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| Index | 267 reviews in total |
139 out of 163 people found the following review useful:
Willy Beachum: "I'm not going to play any games with you." Ted Crawford: "I'm afraid you have to old sport.", 27 April 2007
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Author:
Galina from Virginia, USA
"Fracture" (2007) is directed by Gregory Hoblit who has also made
"Frequency" (2000), "Fallen" (1998) both of which I like and "Primal
Fear" (1996) - his feature debut that I love.
Crime /Thriller/Mystery /Court Drama are among my favorite genres and
as long as the combination of these genres is clever, gripping,
atmospheric, well acted, keeps me guessing and entertains me, I am
happy. I know that many viewers were very insightful and figured out
the twists and the ending within first half of hour or so but I did not
and I was impressed by the way the disappearance of the crucial
evidence had been handled - very clever. Besides being an entertaining
crime movie, the most interesting element of "Fracture" is a struggle
of wills and intellects between two main characters, self-made inventor
- millionaire Ted Crawford (Anthony Hopkins) who shot his unfaithful
wife in the face and put her in a coma and young, successful and smart
assistant D.A. Willy Beachum (Ryan Gosling), who has a 97% conviction
rate and is assigned to prosecute Crawford just when he is ready to
accept a lucrative offer from the prestigious LA law firm. The game of
cat and mouse that highly intelligent and malevolent Crawford plays
with Beachum makes the film interesting and the scenes between Hopkins
(in his "playful Dr. Lector" mode) and Gosling (whose character does
change as he realizes what he is dealing with from the unsympathetic
self-centered hot shot to the man who becomes obsessed by the case,
vows to put the murderer behind the bars and makes it his priority) -
riveting and joy to watch. I also would like to mention David
Strathairn as Willy's boss, DA Joe Lobuto in yet another understated
effective performance. Strathairn's Lobuto is so interesting that he
could be a main character in another move. "Fracture" is not perfect.
For example, Willy's affair with Nikki Gardner (Rosamund Pike), a
beautiful lawyer and his perspective boss was lifeless - they did not
have any chemistry together. I think that Nikki's purpose in the movie
was to introduce Willy to her father, a judge, whose help he would
desperately need in one of the later scenes. I'd rather prefer more
scenes between Willy and Crawford but even the way it was, the movie
kept my attention all the way through and despite the rather weak
ending, I found "Fracture" quite good.
157 out of 209 people found the following review useful:
Great chemistry, 30 April 2007
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Author:
mbplex from United States
I thought the intellectual chess game between Anthony Hopkins and Ryan Gosling was pure joy. What a pleasure to watch the two play mind games with each other -- with the audience in on the action. Thought the pace was good, the direction suspenseful. The only aspect of the movie that I would say was less than A+ was the love interest between Ryan Gosling and Rosamund Pike. I thought it a bit confusing that she was both his boss and his love interest. Not sure they needed the full love interest in the plot. All in all, a most entertaining movie. Other than that, the plot line of the legal case was engaging, understandable and realistic. I highly recommend it to those interested in movies that make you think.
117 out of 148 people found the following review useful:
shrewdly executed courtroom thriller, 29 April 2007
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Author:
Roland E. Zwick (magneteach@aol.com) from United States
Blessed with a smart script, stylish direction and first-rate
performances by Anthony Hopkins and Ryan Gosling, "Fracture" emerges as
more than just the "Silence of the Lambs" knock-off it would appear to
be on the surface.
In a role reminiscent of a somewhat toned-down (i.e. non-cannabilistic)
Hannibal Lecter, Hopkins plays Ted Crawford, a wealthy L.A. businessman
who shoots his wife when he discovers she's having an affair with a
hostage negotiator. Crawford readily admits to the crime, giving the
police a signed confession and insisting on defending himself in court.
Gosling is Willy Beachum, a cocky, up-and-coming public prosecutor who
takes the case believing it will be one last slam-dunk victory for him
before he moves on to bigger and better things at a prestigious private
law firm downtown. Beachum gets more than he bargained for, however,
when the creepy and unnerving Crawford begins to play the legal system
for all it's worth, tweaking the hotshot lawyer by outthinking him and
continually knocking him off his game.
In less capable hands, "Fracture" could easily have been a
standard-issue, twist-and-turn courtroom drama, but thanks to the
talents involved, it transcends the limitations of its genre. Daniel
Pyne and Glenn Gers have written a screenplay filled with witty,
crackling dialogue and sharply observed insights into the psyches of
its two principal characters. Hopkins and Gosling play the
cat-and-mouse game with conviction and gusto, while director Gregory
Hoblit and cinematographer Kramer Morgenthau use a smoothly gliding
camera and a barely perceptible visual distortion at the edges of the
picture to highlight the "fractured" nature of the piece. Moreover, the
film has a nice L.A. feel to it, as it takes us to various interesting
sites around town, including the ultra-modern, near-surrealistic Disney
Concert Hall located in the heart of the city.
There is strong supporting work by David Straitharn ("Good Night, and
Good Luck"), Billy Burke, Rosamund Pike and Fiona Shaw ("Mountains of
the Moon"), among others, but it is Hopkins and Gosling, locked in a
life-or-death battle of acumen and wits, who make "Fracture" a
perpetually compelling and watchable courtroom thriller.
102 out of 124 people found the following review useful:
Will keep you glued to your seat, 18 May 2007
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Author:
steffanie1988 from Apeldoorn, the Netherlands
The tagline of this film sounds interesting, but also shows the movie's
thin plot. 'I shot my wife. Prove it.' Ultimately, the film is smart
and witty and keeps you intrigued the entire time as you try find a way
to do what the tagline asks you to. However, that's it. Naturally,
Anthony Hopkins can do now wrong and 'newbie' Ryan Gosling does really
well. Together in a scene, these two are awesome.
What I like about this film is that it totally focuses on the
Hopkins/Gosling story-line. In many other films like these there's
always that the policemen/attorneys (in this case Gosling) fall in love
and then mess it up/ruin their marriage because the case is tearing
them apart, you know the drill. There's always some sub story-line
involving romance. Gosling finds romance in this movie with Rosamund
Pike's character, but it doesn't evolve into another story-line. It
doesn't take Willy Beachum's (Ryan Gosling) eyes off the price and even
when it falls apart, he doesn't appear to care much (it's all about
getting Crawford behind bars) or to feel a need to make it right. I
like that. I mean, I love romance in films, but this movie shouldn't be
about that and it's not.
Also, the fact that Ted Crawford (Hopkins) is in complete control over
everything and everyone in this film astonishes me. This man plays
roles like these so well! He just keeps you glued to the screen. The
way he is in charge of Willy for (almost!) the entire film is just
enjoyable to watch, making the end of the film even more enjoyable when
the story comes out and the roles change.
Another reason to praise Gosling for the way he portrayed Willy
Beachum. Anthony Hopkins is a legend. He is what draws people to
theatres and he is one of the most brilliant actors of all times. Plus,
he portrays such a strong character here that I can't help but praise
Gosling for holding his own in a very strong manner. Scenes with
Gosling are entertaining to watch. You feel drawn to him in almost the
same way you feel drawn to Hopkins, even though Willy is in a dark
place for most of the film and is hardly in control. Gosling's got
great timing.
The story-line might be a little thin and fragile, the outcome is worth
it. The movie surprises in more than one way, not in the last place
because of the pretty much brilliant performances of both actors.
Gosling is going to be big.
8/10
62 out of 79 people found the following review useful:
"Fracture" A Break into the Abnormal, 7 May 2007
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Author:
frankwhat from Lakewood, NJ
I was quite surprised at how much I enjoyed watching this film as I
heard many positive critical reviews before going into it so I had high
expectations to begin with. However I was not let down one bit since
"Fracture" more than held its own. It contained a very simple plot
structure but also offered a very original take on a different type of
court case. While it might not be possible in real life, it worked
magic on the big screen and transformed into an excellent film almost
within the first few minutes.
Even though Sir Anthony Hopkins played a role almost exactly identical
to that of his previous Hannibal Lecter, it was still great to see him
back in this form because that's what I always thought he was best at:
the maniacal genius. Although I will admit he does have an incredible
range. He didn't add anything new to his character that we haven't seen
him do before, yet I still loved watching him whenever he was on the
screen. The big shock for me was Ryan Gosling. I knew he was a good
actor and that he has been in some great movies but this was his best
performance by far. He just calmly waltzed into each scene and was able
to hold his own against the veteran Hopkins. Gosling's natural ability
is simply breathtaking with how much of it he was blessed with. Any
doubts of him I had before are now officially thrown out the window.
The rest of the ensemble was at least adequate and the only one who I
was a little disappointed in was Billy Burke since he didn't seem
completely convincing.
There is somewhat of a twist waiting for the viewer at the final
showdown and what I loved about it was it wasn't thrown in there for no
reason. It actually went with the story, which is what's supposed to
happen but hasn't lately in numerous other cases. It won't throw you
for a complete loop but rather ties up some loose ends that had me
scratching my head up until then. While there's elements of the legal
proceedings that are completely Hollywoodized and could in no way
happen in real life, I didn't seem to mind at all and was actually glad
they did that. This was most likely because it flowed with the story
and offered a fresh perspective.
"Fracture" will be one of those small cinematic feats that goes
overlooked and prematurely fades into oblivion but for those that do
get to see it you won't be disappointed. You may not agree with some
parts and might even spot some dead on plot flaws, but if you can
overlook that and instead focus on the film as a whole you are in for a
treat. The courtroom drama is suspenseful and is presented just as it
should be. The quips taken from both sides are clever and offer some
well-timed comic relief. The love story while not necessarily essential
didn't take anything away from the other parts either. Job well done to
mostly everyone on this production, this was a tightly wrought law
thriller that was no chip off the old block by any means!
68 out of 96 people found the following review useful:
A Knockout of a movie, Gosling and Hopkins are Great., 11 April 2007
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Author:
LittleWill92 from United States
*** This review may contain spoilers ***
My father received movie passes from his work or something for an
exclusive premiere of this movie and we just got back from it about 2
hours ago. Wow. If you've seen the previews and trailers for this
movie, you'd think that this will be a cool cat-and-mouse thriller. And
surprisingly, it really is.
Fracture is the twisting story about a young attorney named Willy
Beachum(played by Ryan Gosling) in the fast lane to success. Willy is
brought into a case where a man named Ted Crawford attempted to murder
his wife(Embeth Davidtz) after discovering that she had been cheating
on him with the cop that had actually arrested Crawford for the
attempt. This Crawford guy is pretty sick and demented, but very
clever, and really knows all the rules to play a creepy mind game. When
Beachum can not find any evidence proving Crawford is guilty,
everything turns into an all-out psychological fight for proof.
Cleverly titled Fracture, referring to a break or breaking point,
Crawford tells Beachum that he will find Beachums weak spot, and will
break him down.
Ryan Gosling. What a year for him- nominated for his first Academy
Award for his powerful role in Half Nelson (which was excellent- go see
that too) and now puts on another pitch perfect performance in
Fracture. I don't think this performance will go unnoticed, and he
really proved himself as one of the best actors in his generation.
Amazing.
And what about Anthony Hopkins? He was nothing less than excellent for
his role as the psychotic Teddy Crawford. I think that there will be no
fans of Silence of the Lambs and Hannibal disappointed by his
performance. Very creepy.
Not only is this film packed with drama, excitement, and suspense, it
is also dusted with just enough humor to make it one of the most
supremely entertaining movies of the year. Hopkins' quick wit and
Gosling's humor jump off screen and brings the whole audience to many
laughs.
All around, Fracture is a superior psychological thriller that keeps
you guessing. I loved it, and I'm sure millions more will too.
*p.s.- about an hour and a half into the movie, watch David
Strathairn's character when he goes to Beachum's house. His car is
parked in one direction, and then when he goes back to it, it's in a
completely different direction. i just thought i'd throw in that goof.
=]*
44 out of 50 people found the following review useful:
style with the substance to match, 12 October 2007
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Author:
Mike Keating (yamawhore@gmail.com) from London, England
Fracture is the story of Ted Crawford (Hopkins), a rich engineer who
shoots his wife after discovering she is having an affair. When the
police arrive, he confesses and hands in his weapon, and the case is
passed on to hotshot DDA Willy Beachum (Gosling), who sees this, his
final public service trial before he moves onwards and upwards, to be a
slam-dunk case; but alas, thanks to Crawford's mind games, things are
not what they seem and the case undergoes a series of twists and turns
as Crawford and Beachum engage in a tense battle of wits.
The most obviously noticeable thing about Fracture is the how
well-polished it all is. The whole thing looks so...expensive. The cars
are expensive. The phones are expensive...even the cutlery during the
Thanksgiving dinner scene looks expensive. Beachum seems to wear a new
suit in every scene, and even the outdoor location shots look glossy;
South California looks like it has been lacquered up especially for the
camera lens.
It's all very smooth, well edited, cleverly shot, and well-paced, but
without these two actors, this movie would have been nothing more than
a glossy second-rate courtroom "thriller". Hopkins and Gosling take it
to the next level with great lead performances. Hopkins clearly enjoys
playing this sort of manipulative role, controlling events, making sly
remarks, and winking in that very obviously shifty way, and he gets to
drive flashy cars and live in a big house while he does it, which I
imagine only increases the amount of fun he has. Similarly, the
cockiness arrogance of DDA Beachum allows Gosling to strut around, make
wisecracks, and generally be a smug git. While the Hopkins-Gosling
clashes make the movie, they are ably supported by David Straitharn,
Rosamund Pike, and Billy Burke, who all inject a bit more life and
background into the film.
While the ride is comfortable for the most part, Fracture slips a gear
towards the end; the shift from murder mystery to moral crusade feels a
little bumpy, but nonetheless, strong performances and great artistic
direction make Fracture a stylish, clever and enjoyable thriller that's
definitely worth a look.
59 out of 85 people found the following review useful:
Classy, Entertaining Battle-Of-Wits Film, 15 August 2007
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Author:
ccthemovieman-1 from United States
If you like courtroom dramas, appreciate excellent acting and an
expertly-filmed movie this is for you. Only once, I think, have I ever
proclaimed something "best movie of the year" and all that, because
it's all too subjective and also a cliché but that's how I feel about
this movie unless something better comes along the last few months of
2007.
This is just a fabulous movie with Anthony Hopkins and Ryan Gosling
playing battling characters who engage in a battle of wits. Hopkins
plays a husband who discovers his wife having an affair, shoots her,
confesses the same night and then has things cleverly arranged where
it's almost impossible to convict him. Gosling plays a young, hotshot
prosecuting attorney on his way to bigger and better things with a
change of scenery to corporate law but gets stuck with this
open-and-shut case right before he switches firms. The trouble is, it's
a lot more than he figured and he isn't used to losing. Hopkins knows
this, of course, and plays on his vanity.
Gosling evolves from a me-only lawyer to someone who really wants
justice, even if it costs him. Both characters are cocky and smart and
the twists and turns just add to the fun.
I enjoyed watching all the actors performances and was very impressed.
The camera-work by Director Of Photography Kramer Morgenthau should
also be recognized, along with director Gregory Hoblit, who seems to
direct very entertaining films ("Frequency," "Fallen," etc.)
I could have watched this story unfold for another two hours and would
have been happy to do so, am I'm not one to sit still for long periods
these days. That's how good this was....just Grade A film-making and
storytelling.
36 out of 40 people found the following review useful:
Playing Games With The System, 9 December 2007
Author:
Lechuguilla from Dallas, Texas
Very elaborate and detailed production design contributes a sense of
authenticity to this story, set in Los Angeles, about a highly
intelligent and wealthy older man named Ted Crawford (Anthony Hopkins)
who kills his unfaithful wife. He then dares the criminal justice
system, in the person of assistant district attorney Willy Beachum
(Ryan Gosling), to convict him. That Crawford likes playing games with
the system quickly becomes apparent, and is the force that propels the
plot forward.
The story has some believability issues. I question how Crawford can
know all that he knows, with such certainty. There are also some
problems toward the film's end that involve hospital protocol. And the
overall plot progression depends on various contrivances that include,
but are not limited to, police procedures. The entire concept borders
on implausibility. But, if you don't pay too much attention to these
annoying little details, the plot does roll merrily along with some
good drama and suspense.
Anthony Hopkins is well cast as Crawford, and gives a predictably
adroit performance. I would not have cast Ryan Gosling, with his boyish
looks, as an assistant DA. Nevertheless, Gosling's performance is both
lively and credible. And it's the back and forth verbal sparring
between these two that make "Fracture" so entertaining.
The film's color cinematography is very good, and includes some unusual
camera angles. I also liked the use of a wide-angle lens in the
courtroom scenes. And sound effects, so often ignored in many films,
further add to the realism of the settings.
Dialogue is generally effective, and includes some witty lines. When
Willy's boss talks with him about being taken off the case, Willy
responds: "Even if I find new evidence?" To which his boss retorts:
"From where, the evidence store?"
Despite a seriously flawed script, "Fracture" is a highly absorbing
movie, thanks largely to meticulous production values, and to shrewd
performances from Anthony Hopkins and Ryan Gosling.
81 out of 134 people found the following review useful:
Good acting by the leads, but everything else was boring, 21 April 2007
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Author:
Dave (freaky_dave) from United States
*** This review may contain spoilers ***
The movie Fracture was a crime movie and played as a game of cat and
mouse between an assistant DA (Ryan Gosling) and a manipulative man
name Ted Crawford (Anthony Hopkins) who is charged with killing his
wife who was having an affair. The two leads were superb, but the
storyline was weak and the pacing ever so slow.
Ted Crawford (Hopkins) is a millionaire who one day discovers his wife
is having an affair with a detective. More disappointed then angry, he
confronts her at home and shoots her in the face, putting her in a
coma. The detective who was having the affair with the wife comes to
the crime scene where Crawford confronts him and tells him that he has
shot his wife.
Once in court, Crawford becomes his own attorney, and discovers that
the prosecutor trying his case is a young assistant DA name Willie
Beachum (Gosling) who has a perfect record in convictions. Beachum
doesn't want the case at first because he is about to move up in the
world, but decides to take it when it appears as if it will be an easy
conviction. However the gun that was used in the shooting can't be
found, and so the game is on between both men. One who is trying to
gain his freedom, and another who wants to put the killer behind bars.
Both actors were great, and it's too bad that the rest of the movie's
pacing and storyline couldn't hold up. Included in the story is a lame
affair between Gosling's character and his new boss to be named Nikki
(Rosamund Pike.) It never really works, but I guess the movie had to
have a love interest.
There were also no real surprises and no real shocking twists, other
than how the murder weapon disappeared from the crime scene. That twist
with the weapon was all right, but other than that, this movie offered
nothing new.
I really wanted to like this movie because I liked both actors, but
even their performances can't make up for all the other boring stuff
that we as the viewers had to struggle through to get to the finale.
The finale was nothing spectacular, but I won't dare spoil it for
anybody who wants to see it. If I were the moviegoer, I would go and
see this at the matinée instead. It isn't worth the 9 to 11 dollars
that you will have to pay if you go during prime-time.
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