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Directed by | |||
| Yossi Sasson | |||
Writing credits(in alphabetical order) | ||
| Harry Shannon | writer | |
| Kathrine Bates | ... | Frankie | |
| Chris Bruno | ... | Constable | |
| Kara Rose Dragun | ... | Mary Garrett | |
| Kyle Gass | ... | Reverend Grass | |
| Marilyn Ghigliotti | ... | Nurse Clark | |
| Kayla Hampton | ... | Mary's Daughter | |
| Robert Herrick | ... | Moss Rose | |
| Quentin Jones | ... | Jack Wade | |
| Jeff MacFarland | ... | Wayne Lee Garrett | |
| Ben Moody | ... | Booger Rose | |
| Felissa Rose | ... | Peggy Goldstein | |
| Harry Shannon | ... | Sheriff Johnson | |
| Aaron Sherry | ... | The Driver | |
| Laurel Sherwood | ... | F.B.I agent | |
| Gillian Shure | ... | Kate Edison | |
| Zack Ward | ... | The Weatherman | |
| Carter Whitney | ... | Mary's Son |
Produced by | |||
| Christian Ackerman | .... | associate producer | |
| Nick DeSomov | .... | executive producer | |
| Charlie Jett | .... | associate producer | |
| Einat Sadot | .... | executive producer | |
| Aaron Sherry | .... | producer | |
Original Music by | |||
| Harry Manfredini | |||
Cinematography by | |||
| Cameron Duncan | |||
Film Editing by | |||
| Nadav Streett | |||
Production Design by | |||
| Matthew Trotter | |||
Art Direction by | |||
| Aimee Moraca | (as Aimee Wilkison) | ||
Set Decoration by | |||
| Lua Silveira | |||
Costume Design by | |||
| Liuba Randolph | |||
Makeup Department | |||
| Chris Hampton | .... | special makeup effects artist | |
| Erin Watkins | .... | makeup designer | |
| Cheryl Whitney | .... | key makeup artist | |
Production Management | |||
| Nadav Streett | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Yair Milanov | .... | assistant director | |
| Rosie Sennett | .... | second assistant director | |
Art Department | |||
| Maria Rosa Pereira | .... | set designer | |
| Adam C. Woods | .... | construction coordinator | |
Sound Department | |||
| Jonathan Coomes | .... | sound effects editor | |
| Lorita de la Cerna | .... | foley mixer | |
| John Graves | .... | sound designer | |
| Vincent Guisetti | .... | foley artist | |
| Chris Leplus | .... | sound mixer | |
| Tim D. Lloyd | .... | sound mixer | |
| Matthew Reale | .... | sound re-recording mixer | |
| Brian Slack | .... | sound re-recording mixer | |
| Leah Tenny | .... | boom operator | |
| Eugene E. Thompson | .... | sound mixer | |
| Olivier Virmont | .... | sound mixer | |
Special Effects by | |||
| Dan Crawley | .... | special effects supervisor | |
| Brandon Engstrom | .... | sculptor | |
| Chris Hampton | .... | special effects | |
| Russell Lukich | .... | special effects makeup | |
Visual Effects by | |||
| Nick DeSomov | .... | visual effects supervisor | |
Stunts | |||
| David Dragun | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael Alba | .... | Steadicam operator | |
| Matt Ardine | .... | key grip: second unit | |
| Nathaniel Bozen | .... | camera operator | |
| Clayton Daily | .... | second assistant camera | |
| David Kane | .... | gaffer: second unit | |
| Sarah Keally | .... | assistant camera | |
| Brandon Margulies | .... | first assistant camera | |
| Haim Silberstein | .... | still photographer | |
| David Steinmetz | .... | gaffer | |
| Justin Wells | .... | digital imaging technician | |
| John Zivelonghi | .... | best boy | |
Costume and Wardrobe Department | |||
| Cendra Martel | .... | wardrobe | |
Editorial Department | |||
| Tim Donahue | .... | assistant editor | |
| Michael N. Knue | .... | supervising editor | |
| Yaniv Sardal | .... | second assistant editor | |
| Nimrod Zalmanowitz | .... | colorist (as Rod Zalmanowitz) | |
Music Department | |||
| Jerry Lambert | .... | music score mixer | |
Transportation Department | |||
| Paul Gebeau | .... | transportation captain | |
Thanks | |||
| Irit Streett | .... | special thanks | |
| Company credits | Box office and business | Main details |