A young girl discovers her father has an amazing talent to bring characters out of their books and must try to stop a freed villain from destroying them all, with the help of her father, her aunt, and a storybook's hero.
Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
The passage from this world to the fantasy kingdom of Stormhold is through a breach in a wall beside an English village. In the 1800s, a boy becomes a man when he ventures through the breach in pursuit of a fallen star, to prove his love for the village beauty. The star is no lump of rock, it's a maiden, Yvaine. Tristan, the youth, is not the only one looking for her: three witches, led by Lamia, want her heart to make them young; and, the sons of the dead king of Stormhold want her because she holds a ruby that will give one of them title to the throne. Assisting Tristan are his mother, the victim of a spell, and a transvestite pirate of the skies. Will Tristan win his true love? Written by
In the mural painted on the outside wall of The Slaughtered Prince pub, the victorious prince standing over the prince that he has slaughtered has Peter O'Toole's face. The pub name The Slaughtered Prince is a sly reference to the pub The Slaughtered Lamb in An American Werewolf in London (1981). See more »
Throughout the course of the film the horse pulling Ditchwater Sal's wagon repeatedly changes. When Lamia comes across Ditchwater Sal it appears to be a silver bay with no visible distinguishing facial markings. However the biggest change occurs when Tristan and Yvaine are picked up on the road. The horse is a liver chestnut with a wide, white blaze on its face and a vastly different body type from the original horse. In the very next scene (right after they were picked up) it has changed to a rotund little flaxen pony with a star and snip as markings. See more »
A philosopher once asked, "Are we human because we gaze at the stars, or do we gaze at them because we are human?" Pointless, really... "Do the stars gaze back?" Now *that's* a question.
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After the end of the credits, the pirates can be heard growling again. See more »
Provides more fun than all of the summer blockbusters put together
The 14 year-old in me is immensely happy that they're now able to make really good looking fantasy movies, and that they're all the rage, what with Lord of the Rings, Harry Potter and The Chronicles of Narnia making loads of cash at the box office. This year will see (and already has seen) several more, most notably The Golden Compass, which has the most exciting trailer I've seen this year. Stardust, based on a novel by Neil Gaiman, showed up in theaters this week with little more than a peep. I saw no previews for it, only a couple of commercials. The critical reaction is kind of blah. I wouldn't even have seen it if not for the fact that I have to wait on a friend to see The Bourne Ultimatum, and that nothing else interesting opened this weekend. Well, if you'll forgive the horrible pun, the stars must have been rightly aligned, because I went to see Stardust, and I loved it. It's not a huge movie like Lord of the Rings. The plot line is your very basic fantasy quest (the hero sets out to look for a fallen star) filled with obstacles. But within that basic outline, the story is lively and imaginative. It's simply aiming to be a lot of fun, and a charming little romance. And it succeeds wonderfully. There were a lot of big films this summer, but none of them were nearly as fun as this one. There's a lot going on, but the story is told well and is almost entirely coherent. It isn't a masterpiece, but it definitely can occupy the same kind of ground that something like The Princess Bride has (though I don't like it quite as much as the earlier film). A lot of fun to be had here if you're a fan of the genre.
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