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Directed by | |||
| David E. Talbert | |||
Writing credits(WGA) | ||
| David E. Talbert | (written by) | |
Produced by | |||
| Matt Alvarez | .... | producer | |
| Stacy Cramer | .... | executive producer (as Stacy Kolker Cramer) | |
| Ice Cube | .... | producer | |
| Trae Ireland | .... | co-producer | |
| Neil A. Machlis | .... | executive producer (as Neil Machlis) | |
| Jessica McCullagh | .... | associate producer | |
| David McIlvain | .... | producer | |
| Ronald G. Muhammad | .... | executive producer (as Ronald Muhammad) | |
| Tim Story | .... | producer | |
| David E. Talbert | .... | producer | |
| Julie Yorn | .... | executive producer | |
Original Music by | |||
| Stanley Clarke | |||
Cinematography by | |||
| Alan Caso | (director of photography) | ||
Film Editing by | |||
| Jeffrey Wolf | |||
Casting by | |||
| Kim Coleman | (as Kim Taylor-Coleman) | ||
| Kim Hardin | |||
Production Design by | |||
| Dina Lipton | |||
Art Direction by | |||
| Robert Strohmaier | |||
Set Decoration by | |||
| Halina Siwolop | |||
Costume Design by | |||
| Gersha Phillips | |||
Makeup Department | |||
| Tena Austin | .... | makeup artist: second unit | |
| John JayBee Bivins | .... | barber (as John H. Bivins III) | |
| Martha Callender | .... | makeup artist | |
| Debra Denson | .... | makeup artist: Ice Cube | |
| Jason Green | .... | hair stylist | |
| Andrea Jackson | .... | hair stylist: second unit | |
| Jasmine Kimble | .... | hair department head | |
| Bret Mayo | .... | hair stylist | |
| Cole Paterson | .... | makeup artist | |
| Cole Patterson | .... | makeup artist | |
| Beverly Jo Pryor | .... | makeup department head | |
| Judy Twine | .... | key makeup artist | |
Production Management | |||
| Craig Cannold | .... | production supervisor | |
| Neil A. Machlis | .... | unit production manager (as Neil Machlis) | |
| Nick Phillips | .... | executive in charge of production | |
Art Department | |||
| William Eliscu | .... | graphic designer | |
| Susan Frontiera | .... | construction estimator | |
| Stephen Gibson | .... | assistant property master | |
| L. David Gordon | .... | drapery foreman | |
| Eric A. Hulett | .... | set dec buyer | |
| Vinson Jae | .... | stand-by painter | |
| Jeffrey Paul Johnson | .... | property master (as Jeff Johnson) | |
| Scott Kitchen | .... | propmaker | |
| Robert Kropfl | .... | location foreman | |
| Tim Lehman | .... | location painter | |
| Michael C. Magno | .... | set dresser | |
| Desma Murphy | .... | assistant art director | |
| Trevor A. Rudolph | .... | set dresser (as Trevor Rudolph) | |
| Tomas Sallvin | .... | construction coordinator | |
| John Sweeney | .... | assistant property master | |
| Viva Wang | .... | set designer | |
| Randy Molique | .... | on-set dresser (uncredited) | |
Sound Department | |||
| Mark Agostino | .... | pro tools operator | |
| Walter Anderson | .... | production sound mixer | |
| Bill W. Benton | .... | supervising sound mixer | |
| Gary C. Bourgeois | .... | sound re-recording mixer | |
| Anita Cannella | .... | foley artist | |
| John Chalfant | .... | sound designer | |
| Anthony J. Ciccolini III | .... | supervising sound editor | |
| Gloria D'Alessandro | .... | adr editor | |
| Amy Kane | .... | foley artist | |
| Lisa J. Levine | .... | adr supervisor | |
| Mike Marino | .... | foley mixer | |
| Anthony M. McCovey | .... | second boom operator | |
| Daniel Pagan | .... | foley editor | |
| Lynn Sable | .... | assistant sound editor | |
| Douglas Shamburger | .... | boom operator | |
| Karen Spangenberg | .... | dialogue editor | |
| Susan Ham | .... | apprentice sound editor (uncredited) | |
Special Effects by | |||
| Michael Clarke | .... | special effects technician | |
| Guy C. Feldman | .... | special effects technician (as Guy Feldman) | |
| Jeff Ogg | .... | special effects technician | |
| Dennis Petersen | .... | special effects coordinator | |
| Garth Steinheimer | .... | special effects technician | |
| Parry Willard | .... | special effects technician | |
Visual Effects by | |||
| Sean Amlaner | .... | digital compositor: Zoic Studios | |
| Raoul Bolognini | .... | visual effects producer | |
| Kristen Branan | .... | head of production: Zoic Studios | |
| Sean Coonce | .... | digital compositor: Zoic Studios | |
| Andreas Jablonka | .... | digital compositor: Zoic Studios | |
| Rocco Passionino | .... | visual effects supervisor | |
| Bethany Pederson Onstad | .... | digital artist (as Bethany Pederson) | |
| Dawrath Phoue | .... | rotoscope artist: Zoic Studios | |
| R. Matt Smith | .... | digital compositor | |
| Sean Tompkins | .... | visual effects coordinator | |
Stunts | |||
| LaFaye Baker | .... | stunt co-coordinator | |
| Jwaundace Candece | .... | stunt driver | |
| Eugene Collier | .... | stunts | |
| Calvin Harrison | .... | stunt driver | |
| Toby Holguin | .... | stunt double: Nicholas Turturro | |
| Rashon Khan | .... | stunts | |
| Horace Knight | .... | stunts | |
| Ed McDermott II | .... | precision driver | |
| Len Richard | .... | stunt double | |
| Von L. Roddy | .... | stunts (as Von Roddy) | |
| Marcus Salgado | .... | stunt performer | |
| Lee Simpson | .... | stunts | |
| Eddie L. Watkins | .... | stunt coordinator (as Eddie Watkins) | |
Casting Department | |||
| Kyle Burch | .... | extras casting assistant | |
| Dawn Marie Deibert | .... | extras casting | |
| Kim Hardin | .... | additional casting | |
| Eve Streger | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Annalisa Adams | .... | costumer | |
| Mina Amirzai | .... | background costumer | |
| Jean Bone | .... | costumer | |
| Nancy Ceo | .... | costume supervisor (as Nancea Ceo) | |
| Sean Haley | .... | costumer | |
| Jacqueline Kahn | .... | costumer | |
| Michelle Margolis | .... | costumer | |
| Elaine McGhee | .... | costumer | |
| Aaron Millsap | .... | costumer | |
| Delerna Moore | .... | key costumer | |
| Dalhia Schuette | .... | costumer | |
Editorial Department | |||
| Jason Ellena | .... | post-production assistant | |
| Scott Gregory | .... | digital film colorist | |
| Kristine McPherson | .... | first assistant editor | |
| Harry Muller | .... | color timer | |
| Julia Nessling-Douglas | .... | digital intermediate producer | |
| Lorena Talpan | .... | post-production assistant | |
| Darin Wooldridge | .... | additional digital colorist: Technicolor | |
| Kay Sievert | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Spring Aspers | .... | music supervisor | |
| Todd Bozung | .... | music editor | |
| Kurt Carr | .... | choir consultant | |
| Ryan Gaines | .... | music coordinator | |
| Robert Johnson | .... | music consultant | |
| David Kitay | .... | composer: additional music | |
| Pilar McCurry | .... | music supervisor | |
Transportation Department | |||
| William R. Peck | .... | driver | |
| John 'J.P.' Pratt | .... | transportation captain | |
Thanks | |||
| Zachary E. Carey | .... | special thanks (as Pastor Zachary E. Carey) | |
| Vincent Negron | .... | special thanks (as Pastor Vincent Negron) | |
| Aundrae Russell | .... | special thanks | |
| Maurice Wilkinson | .... | special thanks | |
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| Spider-Man 3 | Strangers on a Train | Freeway | Bad Santa | The Producers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Let me see: It's January, and a film is released with a recognizable star and an obvious audience. Should be a winner? Nah! Not for nothing is this called the "dead season" or the "dumping ground" because almost all the films released at this time are potential losers, films deemed by their owners weak for a variety of reasons, but most certainly heading for panning by the critics.
First Sunday, a heist film set in a church, fulfills all the requirements for this notorious time of year: The plot is thin and almost silly: a couple of slackers decide to rob a local church in order to pay debts or salvage a family, mixing guilt with almost innocence; Ice Cube stars against his type as a robber with at heart and he produces, an act that guarantees this weak film distribution.
Yet, I liked First Sunday well enough to keep it from my slag heap of grade F. I liked the sub-textual seriousness of kids without dads, dads dealing with unemployment and disrespect, and mundane church matters. In addition, Cube (Durell) has a solid persona, not varying much each film, of an intelligent, serious but secretly warmhearted guy, a working stiff who just hasn't had the right breaks.
His sidekick LeeJohn (Tracy Morgan) provides the feckless, goofy, but lovable klutz, whose heart is bigger than Durell's. Beyond reasonable humor is Katt Williams' Rickey, a choirmaster with loopy observations and mannerisms. The women in the congregation serve as enablers for the errant crooks, and in one case, as major eye candy. Most of the characters in the film are shameless stereotypes.
The responsibility for this sub par comedy rests with writer director David E. Talbert, whose more that a dozen successful plays with heavy social themes remind of the success Tyler Perry has had with a similar profile. But Talbert lacks Perry's refinement of style and substance that deftly mixes broad comedy with social concerns. Talbert may never reach the success of Perry, but he should keep trying because social comedy is a powerful part of our popular culture.