| Lou Engle | ... | Himself | |
| Becky Fischer | ... | Herself | |
| Ted Haggard | ... | Himself | |
| Mike Papantonio | ... | Himself - Commentator |
Directed by | |||
| Heidi Ewing | |||
| Rachel Grady | |||
Produced by | |||
| Laura Bell | .... | imaging producer | |
| Nancy Dubuc | .... | executive producer | |
| Heidi Ewing | .... | producer | |
| Jannat Gargi | .... | producer: imaging | |
| Rachel Grady | .... | producer | |
| Ryan Harrington | .... | managing producer: A&E IndieFilms | |
| Jacquelyn Shulman | .... | associate producer | |
| Molly Thompson | .... | executive producer | |
Original Music by | |||
| Force Theory | |||
| Neill Sanford Livingston | (as Sanford Livingston) | ||
| Michael Furjanic | (uncredited) | ||
Cinematography by | |||
| Mira Chang | |||
| Jenna Rosher | |||
Film Editing by | |||
| Enat Sidi | |||
Art Department | |||
| Marc Corsiglia | .... | graphics designer | |
Sound Department | |||
| Margaret Crimmins | .... | additional sound designer | |
| Michael Furjanic | .... | sound designer | |
| David Glaser | .... | sound mixer: Gizmo Enterprises Inc. | |
| Greg Smith | .... | additional sound designer | |
Visual Effects by | |||
| Mark A. Brown | .... | digital film services (as Marc Brown) | |
Camera and Electrical Department | |||
| Nina Davenport | .... | additional camera operator | |
| Alan Deutsch | .... | additional camera operator | |
| Tony Hardmon | .... | additional camera operator | |
| Andrew Jansen | .... | Steadicam operator | |
| Corey Kohn | .... | still photographer | |
| Jacquelyn Shulman | .... | additional camera operator | |
Editorial Department | |||
| Marc Brown | .... | film output: digital intermediate | |
| Scott P. Doniger | .... | on-line editor: Full Circle Post (as Scott Doniger) | |
| Dara Kell | .... | additional editor | |
| Jonathan Liebert | .... | digital cinema mastering | |
| Minnea Lin | .... | additional editor | |
| Bill Scott | .... | senior color timer | |
Music Department | |||
| Neill Sanford Livingston | .... | musician (as Sanford Livingston) | |
| J.J. McGeehan | .... | composer: additional music | |
Other crew | |||
| Rose Agger | .... | production intern | |
| Kathy Avril | .... | production intern | |
| Maria Cataldo | .... | production intern | |
| Victoria S. Cook | .... | legal counsel: Frankfurt Kurnit Klein & Selz | |
| Marc Corsiglia | .... | title designer | |
| Sam Cotler | .... | production intern | |
| Anna Liese Gaeta | .... | production intern | |
| Salil Gandhi | .... | legal counsel: Frankfurt Kurnit Klein & Selz | |
| Christina Gonzalez | .... | production assistant | |
| Naomi Goodman | .... | production intern | |
| Brent Hansford | .... | production intern | |
| Erin Heidenreich | .... | sales agent | |
| Kris Kaczor | .... | production intern | |
| Arlin Kelly | .... | production intern | |
| Darlene Lin | .... | production intern | |
| Alex Linsker | .... | production intern | |
| Maya Mumma | .... | production intern | |
| Katie Paddock | .... | production intern | |
| Joanna Parson | .... | production intern | |
| Timiza Sanyika | .... | production intern | |
| Tony Shaff | .... | production intern | |
| Josiah Signor | .... | production intern | |
| Thom Woodley | .... | production intern | |
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| Religulous | Creation | Of Gods and Men | Saved! | The Night of the Hunter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Enter the world of Jesus Camp, a brilliant documentary that chronicles the life of several people who attend or set up a "Jesus Camp" in (ironicaly) Devils Lake North Dakota.
Filmmakers Heidi Ewing, and Rachel Grady decide to focus mostly on the children that attend, with some focus on minister Becky Fisher who is one of the main architects of the camp.
Right away the filmmakers show a growing underlying change in the evangelical movement, to politicize their beliefs. Voice overs start talking about the newest supreme court nomination of Alito. However, once the focus starts on the kids who attend the camp the film gets its bearing.
What becomes obvious is that paranoia and fear is driven into the kids. There is Ashley a young girl, and Levi an older boy who seems to be on the quest to become a minister and preacher himself. It's obvious he likes the attention that is given him. But the kids are still kids, Levi and his friend go out into the woods and do what all kids do, explore find a scary spider, Levi even mentions, I like to throw rocks.
But then they are back in lessons again, scarred out of their boots in a sermon as they are being told to stay away from Harry Potter, abortion, and that they are essentially dirty from all the sins they carry. Most of them can't hold back the tears. Levi mentions he said he was saved when he was 5 years old (I can only think of the horrible things that he must have been guilty of to be converted (too much sugar cereal maybe?) ) The filmmakers do the smart thing and let the pictures and words speak for themselves. There is no voice over narration, no probing questions from the film-makers to the subjects themselves. There is no debate. The words from the kids just come out, and they are frightening. A sense of brainwashing can only be observed as the kids talk about how they have to fight in gods army, and that everyone else has to be 'purged'. Never mind that at one point kids are worshiping at a card board cut out of George Bush.
Some scenes literally look like they could have came from the movie "Triumph of the Will".
But the brilliance is shown in the innocence that these children loose and don't seem to enjoy in. What young kid needs to know about abortion? or be cleansed of all the horrors of the world? Why can't the kids just make up their own minds with everything but in front of them? When do kids ever get to just.... play? They are hints in the film at that, kids will be kids, little late night camp ghost stories, some break dancing.. it's all in good fun, and perfectly fine.
But it seems like Jesus camp just wants to crush their spirits.
Kudos to the film-makers for showing it real.