At the port of Sète, Mr. Slimani, a tired 60-year-old, drags himself toward a shipyard job that has become more and more difficult to cope with as the years go by. He is a divorced father ... See full summary »
In the slums of Paris, a group of students - primarily North African and Southeast Asian immigrants - are staging a class production of the Marivaux play "Le Jeu de l'Amour et du Hasard," ... See full summary »
The story of Saartjes Baartman, a Black domestic who, in 1808, left Southern Africa, then ruled by Dutch settlers, for Europe, following her boss Hendrick Caesar , hoping to find fame and ... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
A woman imbued with naturalistic and libertarian theories leaves her city home to live in the countryside with her young son. There she meets a litigious farmer who fights against the banks... See full summary »
Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long... See full summary »
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were ... See full summary »
An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Braila. Codine (Alexandre Virgil Platon) is the thug who served 10 years for murdering a friend. He ... See full summary »
Alexandru Virgil Platon,
At the port of Sète, Mr. Slimani, a tired 60-year-old, drags himself toward a shipyard job that has become more and more difficult to cope with as the years go by. He is a divorced father who forces himself to stay close to his family despite the schisms and tensions that are easily sparked off and that financial difficulties make even more intense. He is going through a delicate period in his life and, recently, everything seems to make him feel useless: a failure. He wants to escape from it all and set up his own restaurant. However, it appears to be an unreachable dream given his meager, irregular salary that is not anywhere near enough to supply what he needs to realize his ambition. But he can still dream and talk about it with his family in particular. A family that gradually gives its support to this project, which comes to symbolize the means to a better life. Thanks to its ingeniousness and hard work, this dream soon becomes a reality...or almost.... Written by
Venice Film Festival
Shooting was supposed to start in the summer of 2005 but one of the leading actors was sick, which resulted in a major delay. Thus, filming actually started on 5 September 2005 and was still running by 16 January 2006. The set was on a boat in the port of Sète for at least six weeks from October to December 2006. Outside temperatures were very low, as opposed to what they should have been if schedule could have been held. This led the production to set up large tents near the boat with heating systems for the actors and extras to remain comfortable between takes. See more »
[talking to Slimane about her husband]
Is that a family man ?
Never there for his kid.
See more »
An extraordinarily different film because of its ethnicity and real-time filming
Diane and I attended this wonderful film in Fremantle this morning and both of us left the theater at its conclusion realising that we had seen an unusual film from an unusual ethnic angle and that the director and actors had completed a superb work.
I adore our Australian films because many of them explore the mundane drama of quiet ordinary life and this film is no exception even though it is French rather than Australian. I guess Hollywood does not believe viewers are sensitive enough to pay to see domestic drama and that the subject matter must always be "bigger than Ben Hurr" but our movies as well as many European movies have proved that the examination of quiet aspects of everyday life can provide extremely compelling material for contemporary films.
IMDb commentators found it off-putting to watch long film sequences about potty training, marital squabbles and restaurant scenes; however, this is the stuff of myriad similar domestic situations that we are all familiar with. The genius being that the director can make these scenes rich enough to watch. Diane and I both believe he did this admirably as well as providing much to discuss and reflect upon later.
We both found it different and endearing that we were allowed into the lives of people and their situations that would be closed to us without this delightful film. Yes, I used the adjective "delightful"; the scenes of domesticity were enlightening and compellingly endearing because we are inundated with Western examples of the genre but few (such as in this film) of other ethnic examples.
A film that should not be missed!
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