Wealthy, brilliant, and meticulous Ted Crawford, a structural engineer in Los Angeles, shoots his wife and entraps her lover. He signs a confession; at the arraignment, he asserts his rights to represent himself and asks the court to move immediately to trial. The prosecutor is Willy Beachum, a hotshot who's soon to join a fancy civil-law firm, told by everyone it's an open and shut case. Crawford sees Beachum's weakness, the hairline fracture of his character: Willy's a winner. The engineer sets in motion a clockwork crime with all the objects moving in ways he predicts.
Written by <jhailey@hotmail.com>
When Willy Beachum is in his office, the boxes behind his desk are labeled "People .vs. Morgenthau" - Kramer Morgenthau was the cinematographer for the film and another box reads, "People .vs. Beaupre" - Steven F. Beaupre was the second assistant director
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Goofs
Audio/visual unsynchronized:
When Nikki and Willy hang out in private outside of a bar/nightclub, the former says to the latter, "So, I think you should go home," but there is a discernible delay between the actress speaking and the movement of the jaw and chin.
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"Nite Becomes Day"
Written by Citizen Cope (as Clarence Greenwood) Performed by Citizen Cope Courtesy of The RCA Records Label By Arrangement with Sony BMG Music Entertainment
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