In order to catch a basketball from the favorite team of his girlfriend's spoiled son, Fred poses as a numb, wheelchair-bound fan. But when he catches the ball, he also catches the ... See full summary »
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In order to catch a basketball from the favorite team of his girlfriend's spoiled son, Fred poses as a numb, wheelchair-bound fan. But when he catches the ball, he also catches the attention of young, attractive filmmaker Denise, who wants to feature an invalid fan in an image film for the team. Fred has to keep playing his role, while real invalid and really furious fan Ronny might call his bluff at any moment. Worse, still, love sets in... Written by
As has been said before, German citizens don't always think too much of German comedy films. Too often these are VERY obvious, blatant, superficial etc. - you name it. Seems we have a different culture here, if you compare to films like Dumb and Dumber, Jay and Silent Bob, Jim Carey stuff etc. you will find that in Germany this kind of film is more or less restricted to the age 12 to 16 where you will want to laugh and not think about plot lines, stringency of characters and story etc. So, let's leave aside a number of flaws in the plot and some not very credible twists. Sitting in the cinema, this film actually makes you roll of your chair a couple of times and has some really good gags - most of them drawing on ridiculous situations and confrontations. Although handicapped persons play quite a role (sometimes wondered, which were actors and which actually handicapped ..) they are neither being made fun of, nor exploited. Rather, some concern for their situation is raised. The thing that saves this film is the actors. Alexandra Maria Lara is more beautiful than ever and will make male viewers shrink in their seats in awe. Christoph Maria Herbst (Maria btw. can be a male or female second name in German) offers a wild and extremely convincing role as a wheelchair-confined basket ball fan (stay on for the snippet that comes up after the first credits at the end of the film!). Including one of the best dialogues I have seen acted in a long time: Herbst, having hurt himself badly is pensively picking a glass splinter from his shoulder when Denise asks 'are you hurt?' and he replies matter-of-factedly 'how come you ask?' not even looking at her. Till Schweiger has been bashed quite a bit in Germany - which seems 'normal' with any actor having too much success. Jealousy, I'd say. It can be said, that he is not too much of a character actor and mostly 'sells' his good looks. In this film he actually does offer a fair performance. Playing the grumbly guy with a bad conscience fits him well. I've never heard of neither the director nor the script author, but maybe we will be seeing some new quality work in German cinema soon?
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