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Always san-chôme no yûhi (2005)
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Overview
User Rating:
Release Date:
5 November 2005 (Japan) morePlot:
Leaving her provincial home, teenage Mutsuko arrives in Tokyo by train to take a job in a major automotive... more | add synopsisPlot Keywords:
Awards:
29 wins & 2 nominations moreUser Comments:
Most wonderful film more (17 total)Cast
(Cast overview, first billed only)| Maki Horikita | ... | Mutsuko Hoshino | |
| Hidetaka Yoshioka | ... | Ryunosuke Chagawa | |
| Shin'ichi Tsutsumi | ... | Norifumi Suzuki | |
| Koyuki | ... | Hiromi Ishizaki | |
| Hiroko Yakushimaru | ... | Tomoe Suzuki | |
| Kazuki Koshimizu | ... | Ippei Suzuki | |
| Kenta Suga | ... | Junnosuke Furuyuki | |
| Masaya Takahashi | ... | Saburo | |
| Kaga Mochimaru | ... | Yûichirô | |
| Toru Masuoka | ... | The Theatre Manager | |
| Takashi Matsuo | ... | The Realtor | |
| Hiroshi Kamido | ... | The Postman | |
| Hiroshi Kanbe | ... | The Postman | |
| Magy | ... | The Butcher | |
| Yôichi Nukumizu | ... | The Bicycle Shopkeeper |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
Japan:133 minCountry:
JapanLanguage:
JapaneseColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
Dolby DigitalFun Stuff
Trivia:
The "Chagawa Ryunosuke" character is named after real-life author Akutagawa Ryunosuke. The Kanji characters of both names are nearly identical. moreGoofs:
Miscellaneous: Just before opening title, Ippei spins the propeller of his toy plane clockwise. When he releases the plane, the propeller is spinning clockwise. The propeller was powered by an elastic band - releasing it would cause the propeller to spin counter-clockwise. The error was noticed in post production but couldn't be fixed without re-shooting the entire continuous one-shot or re-doing the CGI. They decided to leave it in hoping no one would notice (though they revealed the goof in the director's commentary). moreSoundtrack:
ALWAYS moreFAQ
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this is the best film i've seen. it emotes and moves you. Idealistic and simplistic (how can you avoid them in a two-hour media) but still captures the essence of Tokyo pre-economic boom and Japan's march toward materialism. Hope, innocence, inter-dependence, both individually and societally, are wonderfully captured in this film. Acting for the roles of Ippei, Tomoe, Roku, and Junnosuke are superb. The background music is excellent. Memorable scenes: Ippei and friends flying airplane, Roku and Ippei meeting for the first time and exchanging greetings in Roku's Tohoku dialect, Ippei noticing Roku crying in her room the first night at the Suzuki's and Ippei asks, "What happened? Do you have a stomach-ache?" Ah, the innocence lost. Where have you gone?