Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
After his father is killed in a car accident, things unravel for Kale Brecht and he is placed under house-arrest for punching his Spanish teacher. Having nothing better to do, Kale occupies himself by spying on his neighbors. But one night, he witnesses what appears to be a murder going on in Mr. Turner's house. Kale becomes obsessed with uncovering the truth behind these murders but, after a few unsettling run-ins with Mr. Turner, it becomes a matter of life and death. And the ominous question: Who is watching whom? Written by
In the scene when Ronnie visits Kale at his home for the first time, director D.J. Caruso decided to add in the can of macadamia nuts at the last minute. See more »
When Ronnie breaks into Mr. Turner's car, he uses a paint scraper to prise open the window trim and piece of wire to pop the lock. When he exits the car, the paint scraper has disappeared, but the wire is still in place. See more »
Do you think he sees us?
No, he can't see us. But trust me, he can feel us watching.
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Disturbia tells the story of a teenage boy named Kale who is sentenced to three months house arrest after punching a teacher in the face for making a comment about his recently deceased father. When his mother takes away his TV and his computer, he resorts to spying on the houses surrounding him. Things begin to get frightening when he begins to suspect one of his neighbours is a serial killer. He gets his friends involved with his impromptu investigation, and soon the neighbour realizes he's being watched...And he's not too happy about it. Disturbia is loosely based off the 1954 Alfred Hitchcock classic Rear Window, but it is still a film all in itself, and it is the best thriller I've seen in a while.
What makes this movie better than most horror movies that are released today is that is doesn't rely on excessive gore and gross out tactics to frighten you. It relies on mood and suspense, and that works so much better. As the film went on, the tension got so high that I was literally on the edge of my seat rubbing my hands together because I was so anxious to see what was going to happen next. I actually felt the adrenaline rush that the characters in the film must have been feeling when they were snooping around in the neighbour's garage. The movie has a realistic feel of how creepy it would be to have a serial killer living across the street from you and you had no way to prove it. Everything in this movie is done well. The writing, the directing, the way it all pans out. I was actually shocked when I left the theatre over how good this movie really was.
The acting was very good from everybody involved. Shia LaBeouf has come a long way from Even Stevens. Something tells me that he has a nice career ahead of him. David Morse is perfectly sinister as the neighbour. He's just one of those actors that you might not know who he is to hear his name, but he pops up here and there and you always say, "Cool, it's that guy." Overall, this was an amazing thriller, and I'm glad I went to see it because I really wasn't expecting that much. It leads me to wonder why Hollywood continues to pump out absolute garbage like the Saw trilogy, Hostel, and Dead Silence when they could be making movies like this instead.
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