A young man leaves his native town in southern France to discover Paris. Being too unexperienced and too naive, he drops into the reality of Paris 1991. He soon gives up his dream of ... See full summary »
In a village in the Southwest of France, 1962. Maite and Francois are 18 years old. They are friends, not lovers. In Francois's classroom, there are Serge, whose brother has just married to... See full summary »
San Francisco, 1985: Frankie confronts the challenges of being an understudy in a modern dance company as he embarks on a budding relationship with Todd, a veteran dancer in the same ... See full summary »
Paulo, a young pianist, meets Ilir, a bartender and bass guitar player originally from Albania. They become lovers. Confronted by his girlfriend Anka, Paulo finds himself out on the street.... See full summary »
June 1984 to June 1985, from happy days to war to summer's return. A middle-aged doctor in Paris, Adrien, meets Manu, a young gay man from the provinces who lives with his sister, an opera singer. Adrien likes Manu, loves him even, in a Platonic relationship. Sarah, a writer, and Mehdi, a vice-squad cop, have an infant. Sarah discovers she has no taste for parenthood. Adrien bring Manu to Sarah's country cabin where Mehdi saves Manu from drowning. Back in Paris, an affair begins as a plague descends on Parisian gays. There are tests, illness, anger, relief, separations, and death. A year later, these friends meet again at the summer place. They are witnesses to how happiness has changed. Written by
(At around 20 min.) In Manu's trailer, Adrien has a glass that seems to be half full of red wine, with the bottle apparently about 1/3 full of red wine next to him. When he pours himself a refill, what comes out is clearly water. See more »
I agree with some of these comments. By 1984 I thought we were more familiar with AIDS...maybe 82 is the year this should be set. My main gripe was the unconvincing make up Manu wears, and the way he doesn't lose weight. What was so shocking and devastating for those of us growing up with the onset of AIDS was running into people who were gorgeous, fit young and beautiful. Next time you saw them their faces were blemished, their bodies wasted, emaciated, skeletal like. I recall bareley recognising a young lad who'd once been a fixture on the scene. So the scenes where Manu is nursed through the terminal stages were less than convincing and left me somewhat unmoved. Otherwise its worth seeing and its sex positive, uplifting, life affirming attitude is a welcome riposte to Hollywoods schlocky treatment of the subject.
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