Durell and LeeJohn are best friends and bumbling petty criminals. When told they have one week to pay a $17,000 debt or Durell will lose his son, they come up with a desperate scheme to rob their neighborhood church. Instead, they end up spending the night in the presence of the Lord and are forced to deal with much more than they bargained for.
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Durell Washington and LeeJohn Jackson are best friends and bumbling petty criminals. When Durell learns that his ex-girlfriend plans to move to another state with their son Durell Jr.--unless they can get her $17,000 to pay off a debt-- and so Durell and LeeJohn ultimately comes up with a desperate scheme to rob their neighborhood church. But when the duo fumbles their way through the break-in, they discover someone has beaten them to the punch. In order to get their hands on the money, Durell and LeeJohn are forced to spend the night in the presence of the Lord and his followers--and end up getting a lot more than they bargained for. Written by
Anthony Pereyra {hypersonic91@yahoo.com}
Film prints were delivered to theaters under the codename "Bad to Worse". See more »
Goofs
When LeeJohn and Darrel are in the Cafe, the toast (bottom right corner) he orders has butter on it in one frame and then a fork on it in the next frame. The toast changes throughout the whole scene. See more »
Quotes
LeeJohn:
I'm gonna construct some construction that needs to be constructed.
See more »
Let me see: It's January, and a film is released with a recognizable star and an obvious audience. Should be a winner? Nah! Not for nothing is this called the "dead season" or the "dumping ground" because almost all the films released at this time are potential losers, films deemed by their owners weak for a variety of reasons, but most certainly heading for panning by the critics.
First Sunday, a heist film set in a church, fulfills all the requirements for this notorious time of year: The plot is thin and almost silly: a couple of slackers decide to rob a local church in order to pay debts or salvage a family, mixing guilt with almost innocence; Ice Cube stars against his type as a robber with at heart and he produces, an act that guarantees this weak film distribution.
Yet, I liked First Sunday well enough to keep it from my slag heap of grade F. I liked the sub-textual seriousness of kids without dads, dads dealing with unemployment and disrespect, and mundane church matters. In addition, Cube (Durell) has a solid persona, not varying much each film, of an intelligent, serious but secretly warmhearted guy, a working stiff who just hasn't had the right breaks.
His sidekick LeeJohn (Tracy Morgan) provides the feckless, goofy, but lovable klutz, whose heart is bigger than Durell's. Beyond reasonable humor is Katt Williams' Rickey, a choirmaster with loopy observations and mannerisms. The women in the congregation serve as enablers for the errant crooks, and in one case, as major eye candy. Most of the characters in the film are shameless stereotypes.
The responsibility for this sub par comedy rests with writer director David E. Talbert, whose more that a dozen successful plays with heavy social themes remind of the success Tyler Perry has had with a similar profile. But Talbert lacks Perry's refinement of style and substance that deftly mixes broad comedy with social concerns. Talbert may never reach the success of Perry, but he should keep trying because social comedy is a powerful part of our popular culture.
33 of 54 people found this review helpful.
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Let me see: It's January, and a film is released with a recognizable star and an obvious audience. Should be a winner? Nah! Not for nothing is this called the "dead season" or the "dumping ground" because almost all the films released at this time are potential losers, films deemed by their owners weak for a variety of reasons, but most certainly heading for panning by the critics.
First Sunday, a heist film set in a church, fulfills all the requirements for this notorious time of year: The plot is thin and almost silly: a couple of slackers decide to rob a local church in order to pay debts or salvage a family, mixing guilt with almost innocence; Ice Cube stars against his type as a robber with at heart and he produces, an act that guarantees this weak film distribution.
Yet, I liked First Sunday well enough to keep it from my slag heap of grade F. I liked the sub-textual seriousness of kids without dads, dads dealing with unemployment and disrespect, and mundane church matters. In addition, Cube (Durell) has a solid persona, not varying much each film, of an intelligent, serious but secretly warmhearted guy, a working stiff who just hasn't had the right breaks.
His sidekick LeeJohn (Tracy Morgan) provides the feckless, goofy, but lovable klutz, whose heart is bigger than Durell's. Beyond reasonable humor is Katt Williams' Rickey, a choirmaster with loopy observations and mannerisms. The women in the congregation serve as enablers for the errant crooks, and in one case, as major eye candy. Most of the characters in the film are shameless stereotypes.
The responsibility for this sub par comedy rests with writer director David E. Talbert, whose more that a dozen successful plays with heavy social themes remind of the success Tyler Perry has had with a similar profile. But Talbert lacks Perry's refinement of style and substance that deftly mixes broad comedy with social concerns. Talbert may never reach the success of Perry, but he should keep trying because social comedy is a powerful part of our popular culture.