In a Russian coastal town, Dmitri is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man's arrival brings further misfortune for Dmitri and his family.
Deals with the most famous criminal in Czech Republic, the lawyer who continuously tries to free him; the circle of people on both sides of the law who want to keep him in jail and his infamous escape from prison.
Somewhere in Northern Russia in a small Russian Orthodox monastery lives an unusual man whose bizarre conduct confuses his fellow monks, while others who visit the island believe that the man has the power to heal, exorcise demons and foretell the future.
A story of a simple, naive Russian man Konek and the people around him: his love and her sister and a mysterious man. The film is set in 1957, time of changes, time of waiting for something big to happen.
A dowdy university instructor Isa is an inattentive husband to his younger, TV-business wife Bahar. Self-absorbed and selfish, Isa only communicates in the most rudimentary way, while she, similarly, detaches into crying jags and juvenile behavior.
The film required a larger budget than it may seem because the filmmakers wanted "Izgnanie" to be "out of time and place" and did their best so the audience would not guess where and when the film took place. Even car plates and signboards were designed specially for the film. The props were bought in Germany, the "town" part of the film was shot in Belgium and northern France, and the "country" part was shot in Moldova. See more »
Russian director Andrei Zvyagintsev proves that he is not a one hit wonder !!!!
Those who have seen Russian director Andrei Zvyagintsev's first film "The Return" will have no trouble in realizing that his second film "Izgnanie" /"The Banishment" is equally impressive.However,his second film is little less effective despite having many themes in common with his first film.It can be surmised that it was due to intriguing focus on adults instead of children.This is exactly the reason why many a times viewers might get the impression that children are used merely as unavailing props.Astute viewers will also notice that many references to Tarkovsky are quite natural and self explanatory as Andrei Zvyagintsev is an honorable heir of that famous Russian school of cinema which prides itself in observing minute things in greater detail.It is true that a film maker must not give all answers to viewers but highhandedness of Andrei Zvyagintsev's direction failed to engage viewers.This is one reason why so many essential questions remained unanswered throughout the film.But this would surely not deprive any sagacious viewers to enjoy this extremely meaningful film with excellent focus on art direction especially in the manner interiors have been created.
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