Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A fellow scientist accidentally escapes containment aboard a plane during turbulence. After she is gunned down by a security guard, she reanimates as a zombie, killing and infecting several... See full summary »
Kevin J. O'Connor
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these flesh eating monsters.
In Leadville, Colorado, Captain Rhodes and his army seals off the town to contain an influenza-type epidemic. The locals are not allowed to leave the town and the Pine Valley Medical Center is crowded with sick people. Corporal Sarah Bowman was born and raised in Leadville and goes to her home with Private Bud Crain to visit her mother. Sarah finds that her mother is ill and takes her to the local hospital. However, the sick people suddenly transform in flesh eating, fast moving zombies which attack the non-infected humans. Sarah, Bud and Private Salazar get a jeep and head to the town exit to escape from the dead. But Sarah hears the voice of her brother, Trevor, on the radio and is compelled to go to the radio station where Trevor is hidden with his girlfriend Nina. The group of survivors drives to the isolated Nike missile site seeking shelter, where they discover an underground army base. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The computer screen and readout in the bunker near the end refer to 'Project Wildfire'. This was the code name used in The Andromeda Strain which deals with a crashed satellite that infects a community with a deadly organism. The zombie virus in The Night of the Living Dead was blamed on a crashed space probe. See more »
It is highly unlikely that a modest gun shop in a small town would have a significant stockpile of federally-regulated Class III automatic weapons for sale. See more »
Great. A driver without keys and a soldier without bullets. It must be my fucking birthday. What's with you two?
You know what? It's complicated, okay, pal?
How did you get here?
Great. Well, you're nominated to go out and hail us another one.
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Remake of George Romero's original "Day of the Dead (1985)" no way! How could you. Well I'll admit, I didn't mind Steve Miner's superfluously clichéd straight-to-DVD b-grade take, but it's far from a traditional scene by scene/scenario remake with the film only sharing the same title (even though most of the zombie action centres around night time), featuring zombies (who bestow very impressive psychical abilities like sprinting, leaping and thinking) and having a character named Captain Rhodes (played by the commanding Ving Rhames in nothing more than a support role). Really that's it, but also shares some common similarities to Romero's 1973 'The Crazies' (which a remake is on the horizon), as it features the US army posting-guard in a virus-infected small town turning the locals into blood crazy zombies. I don't seem to share much of the hate towards it (maybe hearing a lot bad things before hand to work in my favour as I didn't have expectations for it), although I agree it does have some dumb plot devices (mainly centring that of certain zombie soldier, but is it any worse than the 'Bub' creation in the original film?), but despite that and its formulaic patterns. I remained easily engrossed.
The talented Meni Suvari is agreeably sincere in the central role, but does feel a little miss-cast. Her turn is better than what the stereotypically thin material (and there's no social commentary here) and lazy script ("It's complicated") offers up. The performances are mediocre at best, but some do standout more than others like Nick Cannon as a macho gun-tooting soldier with a smart attitude, Stark Sands as the clumsy private and Ian McNeice as the town's radio DJ. As for Ving Rhames, he's wasted in what ends up as a nothing part for such an infamous character.
Director Steve Miner's orthodox, if tight handling is broken up by kinetic editing; flash camera tilts that keep on the move and jerky action placement (where surprisingly random stages manage to hold a certain amount of chaotic tension). At least the story gets right into it and at only 80 minutes it doesn't seem to sag much well towards the end its persistent style wears thin and the ending was feebly done. Now the blood-soaked gore naming its self under day wasn't good. While having moments of bloody carnage and some decent make-up FX, it's rather watered-down with over-the-top CGI taking over the show. The CGI wasn't bad, but it's no substitute for latex.
Sure it doesn't come close to the 'Dead' franchise (and as it stands it better off as a stand-alone), but for cheap, quick brainless entertainment it's adequately done.
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