A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a ... See full summary »
Mary Kay Place
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
L.A. soft-porn writer Carter Webb is frustrated enough after his actress girlfriend dumps him to need a serious break. He decides to spend it with his grandmother, who can't really take ... See full summary »
"Americans" is a short, public service film starring 'Sean Penn' and Kid Rock, directed by Jameson Stafford. The goal of the film is to tear down the one-dimensional political stereotypes ... See full summary »
Following the death of his wife Audrey, John Munn moves with his two sons, mid-teen Chris Munn and adolescent Tim Munn, to a pig farm in rural Drees County, Georgia, where they lead a ... See full summary »
A week in the life of Ben, a powerful Hollywood producer, as he juggles negotiations with a studio head so that his newest picture can open at Cannes in two weeks, with a high-strung director who must make edits to the film, with an actor and his agent because the star has arrived on the set of a new picture with a full beard, and with his most recent ex-wife, Kelly, whom he discovers may have a lover. He also notices that his 17-year old daughter, from another marriage, has probably been crying. What's up? Can Ben keep it all together, get the green light from the studio to go to Cannes, move his new picture past the beard crisis, and maybe return to Kelly's good graces? Written by
Vanity Fair named me as one of the 30 most powerful producers in the business. Power is an elusive term, but in Hollywood it's everything, I don't care what they say, you either have it, want it, or you're afraid of losing it. Where you stand at these things, or who you may be standing next to, may not seem like the most important thing, but it *really* matters.
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Strange feeling for a French person to sit at a Hollywood movie theater to watch a movie about Hollywood. People around me laughed more than me because, presumably, the joke touches a lot of local nerves. The story is introduced by a score resembling the Nino Rota of "La Dolce Vita" but the similarities with "La Dolce Vita" end there. There is nothing new here other than Robert De Niro's performance, the first in a long time in which there is a notable commitment. I found the characters tiresome and far too familiar. I couldn't care less about any of them. The predicament of De Niro's Ben (a thinly veiled producer, writer Art Linson) left me cold. Living the times we're living, to concern myself with this was too much to ask.
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