| Photos (see all 11 | slideshow) |
| Lizzie Brocheré | ... | Lucie | |
| Arthur Dupont | ... | Pierre | |
| Guillaume Baché | ... | Nicolas | |
| Pierre Perrier | ... | Sébastien | |
| Nicolas Nollet | ... | Baptiste | |
| Valérie Mairesse | ... | Agnès | |
| Karl E. Landler | ... | Paul | |
| Matthieu Boujenah | ... | Damien | |
| Jean-Christophe Bouvet | ... | Vincent Sylvaire | |
| Pierre Beziers | ... | Le lieutenant | |
| Antoine Coesens | ... | M. Saunier | |
| Guillaume Gouix | ... | Romain le skinhead | |
| Claude Lecat | ... | Mme Saunier | |
| Stéphane Dauch | ... | Le psychiatre | |
| Marion Donon | ... | Julie | |
| Fabrice Michel | ... | Serge | |
| Rémi Laugier | ... | L'employé du crématorium | |
| rest of cast listed alphabetically: | |||
| Jean-Marc Barr | ... | Philippe (scenes deleted) | |
Directed by | |||
| Pascal Arnold | |||
| Jean-Marc Barr | |||
Writing credits(in alphabetical order) | ||
| Pascal Arnold | writer | |
Produced by | |||
| Pascal Arnold | .... | executive producer | |
| Pascal Arnold | .... | producer | |
| Jean-Marc Barr | .... | executive producer | |
| Jean-Marc Barr | .... | producer | |
| Lene Børglum | .... | producer | |
| Karina Grandjean | .... | producer | |
| Vibeke Windeløv | .... | producer | |
Original Music by | |||
| Irina Decermic | |||
Cinematography by | |||
| Jean-Marc Barr | |||
| Chris Keohane | |||
Film Editing by | |||
| Chantal Hymans | |||
Casting by | |||
| Joanna Delon | |||
Production Design by | |||
| Serge Borgel | |||
Costume Design by | |||
| Mimi Lempicka | |||
| Antigone Shilling | |||
Makeup Department | |||
| Catherine Bruchon | .... | key makeup artist | |
Production Management | |||
| Julien Berlan | .... | production manager | |
| Claire Minte | .... | assistant production manager | |
| Thomas Paturel | .... | assistant production manager | |
Sound Department | |||
| Pascal Armant | .... | sound | |
| Bertrand Boudaud | .... | foley artist | |
| Bruno Brochier | .... | assistant sound mixer | |
| Thierry Delor | .... | sound mixer | |
| Fabrice Grizard | .... | boom operator | |
| Agnes Ravez | .... | sound editor (as Agnès Ravez) | |
Costume and Wardrobe Department | |||
| Laetitia Harvey | .... | costumer | |
Editorial Department | |||
| Serge Anthony | .... | color timer | |
| Soline Guyonneau | .... | assistant editor | |
| Laurent Pelé | .... | first assistant editor | |
Other crew | |||
| Thomas Caspersen | .... | supervisor: ARRI Laser | |
| Jacky Henser | .... | talent agent | |
| Chris Keohane | .... | technical advisor (as Chris Kohane) | |
| Recent Posts (updated daily) | User |
|---|---|
| Lucie and her brothers song.... | kylynnromig |
| True Crime | sfstewart |
| What was the purpose of Paul's character? (possible spoilers) | allent-5 |
| Motive? | luism1fan |
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| The Dreamers | Choses secrètes | Il fiore delle mille e una notte | Le temps qui reste | La confusion des genres |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
A very french film. It stars a bunch of teenagers in some provincial town in France, living their lives and loving each other both mentally and physically. A murderous event interrupts the lives of five very close people. Nudity and sexuality are present throughout, but they are not exploited, they rather serve as essential elements of the story that unfolds. And in a way this probably is the most "french" element , they are both graphic and tasteful at the same time. The physical attractions cannot be excluded from the characters' thoughts and deeds and developments, yet it is exactly the difference and/or connection between mind and body that marks a central element. Scenes jump from one point of the time line to another, yet the overall narration and presentation is quite realistic (after all, the film is based on a true story). Luckily, this is neither a moral tale nor an "investigating" look at the nightlife of the hedonistic youth of our time; it is a very "talky" movie which some inevitably will find boring while others will be mesmerized. Given it will not be shown often (which looks as if), "Chacun sa Nuit" is very likely to receive a sort of cult potential in the coming years.