me with an "is that all?" kind of feeling. The answer, of course, will probably be 'No' as this film seems to have been made with the idea of sequels firmly in sight.
All in all - a tightly made film, with the scenes inside the Colosseum worth the price of admission alone - if only they'd cast someone else in the lead role!
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