Romain is a very successful fashion photographer who's diagnosed with terminal cancer. He copes by being cruel and nasty to those he loves, until a visit with his grandmother changes his outlook. But, his boyfriend's moved out, now what?
A married, Orthodox, Jerusalem butcher and Jewish father of four falls in love with his handsome, 22-year-old male apprentice, triggering the suspicions of his wife and the disapproval of his Orthodox community.
After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time he picks up Glen but what's expected to be just a one-night stand becomes something else, something special.
June 1984 to June 1985, from happy days to war to summer's return. A middle-aged doctor in Paris, Adrien, meets Manu, a young gay man from the provinces who lives with his sister, an opera singer. Adrien likes Manu, loves him even, in a Platonic relationship. Sarah, a writer, and Mehdi, a vice-squad cop, have an infant. Sarah discovers she has no taste for parenthood. Adrien bring Manu to Sarah's country cabin where Mehdi saves Manu from drowning. Back in Paris, an affair begins as a plague descends on Parisian gays. There are tests, illness, anger, relief, separations, and death. A year later, these friends meet again at the summer place. They are witnesses to how happiness has changed. Written by
In one of the first sequence you can see slightly blurred in the background the logo LCL (yellow letters on a blue background) of the Crédit Lyonnais bank. The LCL name/logo was only introduced around 2005 and there did not exist yet in 1984. See more »
I agree with some of these comments. By 1984 I thought we were more familiar with AIDS...maybe 82 is the year this should be set. My main gripe was the unconvincing make up Manu wears, and the way he doesn't lose weight. What was so shocking and devastating for those of us growing up with the onset of AIDS was running into people who were gorgeous, fit young and beautiful. Next time you saw them their faces were blemished, their bodies wasted, emaciated, skeletal like. I recall bareley recognising a young lad who'd once been a fixture on the scene. So the scenes where Manu is nursed through the terminal stages were less than convincing and left me somewhat unmoved. Otherwise its worth seeing and its sex positive, uplifting, life affirming attitude is a welcome riposte to Hollywoods schlocky treatment of the subject.
21 of 23 people found this review helpful.
Was this review helpful to you?