The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
David Rice is a high school student in Ann Arbor, abandoned by his mother at five, living with his callous, alcoholic father, enamored with Millie, a fellow student, and picked on by at least one classmate. On a winter's day, while about to drown, he discovers he can transport himself instantaneously to anyplace on earth. He runs away from home, goes to New York City, robs a bank vault, and comes to the attention of a shadowy group of government hunters. Eight years later, the hunters, led by the murderous Roland, get a fix on David. He heads home, searches out Millie, invites her to travel with him, and only later realizes that Roland and his crew are seriously deadly. Is everyone close to David in danger? Written by
When David is on top of Big Ben in London, the clock behind him shows 8:30, but it chimes as if it was 8:00 or 9:00. See more »
Let me tell you about my day so far. Coffee in Paris, surfed the Maldives, took a little nap on Kilimanjaro. Oh, yeah, I got digits from this Polish chick in Rio. And then I jumped back for the final quarter of the N.B.A. finals - courtside of course. And all that was before lunch. I could go on, but all I'm saying is, I'm standing on top of the world.
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Written by Scott Holiday, Thomas Flowers, Robin Everhart, Michael Miley and Dave Cobb
Performed by The Black Summer Crush
Courtesy of Caroline Music
Under license from EMI Film & Television Music See more »
A tightly made film that could have been so much better.
Stunning effects, swooping camera angles, and an interesting concept more than make up for the film's defects - namely Hayden Christensen - reprising the gloomy, wounded, misunderstood, petulant anti-hero role he played so ineffectively in the Star Wars prequels.
The other performances were sound (Samuel L Jackson's hair included) with Jamie Bell particularly outstanding as the nervy Griffin. His performance adds to the frantic energy of the film and every scene without him is the poorer for it.
While the pacing and energy of the film keeps you glued to your seat, it is only on reflection that I realised how unsatisfying the story ultimately was - leaving me with an "is that all?" kind of feeling. The answer, of course, will probably be 'No' as this film seems to have been made with the idea of sequels firmly in sight.
All in all - a tightly made film, with the scenes inside the Colosseum worth the price of admission alone - if only they'd cast someone else in the lead role!
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