7.2/10
1,477
14 user 4 critic

Gideon's Daughter (2005)

Bill Nighy and Miranda Richardson star in a story of grief and celebrity, set in the intense spring and summer of New Labour's election victory and Diana's death. Nighy is a PR guru who has... See full summary »

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Won 2 Golden Globes. Another 2 wins & 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Gideon Warner
...
Stella
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Natasha
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Sneath
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Barbara
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Andrew
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Dent
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Diane
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Bill
Samantha Whittaker ...
Becca
...
Badalamenti
Daniel Mendoza ...
Badalamenti Spokesman
...
Council Leader
Michael Fitzpatrick ...
American Producer
Graham Cull ...
Hospital Stranger
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Storyline

Bill Nighy and Miranda Richardson star in a story of grief and celebrity, set in the intense spring and summer of New Labour's election victory and Diana's death. Nighy is a PR guru who has to stop and re-evaluate his world when his daughter threatens to leave his life, perhaps as revenge for his serial infidelities. Richardson plays a mother trying to bury her grief in an unconventional way after the loss of her young son. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

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Release Date:

23 March 2006 (USA)  »

Also Known As:

A Filha de Gideon  »

Filming Locations:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

David Westhead was injured in an accident while filming. See more »

Goofs

During the cycle path protest, Stella puts her camera in its case, but in the next shot it is back out again. See more »

Connections

Featured in The 64th Annual Golden Globe Awards (2007) See more »

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User Reviews

A beautiful story of nothing....
16 February 2007 | by (United Kingdom) – See all my reviews

I have now seen 'Gideon's Daughter' twice and still don't quite know how the man does it, whilst in it's glow you think it the most beautiful and spellbinding story and one wishes that it would never end. But once it does and you stand back, you realise it is actually about nothing at all, weak on story and overly sentimental and abusing the clichéd rules of scriptwriting (no telephone conversations, no narration, no flashbacks etc) with aloof disregard. You suddenly understand that a work of such quality does not have to follow antiquated misguidance, but can exist outside the usual trends and survive purely on it's own merits, characters, dialogue and empathy reign! SEE IT!


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