| Photos (See all 27 | slideshow) | Videos (see all 4) |
| Jake Tusing | ... | Himself | |
| Megan Krizmanich | ... | Herself | |
| Colin Clemens | ... | Himself | |
| Mitch Reinholt | ... | Himself | |
| Hannah Bailey | ... | Herself | |
| rest of cast listed alphabetically: | |||
| Geoff Haase | ... | Himself | |
| Jennifer Lucht | ... | Herself | |
| Jennifer Sheopherd | ... | Herself | |
| Ali Wikalinska | ... | Herself | |
Directed by | |||
| Nanette Burstein | |||
Writing credits(in alphabetical order) | ||
| Nanette Burstein | writer | |
Original Music by | |||
| Michael Penn | |||
Cinematography by | |||
| Robert Hanna | |||
| Wolfgang Held | |||
| Laela Kilbourn | |||
Film Editing by | |||
| Nanette Burstein | |||
| Thomas Haneke | (as Tom Haneke) | ||
| Mary Manhardt | |||
Casting by | |||
| Tamra Barcinas | |||
Production Management | |||
| Greg Orselli | .... | production supervisor | |
Art Department | |||
| Junko Shimizu | .... | sets/props: animation (segment "Hannah's Depression") | |
| Mäns Swanberg | .... | art director: animation (segment "Kiss") | |
| Paige Travis | .... | sets/props: animation (segment "Hannah's Depression") | |
Sound Department | |||
| Mark Binder | .... | sound editor | |
| Mark Binder | .... | sound re-recording mixer | |
| Mike Chock | .... | sound designer (as Michael Chock) | |
| Mike Chock | .... | supervising sound editor (as Michael Chock) | |
| Ken Dabek | .... | additional sound mixer | |
| Stefan Fraticelli | .... | foley artist | |
| Mark A. Mangini | .... | sound editor (as Mark Mangini) | |
| Mark A. Mangini | .... | sound re-recording mixer (as Mark Mangini) | |
| Dave Plowman | .... | foley assistant | |
| Matthew Reale | .... | sound mix technician | |
| Anna Rieke | .... | sound mixer | |
| John Sievert | .... | foley artist | |
| J. Byron Smith | .... | additional sound mixer (as Byron Smith) | |
| Randy Wilson | .... | foley mixer | |
| Rebecca Cammisa | .... | sound recordist (uncredited) | |
| Mark Coffey | .... | first assistant sound editor (uncredited) | |
Visual Effects by | |||
| Micha Boström | .... | CG artist (segment "Love") | |
| Micha Boström | .... | cg artist (segment "Fight") | |
| Cecilia Chien | .... | additional flame artist (segment "Nerd") | |
| Wyeth Hansen | .... | additional motion graphics artist (as Wyeth Hanson) | |
| Matthew W. Johnson | .... | smoke artist | |
| David Kelley | .... | motion graphics artist | |
| Stefan Lagerstam | .... | lighting and rendering (segment "Fight") (segment "Love") | |
| Kristian Rydberg | .... | CG artist (segment "Love") | |
| Kristian Rydberg | .... | cg artist (segment "Fight") | |
| Adam Sackett | .... | motion graphics assistant | |
| Lutz Vogel | .... | 3D animator (segment "Nerd") | |
| Lutz Vogel | .... | flame artist (segment "Nerd") | |
| Roger P. Wasson | .... | motion graphics assistant | |
Camera and Electrical Department | |||
| Tamas Bojtor | .... | additional photography | |
| Axel Bowman | .... | additional photography | |
| Rebecca Cammisa | .... | additional photography | |
| Sam Henriques | .... | additional photography (as Samson Hanriques) | |
| David Lobser | .... | cinematographer: animation (segment "Hannah's Derpression") | |
| Ed Marritz | .... | additional photography (as Edward Morritz) | |
| Vasco Nunes | .... | additional photography | |
| James Rexroad | .... | still photographer | |
| Eliot Rockett | .... | additional photography (as Elliot Rockett) | |
| Brett Wiley | .... | additional photography | |
Animation Department | |||
| Ariadne Binderl | .... | paints and textures (segment "Jocks - BBall") | |
| Aaron Bjork | .... | animator (segment "Notre Dame") | |
| Cecilia Carlstedt | .... | illustrator: animation (segment "Kiss") | |
| Matthew Encinas | .... | animator (segment "Notre Dame") | |
| Paul Hwang | .... | creative lead (segment "Notre Dame") | |
| Diogo Kalil | .... | animator (segment "Jocks - BBall) | |
| Diogo Kalil | .... | creative lead (segment "Jocks - BBall) | |
| George Katz | .... | animator (segment "Notre Dame") | |
| Ben Lee | .... | creative lead (segment "Notre Dame") | |
| Shu-Chen Lin | .... | modeler (segment "Hannah's Depression") | |
| Alex Lins | .... | character designer (segment "Jocks - BBall") | |
| Alex Lins | .... | modeler (segment "Jocks - BBall") | |
| David Lobser | .... | animator (segment "Hannah's Depression") | |
| David Lobser | .... | creative lead (segment "Hannah's Depression") | |
| Derek Picken | .... | creative lead (segment "Fight") (segment "Love") | |
| Alli Sadegiani | .... | animator (segment "Fight"_) (segment "Love") | |
| Cecilia Skedinger | .... | animator (segment "Fight") (segment "Love") | |
| Sean Starkweather | .... | animator (segment "Notre Dame") | |
| Mäns Swanberg | .... | creative lead (segment "Kiss") | |
| Lutz Vogel | .... | 2D animator (segment "Nerd") | |
| Lutz Vogel | .... | animation designer (segment "Nerd") | |
| Lutz Vogel | .... | creative lead (segment "Nerd") | |
| Andreas Westin | .... | animator | |
| Zoe Wishart | .... | 2D animator (segment "Nerd") | |
| Zoe Wishart | .... | animation designer (segment "Nerd") | |
| Zoe Wishart | .... | creative lead (segment "Nerd") | |
| Steve Woodruff | .... | animator (segment "Fight") (segment "Love") | |
| Aron Ögren | .... | animator (segment "Fight") (segment "Love") | |
Editorial Department | |||
| Doug Delaney | .... | digital intermediate colorist | |
| Katie Dellamaggiore | .... | post-production coordinator (as Katie Schultz) | |
| Jonathan Giraldo | .... | assistant editor | |
| Jason M. Harvey | .... | assistant editor (as Jason Harvey) | |
| Matthew W. Johnson | .... | smoke artist | |
| Jennifer Lee | .... | assistant editor (as Jenny Lee) | |
| Timothy Lozada | .... | assistant editor (as Tim Lozada) | |
| Gregory Maratea | .... | digital intermediate producer: Post Logic Studios | |
| Rebecca Merle | .... | post-production coordinator | |
| Kris Santa Cruz | .... | colorist: high definition | |
| William Lehman | .... | assistant editor (uncredited) | |
| Cyril Merle | .... | assistant editor (uncredited) | |
| Jaron White | .... | contributing editor (uncredited) | |
Music Department | |||
| Jay Bellerose | .... | musician: drums and percussion (as Jay Belrose) | |
| Caroline Buckman | .... | musician: viola | |
| Matthew Cooker | .... | musician: cello (as Matt Cooker) | |
| Marcy Dicterow-Vaj | .... | musician: violin (as Marcy Vaj) | |
| Richard Dodd | .... | musician: cello | |
| Chris Douridas | .... | music supervisor | |
| Ryan Freeland | .... | music recording engineer: The Pass | |
| Terry Glenny | .... | musician: violin | |
| Eric Gorfaine | .... | musician: violin (as Eric Gorfain) | |
| Leah Katz | .... | musician: viola | |
| James King | .... | musician: saxophone | |
| John Krovoza | .... | musician: cello | |
| Marisa Kuney | .... | musician: violin | |
| Joe Lisanti | .... | music editor | |
| Bruce MacFarlane | .... | music recording engineer: Mimeograph (as Bruce Macfarlane) | |
| Craig MacIntyre | .... | musician: drums and percussikon | |
| Peter Nevil | .... | musician: clarinet | |
| Dan Ostermann | .... | musician: trombone | |
| Dan Ostermann | .... | musician: tuba | |
| Alyssa Park | .... | musician: violin | |
| Michael Penn | .... | musician: keyboards, guitar, bass, various and sundry | |
| Nic Rainer | .... | music editor | |
| Melissa Reiner | .... | musician: violin | |
| Jim Schultz | .... | music editor | |
| The Section Quartet | .... | musicians: quartet | |
| Niko Toubia | .... | assistant music supervisor | |
| Patrick Warren | .... | musician: keyboards | |
| Patrick Warren | .... | orchestrator | |
| Amy Wickman | .... | musician: violin | |
| Alwyn Wright | .... | musician: violin | |
Other crew | |||
| Claire Chandler | .... | intern/logger | |
| Kelsey Coleman | .... | intern/logger | |
| Vincent J. Cook III | .... | intern/logger (as Vincent James Cook III) | |
| Alfred DeGrand | .... | intern/logger | |
| Jacqueline Eckhouse | .... | legal services: Sloss Eckhouse Brennan | |
| Andrew Esterly | .... | intern/logger | |
| Nicholas Feitel | .... | office intern | |
| John B. Finn | .... | accountant: JFA (as John Finn) | |
| Ryan Garrett | .... | intern/logger | |
| Ted Gesing | .... | production coordinator | |
| Brian Hayashi | .... | intern/logger | |
| Pete Hayes | .... | accountant: JFA | |
| Alex J. Johnson | .... | production assistant (as Alex Johnson) | |
| David Kelley | .... | title designer | |
| Paul Kresge | .... | intern/logger | |
| Daniel Manco | .... | production assistant (as Dan Manco) | |
| Adam Mandel | .... | legal services: Sloss Eckhouse Brennan | |
| Adam Messenger | .... | intern/logger | |
| Bernard Moor-Jankowski | .... | intern/logger (as Bernard Moor Jankowski) | |
| Chris Ohlson | .... | production coordinator | |
| Keith Overton | .... | intern/logger | |
| Erin Owens | .... | production assistant | |
| Emily Radecki | .... | production assistant | |
| Adam Sackett | .... | title design assistant | |
| Jared Sales | .... | intern/logger | |
| German R. Sanchez | .... | intern/logger | |
| Michael Smith | .... | intern/logger | |
| Melody Storm | .... | intern/logger | |
| Roger P. Wasson | .... | title design assistant | |
| A.M. Peters | .... | assistant to director (uncredited) | |
Thanks | |||
| Hannah Bailey | .... | special thanks | |
| Colin Clemens | .... | special thanks | |
| Geoff Haase | .... | special thanks | |
| Megan Krizmanich | .... | special thanks | |
| Jennifer Lucht | .... | special thanks | |
| Mitch Reinholt | .... | special thanks | |
| Jennifer Shepherd | .... | special thanks | |
| Jake Tusing | .... | special thanks | |
| Ali Wikalinska | .... | special thanks | |
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| Carrie | Easy A | American Graffiti | Drive Me Crazy | She's All That |
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| Full cast and crew | Company credits | External reviews |
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Any enjoyment I may have experienced watching this film was killed by a nagging doubt that what I was watching was authentic.
Is it just me ... or does this film smell fishy? Not only is the camera ALWAYS in the right place when key events occur but each shot has degree of polish that would seem to have required a lot of advanced planning.
This feels like some sort of mockumentary and I'm amazed it has been so positively reviewed. Is America this naive?
Even if this film is real, it doesn't give us any more insight into the world of teen cliques than we got 25 years ago from John Hughes films. With most documentaries, there is are questions about what liberties were taken for the sake of the presentation but "American Teen" goes beyond that. I'm hoping Nanette Burstein will soon say, "By the way, I hope everyone realizes this was a gag." Otherwise, she has lost all credibility with me.