Working in a Boston homeless shelter, Nick Flynn re-encounters his father, a con man and self-proclaimed poet. Sensing trouble in his own life, Nick wrestles with the notion of reaching out yet again to his dad.
When his son's body is found in a humiliating accident, a lonely high school teacher inadvertently attracts an overwhelming amount of community and media attention after covering up the truth with a phony suicide note.
When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
A week in the life of Ben, a powerful Hollywood producer, as he juggles negotiations with a studio head so that his newest picture can open at Cannes in two weeks, with a high-strung director who must make edits to the film, with an actor and his agent because the star has arrived on the set of a new picture with a full beard, and with his most recent ex-wife, Kelly, whom he discovers may have a lover. He also notices that his 17-year old daughter, from another marriage, has probably been crying. What's up? Can Ben keep it all together, get the green light from the studio to go to Cannes, move his new picture past the beard crisis, and maybe return to Kelly's good graces? Written by
The film's tagline "In Hollywood, everybody can hear you scream" is a play on Alien (1979)'s famous tagline "In space no one can hear you scream." See more »
Vanity Fair named me as one of the 30 most powerful producers in the business. Power is an elusive term, but in Hollywood it's everything, I don't care what they say, you either have it, want it, or you're afraid of losing it. Where you stand at these things, or who you may be standing next to, may not seem like the most important thing, but it *really* matters.
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The film is certainly enjoyable, and has several laugh-out-loud moments. However, like the film within the film, What Just Happened? feels too long. As a filmmaker myself, I really enjoyed this film, but I am afraid that much of the appeal will be missing in a general audience. A producer trying to change Bruce Willis' mind is pretty funny, but how funny is it to a non-producer or a non-Bruce-Willis? The performances, are, of course, outstanding. The entire cast is composed of nearly uncriticizable actors who are superb in any role they attempt. If you have an interest in how films come to be, this is a fun little flick. If you don't care about the behind-the-scenes, you may want to sit this one out.
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