A documentary on the once-promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols, and the friendship/rivalry between their respective founders, Anton Newcombe and Courtney Taylor.
As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ... See full summary »
Ginger Baker looks back on his musical career with Cream and Blind Faith; his introduction to Fela Kuti; his self-destructive patterns and losses of fortune; and his current life inside a fortified South African compound.
'JACO' tells the story of Jaco Pastorius, a self-taught, larger-than-life musician who changed the course of modern music. Never-before-seen archive unveils the story of Jaco's life, his ... See full summary »
I can understand why a previous reviewer mistook this at first for a mockumentary. It is jargon-loaded, trivia-burdened, and at times downright (unintentionally) comic-pompous. Walker had a fine mellow voice for ballad singing and expressed some originality in a very few later songs, but aside from this?
Why drag in everyone who knew him and/or once grooved on his music and lyrics so they can be mugshot while straining to convince us he's some kind of unsung (pun intended)phenom all of us should recognize and appreciate? If this was the intended theme and purpose of the film, it is an utter failure, suggesting the mystery of Scott Walker's life is that there is no mystery.
If the film makers are trying to make some other point (as is achieved in better music bio films), it's not clear what that might be. It doesn't help that some of his incomprehensible pseudo-poetic lyrics are scrolled in the background.
Several of the commentators are as embarrassingly inarticulate as Walker's own more "advanced" lyrics are. (Are we sure this isn't a mock-umentary?) Where was the director/editor in all this rambling? Off somewhere grooving on Walker's earlier recordings?
Interestingly, the most intelligent comment comes briefly from Sting when he begins to talk about the dark side of romanticism, etc. It's a shame he (or somebody) wasn't given more time to explore the significance of Walker's life. Scott Walker was not one of the greatest musical/poetry talents of the last forty years, but surely he deserves better than this inept bio-film.
1 of 6 people found this review helpful.
Was this review helpful to you?