In a village in the Southwest of France, 1962. Maite and Francois are 18 years old. They are friends, not lovers. In Francois's classroom, there are Serge, whose brother has just married to... See full summary »
In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother... See full summary »
A young man leaves his native town in southern France to discover Paris. Being too unexperienced and too naive, he drops into the reality of Paris 1991. He soon gives up his dream of ... See full summary »
Old woman Berthe leaves her house to live in her daugter Emilie's one. Emilie and her brother Antoine have fallen out three years ago and have not seen each other since, but Emilie invites ... See full summary »
Chantel is happy: her son's away at school playing soccer, she and her husband get along, her neighbor Agnès is her best friend, and her job at a government office is easy. When her husband... See full summary »
In Tangier, intercontinental truck driver Serge is in love with Sarah, but is in some trouble of his own. Film generally concerns Moroccans with various relationships with the country: ... See full summary »
June 1984 to June 1985, from happy days to war to summer's return. A middle-aged doctor in Paris, Adrien, meets Manu, a young gay man from the provinces who lives with his sister, an opera singer. Adrien likes Manu, loves him even, in a Platonic relationship. Sarah, a writer, and Mehdi, a vice-squad cop, have an infant. Sarah discovers she has no taste for parenthood. Adrien bring Manu to Sarah's country cabin where Mehdi saves Manu from drowning. Back in Paris, an affair begins as a plague descends on Parisian gays. There are tests, illness, anger, relief, separations, and death. A year later, these friends meet again at the summer place. They are witnesses to how happiness has changed. Written by
L'air de Barberine des Noces de Figaro (Cavatine: L'ho perduta, me meschina)
Music by Wolfgang Amadeus Mozart (uncredited)
Conducted by Dominique Trottein
Performed by Anne-Sophie Domergue with Les musiciens de l'orchestre du Duodijon
Recording engineer: Franck Guinfoleau
Recorded at Auditorium de Dijon (March 2006)
avec l'aimable autorisation de Monsieur le Maire, François Rebsamen See more »
Overall, this movie was OK. The male lead actors all were very good and believable in their parts. The homosexuality was presented in a natural, matter-of-fact manner, instead of pedantic or problematic. The way the start of the aids era was captured was disturbing, but it seemed very realistic. There were some things in this movie that annoyed me however. First of all, the female characters. Depardieu is your typical withdrawn, a-sexual, artistic, female French cinema archetype. I can live with that though. Far more irritating was the presence of Beart, who was totally miscast. What is a blown-up plastic Barbie doll doing in a movie that is situated in the early eighties, when plastic surgery was not even properly born yet?? Her acting is (partly due to her renovated face) very flat and expressionless and it would have been better if she had been altogether left out. An other revealing mistake is the American guy/gay, who shows up in the last part of the movie; quite confusing when a character who is so proud of his multi-lingual talents has such a strong foreign accent when he speaks his mother tongue...
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