Virendra Pratap Singh lives a wealthy, yet careless lifestyle in India. When his father passes away, he hopes to inherit the entire estate and wealth, but is unable to do so due to a ... See full summary »
DCP Anant Shrivastav (Amitabh Bachchan) has been assigned the mission to escort terrorist Iqbal Ansari (Atul Kulkarni) from Chandangarh to Mumbai. His terrorist organization are determined ... See full summary »
Tells the story of a feared hit man named Karan, who kills for the mobster Gajraj. On one assignment, Karan meets and falls madly in love with Kajal, the beautiful daughter of an associate.... See full summary »
Captain Ranvir is assigned the task of apprehending two terrorists named Shaka and Dara. Upon arrival in the region, he meets with and falls in love with Radhika, the daughter of Rajasaheb,... See full summary »
Unable to witness the injustice and brutality inflict on the residents by a tyrannical gangster, Katya, in a small Indian village in India; Kashinath alias Kashi decides to single-handily ... See full summary »
Advocate Raghunath Mishra has arranged the marriage of his daughter, Dolly, with Rajan, knowing fully well that Dolly loves Omkara Shukla. Before the marriage could take place, the groom's party is attacked, they flee, and Dolly is reportedly abducted. Raghunath is able to trace Dolly to Omkara, a criminal and hit-man, a verbal confrontation ensues until Politician Bhaisaab telephonically intervenes, and a crestfallen Raghunath faces the reality that Dolly was not abducted but is here with Omkara by her own free will. He warns Omkara, and departs. Shortly thereafter, Bhaisaab is shot at and wounded, announces that Omkara should stand in the next election, and as a result, Omkara appoints one of his lieutenants', Keshav Upadhyay in his place as the 'Bahubali". Omkara realizes that he may have blundered in having Keshav succeed him, as Keshav is unable to control his temper when under the influence of alcohol, which puts him in the bad books of Omkara. Then Omkara suspects that Keshav ... Written by
In the shot in which Saif Ali Khan is in the shadows, looking at a mirror, director Vishal Bhardwaj suggested that it would be very artistic and beautiful if Khan did it naked. The actor answered, "I am prepared to do that as long as you direct me naked." That was the end of the topic. See more »
In a scene when Raju comes to meet Omkara to apologize, Langda Tyagi is holding a steel glass in his right hand and in a next shot he is holding it in his left hand. See more »
The resurgence of quality cinema...and how! Watch it for Saif!
It seems that Bollywood is coming of age. To tackle something like Shakespeare...is no mean feat and in Hindi...wow! Being a bit of a literati, I went into the movie hall, well armed with 'Othello' knowledge, ready to slam the film, however I was the one totally slammed.
Vishal Bharadwaj has done the unthinkable, like a druid has he imbibed the soul of the quixotic 'Othello:The Moor of Venice' into the heartland of rustic India. The process is almost like a heart transplant...a highly successful one nevertheless as 'Omkara' seems to throb with a restless energy that overwhelms the viewer. The nuances are subtle and therefore impactful. The dialogues are first-rate and the songs brim with bucolic poetry. 'O Saathi re' is one track that feels as refreshing as the country air. Performance-wise, Ajay Devgan as Omkara has outdone himself, Kareena Kapoor gives a kindred performance, her innocence is truly touching. Konkana Sen-Sharma is wan, like Emilia of the original and hence one enjoys watching her. Viveik Oberoi succeeds clearly because he's more sub-dued and not cantankerous (ref.Pyare Mohan). But it is Saif Ali Khan who packs a punch as Iago. Personally, my favorite Shakespearan antagonist is Iago and I'd have been devastated if hi character had been miscast. But while Saif's portrayal makes you cringe,(thanks to his rather realistic vileness); he also succeeds in making you feel contrite for the angst he exudes. All in all, the entire crew of the film deserves a pat on their back, because the more cultured can easily pick out and savour the multifarious thematic connotations of the film, the masses themselves will not feel alienated. This is Vishal Bharadwaj's true ingenuity.
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