| Photos (see all 50 | slideshow) | Videos (see all 18) |
| Anthony Hopkins | ... | Ted Crawford | |
| Ryan Gosling | ... | Willy Beachum | |
| David Strathairn | ... | DA Joe Lobruto | |
| Rosamund Pike | ... | Nikki Gardner | |
| Embeth Davidtz | ... | Jennifer Crawford | |
| Billy Burke | ... | Lt. Robert 'Rob' Nunally | |
| Cliff Curtis | ... | Detective Flores | |
| Fiona Shaw | ... | Judge Robinson | |
| Bob Gunton | ... | Judge Gardner | |
| Josh Stamberg | ... | Norman Foster | |
| Xander Berkeley | ... | Judge Moran | |
| Zoe Kazan | ... | Mona | |
| Judith Scott | ... | Resident | |
| Gary Cervantes | ... | Ciro (as Carlos Cervantes) | |
| Petrea Burchard | ... | Dr. Marion Kang | |
| Garz Chan | ... | Assistant Hotel Manager | |
| Wendy Cutler | ... | Gladys | |
| Larry Sullivan | ... | Lee Gardner | |
| Valerie Dillman | ... | Peg Gardner | |
| Gonzalo Menendez | ... | Uniform Cop | |
| Vivica Genaux | ... | Opera Singer | |
| Cooper Thornton | ... | Public Defender | |
| Lyle Kanouse | ... | Messenger | |
| Sandra Prosper | ... | Karla | |
| Monica Garcia | ... | Crawfords Secretary | |
| Joe Spano | ... | Judge Joseph Pincus | |
| Peter Breitmayer | ... | NTSB Guy | |
| Mirron E. Willis | ... | Morans Bailiff | |
| David Purdham | ... | Burt Wooton | |
| John Littlefield | ... | Cop | |
| Lou Reyes | ... | SWAT Medic | |
| Rainy Kerwin | ... | Wooton Sims Receptionist | |
| R.J. Chambers | ... | Bailiff | |
| Eugene Collier | ... | Bailiff | |
| Tom Virtue | ... | Attorney Apley | |
| Gunter Simon | ... | Orderly | |
| Frank Torres | ... | Orderly | |
| Payton Koch | ... | Kid | |
| Cooper Koch | ... | Kid | |
| Sophie Hoblit | ... | Kid | |
| Caroline Weinstock | ... | Kid | |
| Alexander Weinstock | ... | Kid | |
| Michael Khmurov | ... | Russian Man (as Michael Khmourov) | |
| Julia Emelin | ... | Russian Woman | |
| Yorgo Constantine | ... | Public Defender for the Russians | |
| Alla Korot | ... | Russian Translator | |
| Jeff Enden | ... | Detective | |
| Kaily Smith | ... | Lobruto's Secretary | |
| Retta | ... | Evidence Room Cop | |
| rest of cast listed alphabetically: | |||
| Don Abernathy | ... | Courtroom Observer (uncredited) | |
| David Keith Anderson | ... | News Reporter (uncredited) | |
| Kate Clarke | ... | Mrs. Lee Gardner (uncredited) | |
| Lucy Griffin | ... | Barista (uncredited) | |
| Kate Krystowiak | ... | Bartender (uncredited) | |
| Elizabeth Rivera | ... | Lady in the court room (uncredited) | |
| Noush Skaugen | ... | Opera Goer (uncredited) | |
| Klatann Thomas | ... | Medical Technician (uncredited) | |
| Zondra Wilson | ... | Opera Goer (uncredited) | |
| Rachel Zeskind | ... | Dancer (uncredited) | |
Directed by | |||
| Gregory Hoblit | |||
Writing credits(WGA) | ||
| Daniel Pyne | (screenplay) and | |
| Glenn Gers | (screenplay) | |
| Daniel Pyne | (story) | |
Original Music by | |||
| Jeff Danna | |||
| Mychael Danna | |||
Cinematography by | |||
| Kramer Morgenthau | (director of photography) | ||
Film Editing by | |||
| David Rosenbloom | |||
Casting by | |||
| Deborah Aquila | |||
| Jennifer L. Smith | (as Jennifer Smith) | ||
| Mary Tricia Wood | (as Trisha Wood) | ||
Production Design by | |||
| Paul Eads | |||
Art Direction by | |||
| Mindy Roffman | |||
Set Decoration by | |||
| Nancy Nye | |||
Costume Design by | |||
| Elisabetta Beraldo | |||
Makeup Department | |||
| Cynthia Barr | .... | makeup artist (as Cynthia Barr-Bright) | |
| Jane English | .... | makeup artist | |
| Susan Germaine | .... | hair stylist: Mr. Hopkins | |
| Susan Germaine | .... | key hair stylist | |
| Charlotte Parker | .... | hair stylist | |
| Christina Smith | .... | key makeup artist | |
| Christina Smith | .... | makeup artist: Mr. Hopkins | |
| Matthew Jorgensen | .... | special makeup effects artist (uncredited) | |
| Clinton Wayne | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Erik Holmberg | .... | executive in charge of production | |
| Hawk Koch | .... | unit production manager | |
| Jody Levin | .... | executive in charge of post-production | |
| Rick Reynolds | .... | post-production supervisor | |
| Louise Rosner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Steven F. Beaupre | .... | second assistant director | |
| Gregory J. Pawlik Jr. | .... | second second assistant director | |
| Brian Relyea | .... | second second assistant director (as Brian F. Relyea) | |
| Scott Andrew Robertson | .... | first assistant director (as Scott Robertson) | |
| Kevin Duncan | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Daril Alder | .... | leadman | |
| Mark Annis | .... | propmaker (as Mark A. Annis) | |
| Greg Apperson | .... | propmaker foreman | |
| Ellis J. Barbacoff | .... | assistant property master (as Ellis Barbacoff) | |
| Alicia Barber | .... | construction auditor | |
| Keith Bent | .... | painter | |
| Tony Bonaventura | .... | property master | |
| Eustacia Brossart | .... | art department coordinator | |
| Andrea Cantrell | .... | assistant props | |
| Saul Castro | .... | laborer | |
| Dennis DeGarmo | .... | general foreman | |
| Brad Denton | .... | stand-by painter | |
| Sean Farrell | .... | on-set dresser | |
| Ernesto Felix | .... | set dresser | |
| Jose Garcia | .... | set dresser | |
| Miguel A. Garcia | .... | set dresser (as Miguel Garcia) | |
| Ray Garcia | .... | set dresser | |
| Angelina Gram | .... | painter | |
| Wayne Gram | .... | paint foreman | |
| Jim Hanson | .... | propmaker | |
| Catherine Leyba | .... | set dressing coordinator | |
| Sal Licastri | .... | painter | |
| Abraham Malina Jr. | .... | labor foreman (as Abraham Molina Jr.) | |
| Henry Molina | .... | laborer | |
| Gregory Moore | .... | set dresser | |
| Elizabeth Morris | .... | set buyer (as Libby Morris) | |
| Steve Nelson | .... | laborer | |
| Rocco Passarella | .... | tool keeper | |
| Gregg Pierce | .... | propmaker | |
| David Ritch | .... | propmaker | |
| Joe Rystrom | .... | construction medic | |
| Stella Vaccaro | .... | set designer | |
| Ted Wilson | .... | construction coordinator | |
| Jory Alvarado | .... | drapery foreman (uncredited) | |
| Martin L. Mercer | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Tom Bellfort | .... | supervising sound editor | |
| Joseph F. Brennan | .... | boom operator (as Joseph Brennan) | |
| Paul Flinchbaugh | .... | digital assistant | |
| Nerses Gezalyan | .... | foley mixer | |
| Hector C. Gika | .... | sound effects editor (as Hector Gika) | |
| Arda Gulesserian | .... | additional sound | |
| Daniel S. Irwin | .... | dialogue editor | |
| Daniel J. Leahy | .... | sound re-recording mixer (as Dan Leahy) | |
| Brian Magerkurth | .... | dubbing recordist | |
| James Moriana | .... | foley artist (as James M. Moriana) | |
| Margit Pfeiffer | .... | dialogue editor | |
| Bill Ritter | .... | sound recording engineer | |
| David M. Ronne | .... | sound mixer (as David Ronne) | |
| Ann Scibelli | .... | sound effects editor | |
| Christopher Sidor | .... | dubbing recordist | |
| Branden Spencer | .... | supervising assistant sound editor | |
| Frederick H. Stahly | .... | dialogue editor | |
| Gary Summers | .... | sound re-recording mixer | |
| Jeffrey Wilhoit | .... | foley artist | |
| John Agalsoff Jr. | .... | utility sound (uncredited) | |
| Richard Bullock Jr. | .... | utility sound: re-shoots (uncredited) | |
| Michael Miller | .... | adr mixer (uncredited) | |
| Steven Morrow | .... | sound mixer: re-shoots (uncredited) | |
| Parker Randal | .... | playbacks (uncredited) | |
| Randolph Saucedo | .... | sound recordist (uncredited) | |
| Eric Thompson | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Larz Anderson | .... | special effects coordinator | |
| Gary D. Bierend | .... | special effects (as Gary Bierend) | |
| Larry DeUnger | .... | special effects | |
| Bart Dion | .... | special effects | |
| Mark Yuricich | .... | special effects | |
Visual Effects by | |||
| Patrick Clancey | .... | digital opticals: EFilm | |
| David Geoghegan | .... | digital compositor | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Danita Slaughter | .... | digital opticals editor (uncredited) | |
Stunts | |||
| John Ashby | .... | stunts | |
| LaFaye Baker | .... | stunts | |
| William H. Burton | .... | stunt coordinator (as Billy Burton) | |
| Cory Fleming | .... | stunts | |
| Dale Gibson | .... | stunts | |
| Paul E. Short | .... | stunts (as Paul Short) | |
| R.J. Chambers | .... | stunts (uncredited) | |
| Tom McComas | .... | stunt double (uncredited) | |
| Paul E. Short | .... | stunt double: Anthony hopkins (uncredited) | |
| Gunter Simon | .... | stunts (uncredited) | |
| Frank Torres | .... | stunts (uncredited) | |
Casting Department | |||
| Chris Bustard | .... | extras casting coordinator | |
| Samantha Finkler | .... | casting associate | |
| Eddie Mariano | .... | extras casting coordinator | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin McKenna) | |
| Erin Toner | .... | casting associate | |
Costume and Wardrobe Department | |||
| William A. Campbell | .... | key costumer | |
| Victoria DeKay | .... | costume supervisor (as Victoria DeKay-Bodwell) | |
| Kristin Einarsson | .... | costumer | |
| Tabitha Johnson | .... | assistant costume designer | |
| Jason M. Moore | .... | set costumer | |
| Ivanna Palance | .... | costume production assistant | |
| Faye Sevilla | .... | key costumer (as Faye Sevilla Smith) | |
| Greg Turnbull | .... | costume production assistant | |
| Leoisick Castro | .... | additional costumer (uncredited) | |
Editorial Department | |||
| Terra Bliss-Alvarez | .... | digital intermediate supervisor: EFilm (as Terra Bliss) | |
| Steve Bowen | .... | supervising digital colorist: EFilm | |
| Gary Burritt | .... | negative cutter | |
| Cassandra Crosse | .... | post-production assistant | |
| Kevin Lefler | .... | first assistant editor | |
| Devon Miller | .... | digital intermediate editor: EFilm | |
| Harry Muller | .... | color timer | |
| Gregory Plotkin | .... | associate editor | |
| Richmond Riedel | .... | assistant editor (as Rich Reidel) | |
| Jen Woodhouse | .... | post-production assistant | |
| Michael Hatzer | .... | digital intermediate colorist: main title sequence, Efilm (uncredited) | |
| Justin Worthington | .... | assistant digital intermediate producer (uncredited) | |
Music Department | |||
| Paul Broucek | .... | executive in charge of music: New Line | |
| Debbi Datz-Pyle | .... | music contractor | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Brad Haehnel | .... | score recordist | |
| Brad Haehnel | .... | scoring mixer | |
| Russ Howard III | .... | electronic music programmer | |
| Russ Howard III | .... | musician: guitars | |
| Tom Kramer | .... | music editor | |
| Russ Miller | .... | musician: percussion programming | |
| Kim Reese | .... | music executive | |
| Lori Silfen | .... | music business affairs executive | |
| Rob Simonsen | .... | additional music arranger | |
| Margarita Sullivan | .... | music clearances | |
| Stephen Wadsworth | .... | opera consultant | |
| John F.X. Walsh | .... | music business affairs executive | |
| Gina Zimmitti | .... | music contractor | |
| Tom Hardisty | .... | score recordist (uncredited) | |
| Sean Schafer Hennessy | .... | assistant to composer (uncredited) | |
| Jason Ruder | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Bart Allsup | .... | transportation co-captain | |
| Oscar Beguiristain | .... | driver | |
| Manny Demello | .... | transportation captain | |
| Steven Domingos | .... | driver | |
| Doug Dovichi | .... | driver | |
| Jason Hardman | .... | driver | |
| Kenneth L. Hardman | .... | driver | |
| Jeffrey F. Jones | .... | driver | |
| Myles Kimura | .... | driver | |
| Bob McCarthy | .... | driver | |
| Guy Michaels | .... | driver | |
| Michael A. Moreno | .... | driver | |
| William 'Scott' Pierson | .... | driver (as William Scott Pierson) | |
| Mark Scruton | .... | driver | |
| James Thornsberry | .... | transportation coordinator | |
| Sheila Thornsberry | .... | transportation dispatcher | |
| Jimmie K. Turner | .... | driver | |
| Roger Youds | .... | driver | |
| Christopher Weippert | .... | driver (uncredited) | |
| Gary 'Little G' Williams | .... | driver: Mr. Gosling (uncredited) | |
Other crew | |||
| Tanner Almon | .... | production office assistant | |
| Cassandra Barbour | .... | rights and clearances: Entertainment Clearances | |
| Madeline Bell | .... | assistant location manager | |
| Bruce Benson | .... | helicopter ground coordinator | |
| Katherine E. Beyda | .... | production executive | |
| Robert Breech | .... | technical advisor | |
| Stephen Brenes | .... | craft service assistant | |
| Francie Brown | .... | dialogue coach | |
| Scott Brown | .... | production assistant | |
| Laurie Cartwright | .... | risk management | |
| Mike Cook | .... | chef | |
| Jon Davidson | .... | production controller | |
| Richard Davis Jr. | .... | location manager (as Richard Davis) | |
| Cris Dearce | .... | production assistant | |
| David Diamond | .... | location manager | |
| Judy Dickerson | .... | dialogue coach (as Judith Dickerson) | |
| Virginie Drouot | .... | assistant: Mr. Hoblit | |
| Jeff Egan | .... | production safety | |
| Alicia Emmrich | .... | assistant: Mr. Weinstock | |
| Kai Ephron | .... | assistant location manager (as Amede Ephron) | |
| Mike Fantasia | .... | location manager | |
| Eric Fieland | .... | assistant to cast | |
| Carey Field | .... | set production assistant | |
| Cliff Fleming | .... | helicopter pilot | |
| Jennifer Anne Franklin | .... | assistant: Mr. Hopkins (as Jennifer Franklin) | |
| Dave Fulton | .... | set medic | |
| Justin Giugno | .... | production office assistant | |
| Emily Glatter | .... | supervising production coordinator | |
| Gabriela Gutentag | .... | unit publicist | |
| Kristine Hrycun | .... | assistant: Ms. Glotzer (as Kris Hrycun) | |
| Matthew Humphreys | .... | second assistant accountant | |
| Colette Kadrnka-Abramson | .... | production attorney | |
| Steve Kesmodel | .... | credits administrator | |
| June Kim | .... | post-production accountant | |
| Anna Kochersperger | .... | accounting clerk | |
| Rob Koch | .... | assistant to cast (as Robby Koch) | |
| Matthew Loatman | .... | assistant to cast | |
| Cathy Marshall | .... | payroll accountant | |
| Marybeth Martin-Eck | .... | first assistant accountant (as Marybeth 'MB' Martin) | |
| Donny Martino Jr. | .... | assistant location manager | |
| Andrew Matthews | .... | executive in charge of film investment | |
| Leslie A. Morrow | .... | assistant location manager | |
| Evan Peller | .... | assistant location manager | |
| Sarah Platt | .... | assistant: Mr. Koch | |
| Rachel E. Prentiss | .... | production accountant | |
| Paul Prokop | .... | executive in charge of finance | |
| Joshua Ravetch | .... | production resources | |
| Lou Reyes | .... | technical advisor | |
| Ryan Robertson | .... | main title producer | |
| Stephen Roome | .... | stand-in: Ryan Gosling | |
| Barbara Rosing Hoke | .... | production coordinator | |
| Amy Russell | .... | rights clearances | |
| Suzie Sax-Horowitz | .... | script supervisor (as Suzie Sax) | |
| Susie Schelling | .... | technical advisor | |
| Romy Schneider | .... | contract administrator | |
| Julianna Selfridge | .... | risk management (as Juliana Selfridge) | |
| Laura Sevier | .... | rights and clearances: Entertainment Clearances | |
| Jessica Sonneborn | .... | stand-in (as Jessica B. Sonneborn) | |
| Hirotatsu Taniguchi | .... | production assistant | |
| Traci Tateyama | .... | assistant production coordinator | |
| Scott L. Treger | .... | stand-in: Anthony Hopkins (as Scott Treger) | |
| Mathew A. Villalobos | .... | assistant location manager (as Mathew Villalobos) | |
| Edith Viramontes | .... | production office assistant | |
| Dannon Walters | .... | craft service (as Damon Walters III) | |
| Peter Weireter | .... | technical advisor: police | |
| Gary Williams | .... | assistant to cast | |
| Brent Ekstrand | .... | video and computer engineer (uncredited) | |
| Cory Fleming | .... | co-pilot (uncredited) | |
| Andrew R. Gardiner | .... | key assistant location manager/scout (uncredited) | |
| David Henri | .... | computer/video playback coordinator (uncredited) | |
| Hiromi Marder | .... | payroll accountant: re-shoots (uncredited) | |
| Matt Miller | .... | additional set production assistant (uncredited) | |
| Parker Randal | .... | production assistant (uncredited) | |
| Erin Stern | .... | production assistant (uncredited) | |
| Scott Trimble | .... | key assistant location manager: re-shoots (uncredited) | |
| John Trujillo | .... | layout board (uncredited) | |
| Garson Yu | .... | title designer (uncredited) | |
Thanks | |||
| Michael Barbulescu | .... | thanks | |
| David M. Ronne | .... | in memory of (as David Ronne) | |
| Burt Rutan | .... | thanks | |
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| L'uccello dalle piume di cristallo | Special Agent K-7 | Karakter | Strangers on a Train | Freeway |
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This is a most successful thriller. In terms of performances, the most outstanding is certainly by Rosamund Pike. She has made a big impression in Britain by appearing in classic television dramas, at which she has a natural talent, and for which she is suited without expending a great deal of effort. Here, however, she shows what stuff she is really made of. She delivers an impeccable noir performance in the very best 1940s-1950s Hollywood style, and if the opportunities were frequent enough, she could readily establish a niche for herself as a chilling lead femme fatale in countless big budget films. She has a cold, distant, exquisite beauty, a perfect neck. and eyes like dark mirrors with disturbing supernatural qualities. Because she is a bit of an intellectual offscreen, well-read and bookish, she has the intelligence to put a brooding mystery into her gaze, and is best at doing this as someone powerful or knowledgeable. She also knows how to convince us that she may be off her rocker, simply by wobbling her irises. She would not make a good 'Big Brother' participant, and could not successfully play an oaf, I daresay. (Oafs are in big demand these days, and Ryan Gosling plays one, appearing not to be able to hold a fork properly at dinner.) Pike should team up with Audrey Tautou ('the Elf'), as Pike-and-Elf would be an irresistible combo on screen, as their big eyes full of mysterious things would go so well together, and they would enhance one another. As for the rest of the film, there is also Embeth Davidtz, a fascinating actress who made such an impression in the admirable 'Junebug' (2005), and it is such a shame for such a beautiful creature to get shot so soon in the story. One weakness of the story is the total lack of back-story, and why a man old enough to be Davidtz's grand-father happens to be her husband, but I guess if you are determined to cast Anthony Hopkins, you just have to close your eyes and go ahead. The acting of Hopkins has improved immeasurably since the days when he was so mannered and chewed so many of his words that he drove me crazy, and I found him one of the world's most irritating actors. He has somehow miraculously purged himself of all those terrible acting faults he used to have, and now plays it straight, with a terrifying intensity of an 'in your face' challenge. At last, Anthony Hopkins has come of age, and about time, too. Finally, he has become the master of his craft that everyone wrongly imagined him to be earlier. (Maybe this is a classic example of a self-fulfilling prophecy. Shall we grant him retrospective absolution for his technical sins in so many earlier films?) Ryan Gosling is, I suppose, very good at playing his unsympathetic and arrogant character, and it works, but just by a whisker. Kramer Morgenthau as the cinematographer has come out of television and has been having fun playing with light on a big budget. He gets a lot of interesting shots by sunlight at an angle, and well done for that. He avoids the worst perils of excessively dark shots which have been so fashionable in recent years (as irritating as actors who insist on mumbling), so that when he shoots dark shots, which he does repeatedly and too much, they are not as irritating as in most contemporary films, because he somehow redeems himself for these excesses by a sensitivity to light which just saves him, time and time again. He is a natural-born tightrope walker. The director Gregory Hoblit has also come out of television and proved effortlessly that he is a very good big budget director, no prob. The story by Daniel Pyne and screenplay by Pyne and Glenn Gers are most ingenious and top quality, although lacking in wisecracks and witty asides, and hence a shade too earnest. (Try to pepper your next script with some spicy one-liners next time, fellas. Watch some old movies and learn how it is done.) There are two central enigmas to this story, and I was so pleased with myself that I figured them both out (the missing gun riddle and a legal point). However, you have to have seen a lot of thrillers before you can hope to do that. This really is a nail-biter, a first-rate mystery and a modern noir classic.