Bertrand Beauvois, a well-known attorney, is in Monte Carlo to defend a businessman's mother who murdered a gigolo with ties to gangsters. The businessman provides a bodyguard, Christophe, ... See full summary »
In Lille, Claire Gauthier is an ordinary married woman with a young daughter that works in an insurance company analyzing losses of insured properties. When the single veterinary Laurent ... See full summary »
Nathalie is the name a Parisian prostitute assumes for a special mission or "private investigation." She is engaged in this unusual and secretive task by a professional, upper-middle-class ... See full summary »
Agathe lives with her husband and son in a posh apartment in front of the Parc du Luxembourg. Patrick lives with his son in the back of a van. She is the head of an important contemporary ... See full summary »
Augustin Dos Santos is back. He still wants to be an actor and, this time, he moves to the Chinese borough in Paris because he has decided to play in kung-fu movies. But poor Augustin has a... See full summary »
Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only ... See full summary »
Augustin Dos Santos is a benign simpleton with a slight stammer. He's serious about his part-time job as a clerk for an insurance company, and he also acts, with small parts under his belt ... See full summary »
This is last installment of the modern low budget trilogy with Augustine. However, he is not the centre piece as the director Anne Fontaine explained in the TIFF Q&A session. Instead the film pays tribute to Danielle Darrieux, who I am not familiar with but as you can see in the long list of credits here towards her name.
I first saw Augustine in 1995 in TIFF and I still remember the hilarious interview scene. Then came the Augustin, King of Kung-Fu in 1999. It is amazing that Anne Fontaine can keep the same flavor in all 3 films, and obviously the same spontaneity in Jean-Chretien Sibertin-Blanc's improvisation. (Also remember in '95 our Prime Minister was also named Jean-Chretien).
This movie revolves around Augustine, using his unique resourcefulness in putting on a play/show based on a very old script - a period piece. In fact, Anne Fontaine mentioned in the Q&A that the original intend was the old script but she did not feel it was right and switch gear into a comedy. Good choice!! Instead now we have a play within a movie, that also plays-off the script about 2 female counterparts that quarrels over a younger man. Maybe the movie also speaks about how age affect role selection/choice in this business.
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