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After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
Advocate Raghunath Mishra has arranged the marriage of his daughter, Dolly, with Rajan, knowing fully well that Dolly loves Omkara Shukla. Before the marriage could take place, the groom's party is attacked, they flee, and Dolly is reportedly abducted. Raghunath is able to trace Dolly to Omkara, a criminal and hit-man, a verbal confrontation ensues until Politician Bhaisaab telephonically intervenes, and a crestfallen Raghunath faces the reality that Dolly was not abducted but is here with Omkara by her own free will. He warns Omkara, and departs. Shortly thereafter, Bhaisaab is shot at and wounded, announces that Omkara should stand in the next election, and as a result, Omkara appoints one of his lieutenants', Keshav Upadhyay in his place as the 'Bahubali". Omkara realizes that he may have blundered in having Keshav succeed him, as Keshav is unable to control his temper when under the influence of alcohol, which puts him in the bad books of Omkara. Then Omkara suspects that Keshav ... Written by
The title of the film, "Omkara", was decided by a contest that was open to the public. Three names were shortlisted for the title and the general public voted in by SMS to choose their favorite. The selected names included "Omkara", "O Saathi Re" and "Issak" (the western UP pronunciation of the word "Ishq"). The public voted overwhelmingly in favor of "Omkara". However, all three of the possible titles are songs on the soundtrack ("Issak" being another name for the song "Namak"). See more »
The Enfield rifle that Langda Tiyagi (Saif) is shown shooting so accurately does not have a rear sight. The lack of it is plainly visible through the movie but even more so in the scene when he shoots the tires off the marriage bus. See more »
A thin line separates a fool from a fucker. On one end of the line lies the fool and on the other, the fucker. Snap the line then who's the fool and who's the fucker that's the million dollar question, my friend. Let's just see the pretty groom. I'll be damned. You are a fool, right?
yea that's right. a man becomes a fucker when he gets married
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When someone makes an adaptation of one of the greatest Shakespearan tragedies, you have to stand up and take notice. And especially Vishal Bhardwaj, someone who had made Maqbool the toast of the festival circuit and on par with some of Kurosawa's best work. Akira Kurosawa, one of the best directors the world has ever seen, has made quite a few Shakespearean stories brilliantly( See Throne of blood, Ran).
Vishal Bhardwaj has again changed the setting to the underworld, this time in rural India...more precisely UP. Naseeruddin Shah plays a crooked MP 'Bhaisaab' who employs a local goon 'Omkara' (Ajay Devgan essaying the lead role) to do his evil deeds. Happy with Omkara's work he gives him a ticket to contest in the Assembly. So now a successor to Omkara has to be chosen. There are two main choices, the foreign returned, guitar wielding suave Keshu firangi ( Vivek Oberoi) and the yellow toothed, son of the soil Langda Tyagi ( Saif Ali Khan). Ajay Devgan decides to choose Keshu firangi. Now this is where the real story begins. Langda tyagi obviously gets incensed and decides to get Keshu removed. He craftily builds up an imaginary affair between Dolly, Omkara's soon to be wife ( Kareena Kapoor) and Keshu in Omkara's mind. By the time Omkara realizes this it is too late. Tyagi's wife Indu( Konkona Sen Sharma) unknowingly plays a pawn in her Husband's Plans.
The question is, how is Omkara??? Well it's just Brilliant. After seeing Maqbool, i knew that i had seen one of the best Hindi movies ever made. This goes one better. There are some directors like Vishal Bhardwaj which are keeping the bollywood's ( OK, the Indian film industry's) flag flying high. He performs a Multitude of roles - Director, Scriptwriter, Dialogue writer, composer...phew, and he does them all to perfection. Of course it helps when you have people like gulzar assisting you. The stand out part- the direction. The film is very tautly made, its very engrossing. You wont realize that its already two and a half hrs when the movie ends. The script and the dialogues are also top notch. Of course if you have the bard's one of the greatest tragedies as your basis, you cant go wrong. The dialogues are very rustic. Normally this movie's audience would have been restricted to the multiplex going crowd. But by using Hindi as is spoken in UP, with all the profanities that creep up in normal day use, it will ensure that the theaters in the Hindi speaking northern belt will run to packed houses.
The songs are quite good too. The title track is extremely good and so is 'Bidi Jaliye le'. It will become the rage among the masses.
Performance wise, Ajay Devgan excels again as Omkara delivering a brooding performance he is so adept at delivering. Kareena Kapoor disappoints as usual. Vivek Oberoi is efficient. Konkona Sen sharma is brilliant. She delivers the performance one has come to expect from her. Bipasha as the dancer Billo, had a role of an eye candy and she looks really hot. But the real show stealer is Saif ali Khan, who enacts with panache the Role of Iago( one of the greatest villains in English literature). He is mean, cruel, ingenuous and his performance is truly brilliant. He carries off a negative character quite well in Ek Hasina Thi, but here he excels himself.
All in all a must see movie, and especially for people who like dark, intense, dramatic movies.
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