| Photos (see all 43 | slideshow) | Videos (see all 2) |
| Sergei Makovetsky | |||
| Sergey Garmash | |||
| Aleksei Petrenko | |||
| Yuriy Stoyanov | |||
| Sergei Gazarov | |||
| Nikita Mikhalkov | |||
| Mikhail Efremov | |||
| Valentin Gaft | |||
| Aleksey Gorbunov | |||
| Sergei Artsybashev | |||
| Viktor Verzhbitskiy | |||
| Roman Madyanov | |||
| Aleksandr Adabashyan | |||
| Apti Magamaev | ... | The Boy | |
| Abdi Magamayev | ... | Little Chechen | |
| Natalya Surkova | ... | Judge | |
| Konstantin Glushkov | ... | Defence Lawyer | |
| Vladimir Nefyodov | ... | Prosecutor | |
| Vyacheslav Gilinov | ... | Grandpa | |
| Lyubov Rudneva | ... | Eyewitness's Daughter | |
| Olga Khokhlova | ... | Neighbour | |
| Igor Vernik | ... | Eyewitness in Golden Eyeglasses | |
| Vladimir Komarov | ... | Boy's Stepfather | |
| Lasha Marykhuba | ... | Guerilla | |
| Ferit Myazitov | ... | Gorbachev | |
| Abdulbasyr Gitinov | ... | Little Boy | |
| Mikael Bazorkin | ... | Father | |
| Mesedo Salimova | ... | Mother | |
| Soslan Sanakoyev | ... | Dancer #1 | |
| Alan Tsopanov | ... | Dancer #2 | |
| Gennadi Ternovsky | ... | Attack Group Commander | |
| Andrei Sukharev | ... | Cop |
Directed by | |||
| Nikita Mikhalkov | |||
Writing credits | ||
| Nikita Mikhalkov | (writer) & | |
| Aleksandr Novototsky | (writer) (as Aleksandr Novototsky-Vlasov) & | |
| Vladimir Moiseyenko | (writer) | |
Produced by | |||
| Aleksei Balashov | .... | executive producer | |
| Sergei Gurevich | .... | executive producer | |
| Aleksei Karpushin | .... | line producer | |
| Nikita Mikhalkov | .... | general producer | |
| Leonid Vereschtchaguine | .... | producer | |
| Yekaterina Yakovleva | .... | line producer | |
Original Music by | |||
| Eduard Artemyev | |||
Cinematography by | |||
| Vladislav Opelyants | |||
Film Editing by | |||
| Enzo Meniconi | |||
| Andrei Zaitsev | |||
Casting by | |||
| Tamara Odintsova | |||
Production Design by | |||
| Viktor Petrov | |||
Costume Design by | |||
| Natalya Dzyubenko | |||
Second Unit Director or Assistant Director | |||
| Vladimir Krasinsky | .... | first assistant director | |
Sound Department | |||
| Vincent Arnardi | .... | sound re-recording mixer | |
| Pavel Doreuli | .... | sound effects | |
| Julien Perez | .... | assistant sound re-recording mixer | |
| André Rigaut | .... | sound mixer | |
Special Effects by | |||
| Ilya Churinov | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Martin Grosup | .... | camera operator: "a" camera | |
| Recent Posts (updated daily) | User |
|---|---|
| Availability on DVD... | eliasbose |
| Hilarious | acrh2 |
| Cringy Remark in the End | letyaga3682 |
| English Subtitles? | mike-2676 |
| Song in the movie? | voockey |
| Oscar nomination!!!!!!!!!!! !! | vadim121726 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb Russia section | Add this title to MyMovies |
This is a masterpiece. The beauty of the film is in its simplicity. Almost the whole thing takes place in a high school gymnasium, around a long table around which the twelve jurors sit. Every performance is superb, including that of the director, who plays the foreman, and Sergei Garmash as the cab driver juror. The screenplay follows the tortuous deliberations, in which every juror has at least one soliloquy. Excellent camera-work and lighting augment the heavy drama.
It is more likely in Russia today that twelve whites would end up forming a jury, although less so that no women would be serving. Director Nikita Mikhalkov evidently chose to remain faithful that much to the American movie on which his is based, Twelve Angry Men. One wonders whether it might have been more interesting with women jurors contributing their anguish to the picture, and since this version is simply titled 12, the possibility of including a woman or two (as would be realistic in this day and age) was presumably open. Also, the film is not realistic in the sense that Russia does not have a jury system, therefore this situation would not arise in real life. What Mikhalkov was probably trying to do was to create a morality play, and this he does magnificently. These criticisms are therefore minor. This is a wonderful piece of work.
As the film is starting, for those who know Russian, one sees the logo of "Patriotic Films." This may cause groans among those who know more about Russia. Patriotic Russians today seem reactionary and defensive to many Westerners. But Mikhalkov does not dance around the sensitive race issue at the core of the plot, a Chechen boy accused of murdering his stepfather, a Russian military officer, and facing life in prison. Mikhalkov's main interest really is in truth, justice and honesty. The idea of these qualities as components of "patriotism" actually lies at the core of this story, and it is brilliantly executed. By the end, if you can suppress cynicism and believe that this many men of conscience could assemble in one place in Russia today, you will be moved to tears. This is a major achievement.