| Mr. Cool | ... | Himself | |
| The Cowboy | ... | Himself | |
| Davin Anders Hutchins | ... | Himself - Narrator (as Davin) | |
| Jere Maluk | ... | Himself | |
| Magda | ... | Herself | |
| Behaira Mohamed | ... | Refugee and Ma'an Center Deputy | |
| Elizabeth Drachman | ... | Herself (as Elizabeth) | |
| Munumana | ... | Himself | |
| Evelina | ... | Herself | |
| Kiko Bayin | ... | Herself | |
| Lokole Lio | ... | Himself | |
| Karaboo | ... | Himself | |
| Gabriel | ... | Himself | |
| Ibrahim | ... | Himself | |
| Jan Erik Wilhelmsen | ... | JMC Head of Mission (as Brig. Gen. Jan Erik Wilhelmsen) | |
| Dave Asher | ... | Himself (as Com. Dave Asher) | |
| Mike Ghent | ... | Himself (as Com. Mike Ghent) | |
| Hani Rifaat | ... | Himself | |
| Barbara Harrell-Bond | ... | Herself - Co-Founder, Refugee Legal Aid | |
| Alistair Boulton | ... | UNHCR Resettlement Officer | |
| Teresa Everline | ... | Herself | |
| Ana Liria-Franch | ... | Herself - Director, UNHCR Cairo Office | |
| Abdullah Mansour | ... | Psychiatrist - Nadeem Center for Torture | |
| rest of cast listed alphabetically: | |||
| Ismail Khamis Jalab | ... | SPLA South Kordofan (as Cmdr. Ismail Khamis Jalab) | |
Directed by | |||
| Davin Anders Hutchins | |||
Writing credits | ||
| Davin Anders Hutchins | (written by) | |
Original Music by | |||
| Al-Khafiyeen | (music) | ||
Cinematography by | |||
| Davin Anders Hutchins | |||
Film Editing by | |||
| Davin Anders Hutchins | |||
Production Management | |||
| James Eowan | .... | executive in charge of production | |
| Matt Henderson | .... | executive in charge of production | |
| Liz Poindexter | .... | executive in charge of production | |
Camera and Electrical Department | |||
| Elizabeth Drachman | .... | additional cinematographer | |
| Katarzyna Grabska | .... | additional cinematographer | |
| Gasser Abdel Razek | .... | additional photography | |
Editorial Department | |||
| Chris Hill | .... | consulting editor | |
| Arwa Merchant | .... | consulting editor | |
Music Department | |||
| Assam Hassan Ahmed | .... | musician: nuban oud, vocals | |
| Cengiz Atlan | .... | musician: turkish ney | |
| Aladdin Abdul Aziz | .... | musician: bass guitar | |
| Khaled Dendick | .... | musician: tablas, congas | |
| Badr El Din | .... | musician: saxophone, vox | |
| Afaf El Hajj | .... | musician: background vocals | |
| Abbas Abu El Khalik | .... | musician: acoustic guitar, lead vox | |
| Hafez El Kher | .... | musician: lead vox | |
| Eyup Hamis | .... | musician: turkish ney | |
| Hussein | .... | musician: saxophone | |
| Davin Anders Hutchins | .... | musician: synthesizer, digital bass, percussion | |
| Davin Anders Hutchins | .... | soundtrack mixer | |
| Davin Anders Hutchins | .... | soundtrack producer | |
| Mohamed Khalifa | .... | musician: flute | |
| Christina Risco-Turner | .... | soundtrack consultant | |
| Pato Risco-Turner | .... | soundtrack consultant | |
| Alideen Sanhouri | .... | musician: nubian oud, lead vox | |
| James Temple | .... | musician: rhythm loops | |
Other crew | |||
| Julius Batista | .... | translator: Arabic/Bari | |
| Gina Bekker | .... | researcher | |
| Eva Dadrian | .... | researcher | |
| Katarzyna Grabska | .... | researcher | |
| Amir Osman | .... | translator: Arabic/Bari | |
| Mohamed Osman | .... | translator: Arabic/Bari | |
| James Wani Lejukole | .... | translator: Arabic/Bari | |
Thanks | |||
| Al-Khafiyeen | .... | special thanks | |
| Sara Almer | .... | special thanks | |
| Karim Attasi | .... | thanks | |
| Emmanuel Bara | .... | special thanks | |
| Eva Dadrian | .... | special thanks | |
| Elizabeth Drachman | .... | infinite thanks and love | |
| Udy Epstein | .... | special thanks | |
| Patrick Fitzpatrick | .... | thanks | |
| Katarzyna Grabska | .... | special thanks | |
| Richard Grindell | .... | thanks | |
| Barbara Harrell-Bond | .... | special thanks | |
| Matt Henderson | .... | special thanks | |
| Karin Hutchins-Jones | .... | special thanks | |
| Buck Jones | .... | special thanks | |
| Michael Kagan | .... | thanks | |
| Anton Kohler | .... | special thanks | |
| Joy Kwaje | .... | thanks | |
| Paul Merrington | .... | thanks | |
| Gasser Abdel Razek | .... | thanks | |
| Alideen Sanhouri | .... | special thanks | |
| Tim Smythe | .... | special thanks | |
| Jessica Tagami | .... | thanks | |
| Philip Tagami | .... | thanks | |
| James Temple | .... | special thanks | |
| Samira Trad | .... | thanks | |
| Gretchen Turner | .... | thanks | |
| Raliegh Turner | .... | thanks | |
| James Wani Lejukole | .... | special thanks (as James Wani-Lejukole) | |
|
|
|
|
|
| The Agronomist | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | A Jihad for Love | Children of Men | Persepolis |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | IMDb Documentary section |
| IMDb Sudan section |
The Art of Flight was the first movie I caught at the Bangkok Film Festival 2006.
The director Davin Anders Hutchins travels guerrilla style through Sudan for the first 15 minutes of the movie to show the absolute hopelessness of the people due to the unrest in Sudan. This lays out the field for the main focus of the commentary - the plight of the Sudanese refugees who have taken 'refuge' in Sudan looking for a better life and are now desperately looking for a way out of their miserable existence in Egypt to a third country - and how much they have to fight and struggle just for a reasonable life. All this is happening under the suffocating umbrella of a un-democratic, oppressive Egyptian government that has pretends to democracy but is far from it - but has received legitimacy from the U.S. for its own ulterior motives.
The UNHCR far from being an agency that tries everything in it power to help the refugees instead participates in the oppression and stifling of the refugees voice and hopes - many times causing the refugees to make creative and desperate attempts.
A sad state of affairs all around. The fact that the documentary does not give much voice to the Egyptians side of things - be it government, NGOs or the man on the street - leaves us with an incomplete feeling - because for people not associated with Egypt/Sudan etc, there is no way of knowing that side of things - which is equally important to complete the portrait.
Still, a very good documentary by the American writer-journalist who is also an Egyptian and who wanted to tell a story - which is also about his personal investment into some of the refugees lives and the poignant un-expected dis-trust of one of the families he tries to help - that of Jere.
Very commendable too since Mr.Hutchins has obviously invested a lot both financially and emotionally to tell this story.