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Directed by | |||
| Harry Moses | |||
Writing credits(WGA) | ||
| Harry Moses | (written by) | |
| Teri Horton | ... | Herself | |
| Tod M. Volpe | ... | Himself (as Tod Volpe) | |
| Ben Heller | ... | Himself | |
| Nick Carone | ... | Himself | |
| John Myatt | ... | Himself | |
| Peter Paul Biro | ... | Himself | |
| Thomas Hoving | ... | Himself | |
| Jeffrey Bergen | ... | Himself | |
| Joseph D. Beam | ... | Himself (as Joe Beam) | |
| Judy Hill | ... | Herself | |
| Teri Paquin | ... | Herself | |
| Bill Page | ... | Himself | |
| Ron Spencer | ... | Himself | |
| Allan Stone | ... | Himself | |
| Adrienne Wilde | ... | Herself |
Produced by | |||
| Don Hewitt | .... | producer | |
| Steven Hewitt | .... | producer | |
| Jan Legnitto | .... | producer | |
| Michael Lynne | .... | executive producer | |
Original Music by | |||
| Terence Blanchard | |||
| Derrick Hodge | |||
Cinematography by | |||
| William Cassara | |||
Production Management | |||
| Robert Warmflash | .... | post-production supervisor | |
Art Department | |||
| Bernardo Loyola | .... | graphics | |
Sound Department | |||
| Josh Blanchard | .... | second recording engineer | |
| Neil Cedar | .... | sound editor | |
| Chris Foster | .... | foley editor | |
| Chris Foster | .... | foley recordist | |
| Ken Hahn | .... | sound re-recording mixer | |
| Jeff Hawkins | .... | sound | |
| James David Redding III | .... | sound editor (as James Redding) | |
| Paul Sacco | .... | stereo sound consultant: Dolby | |
| Brian Vancho | .... | foley artist | |
| Everett Wong | .... | sound | |
Editorial Department | |||
| Christine Park | .... | assistant editor | |
| Ralph Tarr | .... | color timer | |
| Max Warmflash | .... | post-production assistant | |
Music Department | |||
| Franklin Jones III | .... | music editor | |
Other crew | |||
| Stéphanie Robitaille | .... | production assistant | |
| Company credits | Box office and business | Technical specifications |
| Main details |