Old woman Berthe leaves her house to live in her daugter Emilie's one. Emilie and her brother Antoine have fallen out three years ago and have not seen each other since, but Emilie invites ... See full summary »
A young man leaves his native town in southern France to discover Paris. Being too unexperienced and too naive, he drops into the reality of Paris 1991. He soon gives up his dream of ... See full summary »
In a village in the Southwest of France, 1962. Maite and Francois are 18 years old. They are friends, not lovers. In Francois's classroom, there are Serge, whose brother has just married to... See full summary »
In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother... See full summary »
Julia, a teacher in a school for the deaf, has a hideosly disformed and deranged twin sister that resides in the local looney bin. She escapes to gate-crash a surprise birthday party for ... See full summary »
Ovidio G. Assonitis
Three disparate people meet in a bizarre skiing accident: a doctor who had just been left by his wife, a beautiful but direction less woman, and the bumbling Algerian man who caused the ... See full summary »
June 1984 to June 1985, from happy days to war to summer's return. A middle-aged doctor in Paris, Adrien, meets Manu, a young gay man from the provinces who lives with his sister, an opera singer. Adrien likes Manu, loves him even, in a Platonic relationship. Sarah, a writer, and Mehdi, a vice-squad cop, have an infant. Sarah discovers she has no taste for parenthood. Adrien bring Manu to Sarah's country cabin where Mehdi saves Manu from drowning. Back in Paris, an affair begins as a plague descends on Parisian gays. There are tests, illness, anger, relief, separations, and death. A year later, these friends meet again at the summer place. They are witnesses to how happiness has changed. Written by
I agree with some of these comments. By 1984 I thought we were more familiar with AIDS...maybe 82 is the year this should be set. My main gripe was the unconvincing make up Manu wears, and the way he doesn't lose weight. What was so shocking and devastating for those of us growing up with the onset of AIDS was running into people who were gorgeous, fit young and beautiful. Next time you saw them their faces were blemished, their bodies wasted, emaciated, skeletal like. I recall bareley recognising a young lad who'd once been a fixture on the scene. So the scenes where Manu is nursed through the terminal stages were less than convincing and left me somewhat unmoved. Otherwise its worth seeing and its sex positive, uplifting, life affirming attitude is a welcome riposte to Hollywoods schlocky treatment of the subject.
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