Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last ... See full summary »
John C. McGinley
Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
Four middle-aged men decide to take a road trip from Cincinnati to the Pacific in order to get away from their lives which are leading them nowhere. Taking their motorcycles, these "Wild Hogs" tear up the road and eventually stop in New Mexico for a drink not knowing that the bar belongs to the "Del Fuegos", a mean biker gang. When the Del Fuegos steal a bike that belongs to the Wild Hogs, the four men form a plan to steal their bike back. Written by
Glenn D. Harvey
After Woody runs away from the bull, he climbs on top of the fence. In the next shot, we see him mount the fence again. See more »
[after getting a fist-tap from Woody and nearly wiping out]
Whoa! Whoa! Oh! Man, oh, man. I almost lost it back there. I didn't know what was going on.
[hits a sign face first]
See more »
As the credits roll, Extreme Makeover: Home Edition shows up and gives the Del Fuegos a new home, courtesy of the Wild Hogs. A few members have interviews with talking about the new bar. And a shot of the Wild Hogs in a bar watching the show. See more »
Its no American Beauty or Sideways in terms of the middle-aged crisis theme. Then again, that is a good thing....
To compare Wild Hogs to comedic greats and classic movies about mid-life crisis would be absolutely foolish. Sitting back and enjoying the wild ride is your best choice in getting the full enjoyment out of this flick. Containing a diverse cast that works quite well, a handful of funny cameos, tons of predictable yet enjoyable scenarios, and a rather surprising amount of physical humor; Wild Hogs is a startlingly delightful comedy that isn't afraid to reach low for a laugh. Coming off as more than just a guilty pleasure, we have good acting running the show, as our longtime cinema veterans mesh together and bring out their best comedic skills to deliver a nice trip through the United States.
Wild Hogs follows four middle-aged men losing excitement (among other things) in their daily aspects of life. Doug (Tim Allen) isn't the fun guy he used to be, Bobby (Martin Lawrence) is not able to run his own home, Woody (John Travolta) has lost pretty much everything, and Dudley (William H. Macy) has nothing to begin with. The four of them decide to take their boring lives out for a spin, and try to relive the glory days of college-- ride off in their motorbikes across the country. The main conflict is whether or not they can unleash the Wild Hogs in them and be able to reach California in one piece. The other problem arises when the well-known tough biker gang Del Fuegos crosses paths with them.
The premise is something we've all seen before, yet it can still be done well with the right group of people. Mixing John Travolta, Martin Lawrence, Tim Allen, and William H. Macy is something that truly would not, and could not have been predicted by anybody. Nonetheless, this unique quartet does a fantastic job. Not one actor is overused or overacting, and we see each of the actors' talents brought to life. Tim Allen puts his physical humor to the test and succeeds. John Travolta brings his comedic chops and also is shockingly hilarious. Martin Lawrence has his good movies (Nothing to Lose) and his really bad movies (Black Night, Big Momma's House 2) but in here, he doesn't go too far, doesn't attempt too hard, and holds his own as the uncertain Bobby. Topping them all is William H. Macy, whose physical comedy tops all the others in this movie. Rounding out the cast is an assortment of cameos and short roles that despite being good were quite underused (Marisa Tomei, Stephen Tobolowsky, Ray Liotta, John C. McGinley, Peter Fonda).
The laughs in here are present pretty much throughout the film, and it ranges from funny little one-liners, to physical comedy, to lowbrow comedy, to even a bit of absurdity. A bit of it is predictable, yet some of it comes flying out of nowhere (literally and figuratively). We have a nice bit of cinematography to capture some of it, including a nice shot of "death" taking a liking to William H. Macy and a brilliant game of "Bullslapping." The director, Walt Becker, knows better and lets the camera roll and the actors take control of what is going on. He was fortunate enough to capture the fun and silliness with little effort.
We don't have Oscar material in the least bit, but we have material that will spark laughing riots from the audience time and time again. Like most decent comedies of this decade, its best not to be taken seriously, because analyzing and nitpicking would distract from the overall experience. Like what the characters in the film originally wanted; it was a trip with no rules, no barriers, and no remorse. Wild Hogs does just that; it was a raw, strong PG-13 ride with the violence, sex, profanity, and look-away moments that anyone on the open road would witness. Also supporting this movie is a nice soundtrack, cleverly adding some good Southern rock, Bon Jovi, AC/DC, and even White Zombie. Try to catch some subtle Disney humor involving the actors and character's names.
Bottom Line: So what if the script isn't groundbreaking? So what if the direction didn't enhance anything? So what if the story became a bit predictable? We have four veteran actors making fools of themselves for almost two hours on the open road, and with very little time in between potential laughs. It was just pure popcorn entertainment, and isn't that what you want on a Friday night? Wild Hogs will not inspire you to do something, but it will inspire some conversations and maybe even a second viewing. Besides, it is rare to see Tim Allen and Martin Lawrence provide a slew of funny moments. While this movie could have benefited from fewer clichés and more unpredictability, it stands tall as the first good comedy of 2007.
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