A young man leaves his native town in southern France to discover Paris. Being too unexperienced and too naive, he drops into the reality of Paris 1991. He soon gives up his dream of ... See full summary »
In a village in the Southwest of France, 1962. Maite and Francois are 18 years old. They are friends, not lovers. In Francois's classroom, there are Serge, whose brother has just married to... See full summary »
Old woman Berthe leaves her house to live in her daugter Emilie's one. Emilie and her brother Antoine have fallen out three years ago and have not seen each other since, but Emilie invites ... See full summary »
In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother... See full summary »
In Tangier, intercontinental truck driver Serge is in love with Sarah, but is in some trouble of his own. Film generally concerns Moroccans with various relationships with the country: ... See full summary »
June 1984 to June 1985, from happy days to war to summer's return. A middle-aged doctor in Paris, Adrien, meets Manu, a young gay man from the provinces who lives with his sister, an opera singer. Adrien likes Manu, loves him even, in a Platonic relationship. Sarah, a writer, and Mehdi, a vice-squad cop, have an infant. Sarah discovers she has no taste for parenthood. Adrien bring Manu to Sarah's country cabin where Mehdi saves Manu from drowning. Back in Paris, an affair begins as a plague descends on Parisian gays. There are tests, illness, anger, relief, separations, and death. A year later, these friends meet again at the summer place. They are witnesses to how happiness has changed. Written by
(At around 20 min.) In Manu's trailer, Adrien has a glass that seems to be half full of red wine, with the bottle apparently about 1/3 full of red wine next to him. When he pours himself a refill, what comes out is clearly water. See more »
L'air de Barberine des Noces de Figaro (Cavatine: L'ho perduta, me meschina)
Music by Wolfgang Amadeus Mozart (uncredited)
Conducted by Dominique Trottein
Performed by Anne-Sophie Domergue with Les musiciens de l'orchestre du Duodijon
Recording engineer: Franck Guinfoleau
Recorded at Auditorium de Dijon (March 2006)
avec l'aimable autorisation de Monsieur le Maire, François Rebsamen See more »
This script is perfection. The directing is awesome. The actors are---every single one---sexy. The plot is surprising. The climax is heartbreaking. The depth of these stories is revelatory. The dialogue is witty. The characters are cherishable. The editing is astonishing. In summation, this brilliant film is revealing, true, brutal, funny. Sexy are the actors. Sad is the plot. True is the reflection of these lives in these times. Sexy are the actors. Sad is the story. True is the movie. Perfection is the movie. Bravo to all.
I don't get this minimum of 1,000 words. I loved this movie. I will say it again and again.
And it's sexy.
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