A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a ... See full summary »
Mary Kay Place
Working in a Boston homeless shelter, Nick Flynn re-encounters his father, a con man and self-proclaimed poet. Sensing trouble in his own life, Nick wrestles with the notion of reaching out yet again to his dad.
A week in the life of Ben, a powerful Hollywood producer, as he juggles negotiations with a studio head so that his newest picture can open at Cannes in two weeks, with a high-strung director who must make edits to the film, with an actor and his agent because the star has arrived on the set of a new picture with a full beard, and with his most recent ex-wife, Kelly, whom he discovers may have a lover. He also notices that his 17-year old daughter, from another marriage, has probably been crying. What's up? Can Ben keep it all together, get the green light from the studio to go to Cannes, move his new picture past the beard crisis, and maybe return to Kelly's good graces? Written by
Vanity Fair named me as one of the 30 most powerful producers in the business. Power is an elusive term, but in Hollywood it's everything, I don't care what they say, you either have it, want it, or you're afraid of losing it. Where you stand at these things, or who you may be standing next to, may not seem like the most important thing, but it *really* matters.
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I love DeNiro, and expect a lot from this film. The movie started out nicely, with great acting, but became incredibly predictable. I just flat out predicted the ending. The movie ended without any conclusion, to any of the plots. And each subplot was more incomplete than the other.
Bruce Willis subplot was absurd, just a bunch of commotion about his beard and then the result and then what? Nothing. It was all about the beard.
The wife and the main character are apparently divorced; we don't see any real chemistry between them. We don't get anywhere with that either except that the two are less intimate in the end. Wow, that was so important to know.
The movie has no moral, no big surprise, no story. It's almost like a fragment of an episode of Entourage, without actually getting to know any of the characters.
What was the point of this movie? Don't trust some Hollywood people? Or that Hollywood is tough? Or that people that get divorced don't get back together?
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