John is an assassin working for a mobster named Captain. After killing an entire family, he is hit by the consequences of his actions and decides to quit his job. He starts life anew with ... See full summary »
Sanjay F. Gupta
After five years of being married to wealthy executive Rahul Sarin, Pooja has a secret and intimate affair with Lt. Col. Aditya Singh every Thursday, on the pretext of visiting an ailing ... See full summary »
Siddhant Dheer lives a wealthy lifestyle with his brother, Shashank, and sister, Anu. Both Siddhant and Shashank work for India's Anti-Terrorist Cell (ATC), along with Aditya and Aditi. ... See full summary »
While returning home from the marriage of her friend, Ritu Pereira, Neha Verma, an air hostess, witnesses the brutal death of Superintendent of Police Jaidev Singh, at the hands of several ... See full summary »
Sharad S. Kapoor
Modern day secular India is held at ransom by international extortionist, Baba Sikiander and his brothers, Aftab and Sameer. They begin by demanding money from wealthy businessmen, and when... See full summary »
A small-time criminal, betrayed by his girlfriend and owing money to a fearsome crime lord, agrees to travel to Goa for a drug deal and becomes involved with a local woman and her much older husband, both of who want to kill each other.
An ordinary 60 plus couple - Vidhyadhar Patwardhan and his wife are forced to search for their faith in human values and society after the death of their only son Amar. In the process they undergo the most testing struggle of their lives.
Gangster and criminal Don, Suraj Rana, who is also known for his kindness, adopts a street urchin named Arjun, and teaches him all the tricks of the trade, so that he can succeed him, even ... See full summary »
Unkempt and unruly-looking, Balajit Roy (Sanjay Dutt), gets released from a room in Bangkok that he had been forcibly confined to. Reflecting on his life as a Software Engineer; his first wedding anniversary with his expectant wife, Nisha (Celina Jaitley); his friend, Joy Fernandes (Mahesh Manjrekar); and his house by the jetty. It is here that an unknown male shoots a tranquilizing dart, and he wakes up in a dark cell, is fed fried Won Tons twice a day, and has a TV set for company. He watches the world news - Nisha's murder with him as the prime suspect; the events of September 11, 2001; the devastating 2004 Tsunami; and the fall of Saddam Hussein. Valium gas is injected into the cell, he is rendered unconscious, taken out, groomed, while the cell is cleaned. This becomes a routine in his life, and then after 14 years he is let out. With the help of a savvy, street-smart taxi-driver, Jenny Singh Sarji, and Joy, he sets out to locate the person(s) responsible for his confinement, and... Written by
When the film was launched in 2003, it was to be shot in Vancouver BC , Canada. The script was also different. It was based on a father daughter story. Sanjay Gupta said it was inspired by Sanjay Dutt' s story with his daughter Trishala. Sanjay Gupta decided to eventually change the subject. See more »
Near the end of the lovemaking scene, John Abraham finishes off the people in the fighting ring. He throws a punch that misses one of the fighters by about two feet, yet it makes a hitting noise and sends the guy spinning. See more »
I'd tell you why I am doing this to you... but then there wouldn't be any other motive for my existence... and life without a motive is meaningless... man tends to become very lonely...
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Remake (particularly bad one) of Korean Oldboy where a man is inexplicably held prisoner for fourteen years and only has four days to find out why
Bollywood should NEVER try to be as ambitious to tackle films like Oldboy. Indian morality eventually gets in the way. Such attempts are cringeworthy. Do not bother watching Zinda unless you like talentless 'eye candy' type films. Watch the original instead. What is it with Bollywood anyway? They shamelessly copy from oriental cinema/Hollywood and try to pass it off as their own. You can't help but feel disappointed. It was a massacre of the cultish Oldboy. You have to have a strong stomach to stomach some of the things that happen in Oldboy. Its like Bollywood was sugar coating the themes in Oldboy and what do you end up with? A version which your granny can watch with you without feeling too offended. If that was the case then Zinda should never have been made. Well it shouldn't have!
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